Very interesting, indeed!
Dsus4 - as far as chords go, that would be a D-G-A-C (I-IV-V-VII), wouldn't it? So as far as tuning goes, would that be D-G-D-A-C-D or D-G-C-G-A-D?
If any of my workings out are wrong, please correct me, I'm intrigued!
Two days ago I decided to get my Telecaster out of the gig bag and tune it to one of this intricate open tuning: Dsus4 and try noodling around with my Laney LC-15 turn up to crunch. I had lots of fun and found out some interesting sound textures.
Let me know what you think of it
Guitars:
1978 Fender Telecaster Thinline Custom USA, New Nash TL-72 Thinline Telecaster, 1965 Harmony Meteor, H71, 1986 Fender Telecaster Esquire MIJ, New Martin J-41 Special, 1933 National Duolian, 1941, New Eastwood Mandocaster 12 strings
Amps:
Tweed Vibrolux Custom Denis Manlay, 1976 Fender Deluxe Reverb Silverface
Very interesting, indeed!
Dsus4 - as far as chords go, that would be a D-G-A-C (I-IV-V-VII), wouldn't it? So as far as tuning goes, would that be D-G-D-A-C-D or D-G-C-G-A-D?
If any of my workings out are wrong, please correct me, I'm intrigued!
I just consider as an Open D with a 4th instead of a major third so tuning is DADGAD simply a sus4 doesn't need a 7th if I'm correct otherwise you'll get a 11th chord not a sus4
Guitars:
1978 Fender Telecaster Thinline Custom USA, New Nash TL-72 Thinline Telecaster, 1965 Harmony Meteor, H71, 1986 Fender Telecaster Esquire MIJ, New Martin J-41 Special, 1933 National Duolian, 1941, New Eastwood Mandocaster 12 strings
Amps:
Tweed Vibrolux Custom Denis Manlay, 1976 Fender Deluxe Reverb Silverface
Ahh, DADGAD! That's the only other alternate tuning I use! But I use it for entirely different applications!Originally Posted by Jipes
I never knew that was a sus4, though. . . That would make sense about the sus4 becoming an 11 by adding the 7 - but I'm at least glad I knew to drop the 3 for the 4!
Alternate tuning is a vast source of discoveries for me give a try to DAEEAD it's a tuning I discover through Chris Whitley and it's really great (Dsus2). I did some instrumentals with this tuning and it's really interesting :
Guitars:
1978 Fender Telecaster Thinline Custom USA, New Nash TL-72 Thinline Telecaster, 1965 Harmony Meteor, H71, 1986 Fender Telecaster Esquire MIJ, New Martin J-41 Special, 1933 National Duolian, 1941, New Eastwood Mandocaster 12 strings
Amps:
Tweed Vibrolux Custom Denis Manlay, 1976 Fender Deluxe Reverb Silverface
My problem is that it's taken me years to get my head around standard tuning, the moment I change it - even to Eb - everything just sounds wrong and horrible. The only exception to that being DADGAD, but I use that drastically different than you do (or most people, from what I've heard).Originally Posted by Jipes
I'll give it a shot someday - when it feels right.
What I like is that without the already known position you'll have to dig for what sounds good to your ears and that open up your musical universe.
It helps me to rethink the guitar differently than to run same old scales or use over and over the same chords pattern
Guitars:
1978 Fender Telecaster Thinline Custom USA, New Nash TL-72 Thinline Telecaster, 1965 Harmony Meteor, H71, 1986 Fender Telecaster Esquire MIJ, New Martin J-41 Special, 1933 National Duolian, 1941, New Eastwood Mandocaster 12 strings
Amps:
Tweed Vibrolux Custom Denis Manlay, 1976 Fender Deluxe Reverb Silverface
I guess you're right - I need to leave my comfort zone. I'll give it a shot. . .Originally Posted by Jipes
Well no one else has any comment to do
Guitars:
1978 Fender Telecaster Thinline Custom USA, New Nash TL-72 Thinline Telecaster, 1965 Harmony Meteor, H71, 1986 Fender Telecaster Esquire MIJ, New Martin J-41 Special, 1933 National Duolian, 1941, New Eastwood Mandocaster 12 strings
Amps:
Tweed Vibrolux Custom Denis Manlay, 1976 Fender Deluxe Reverb Silverface
Jipes.....I like what I hear.....good stuff....and very different
Guitars: 2002 Les Paul Studio Limited Color's Edition | 2004 Greg Bennett Avion Les Paul Copy | S101 Telecaster project | 2004 Washburn D46 Acoustic
Amplification: Epiphone Valve Jr. Head and Cabinet | VOX AD30VT
Effects: Rocktron Delay | BBE Free Fuzz | Big Muff Pi | Boss Flanger | Bad Monkey | Jekyll and Hyde | Cry Baby Wah | Boss EQ | Behrenger TU300 Tuner |
I liked it a lot, Jipes. Very good sound from that combination of amp and guitar. That tuning is interesting sounding. I've never used alternate tunings except for DADGBD on acoustic a few times. Nice clip!:
Guitars
Wilburn Versatare, '52 FrankenTele(Fender licensed parts), Fender USA Roadhouse Strat, Fender USA Standard B-bender Telecaster, Agile AL 3000 w/ WCR pickups, Ibanez MIJ V300 Acoustic, Squier Precision Bass,
Amps
Ceriatone Overtone Special, Musicman 212 Sixty-Five, Fender Blues Jr., Peavey Classic 30, Fender Super Reverb, Traynor YCV-40 WR Anniversary w/ matching 1x12 ext. cab, Epiphone SoCal 50w head w/ matching 4x12 cab (Lady Luck speakers), Avatar 2x12 semi-open back cab w/ Celestion speakers
Pedals
Digitech Bad Monkey, Digitech Jamman, DVM's ZYS, Goodrich volume pedal
Thanks Kazz, that's why I love open tunings they sound different
Thanks Oldguy, you should definetly give it a try you will hear lots of new sounds emerging :
Guitars:
1978 Fender Telecaster Thinline Custom USA, New Nash TL-72 Thinline Telecaster, 1965 Harmony Meteor, H71, 1986 Fender Telecaster Esquire MIJ, New Martin J-41 Special, 1933 National Duolian, 1941, New Eastwood Mandocaster 12 strings
Amps:
Tweed Vibrolux Custom Denis Manlay, 1976 Fender Deluxe Reverb Silverface