Brian Johnston
July 18th, 2011, 07:15 AM
Sorry, no video, but an audio clip:
An instrumental using the FuzzBubble-45 pedal direct into a clean amp (Egnater Rebel-30 head). Besides some echo, the only other thing I used was a Wah, which does color the sound somewhat. A cool pedal, the FuzzBubble combines the sounds of Pete Townsend on one side and Jimi Hendrix on the other. I have Pete sandwiched between Jimi (into and ending). I did not try to emulate their sounds, but applied what I liked for the song I wrote. You can get a huge range of tones from this pedal and it has a very tube-like sound... rich and warm and analog. I'll be writing a review on the product in the near future.
Other equipment... playing a Reverend 'Unknown Hinson Signature' guitar (has a very dark sound, far from bright and ideal for rock and even metal); I have the Harmonic Capo at fret 5 (every time I hit an open string, I get an octave higher and it is a harmonic... lots of harmonics in this song, but they are played fast enough and with enough drive/distortion that many are not that audible unless you listen closely). Around 1:15 I wanted some feedback, and so I used the Vibesware Guitar Resonator for that.
http://profile.ultimate-guitar.com/logicbdj/music/all/play1024129
An instrumental using the FuzzBubble-45 pedal direct into a clean amp (Egnater Rebel-30 head). Besides some echo, the only other thing I used was a Wah, which does color the sound somewhat. A cool pedal, the FuzzBubble combines the sounds of Pete Townsend on one side and Jimi Hendrix on the other. I have Pete sandwiched between Jimi (into and ending). I did not try to emulate their sounds, but applied what I liked for the song I wrote. You can get a huge range of tones from this pedal and it has a very tube-like sound... rich and warm and analog. I'll be writing a review on the product in the near future.
Other equipment... playing a Reverend 'Unknown Hinson Signature' guitar (has a very dark sound, far from bright and ideal for rock and even metal); I have the Harmonic Capo at fret 5 (every time I hit an open string, I get an octave higher and it is a harmonic... lots of harmonics in this song, but they are played fast enough and with enough drive/distortion that many are not that audible unless you listen closely). Around 1:15 I wanted some feedback, and so I used the Vibesware Guitar Resonator for that.
http://profile.ultimate-guitar.com/logicbdj/music/all/play1024129