Warning: preg_replace(): The /e modifier is deprecated, use preg_replace_callback instead in ..../includes/class_bbcode.php on line 2968
Top 10 Strat Mods
Page 1 of 2 12 LastLast
Results 1 to 19 of 23

Thread: Top 10 Strat Mods

  1. #1
    Join Date
    Nov 2007
    Location
    Kent, UK
    Posts
    2,353
    Post Thanks / Like

    Default Top 10 Strat Mods

    Courtesy of Premier Guitar.

    Link
    Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)

    Acoustic: Guitar > microphone > audience

  2. #2
    Join Date
    Sep 2005
    Location
    Camrose, Alberta, Canada - used to be Umea Sweden.
    Posts
    12,854
    Post Thanks / Like

    Default

    Let your guitar breathe?

    Some of the tips seem kinda nerdy?
    The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
    Master Guitar Academy - I also teach via SKYPE.

  3. #3
    Join Date
    Nov 2007
    Location
    Kent, UK
    Posts
    2,353
    Post Thanks / Like

    Default

    I find some of them a bit iffy too.
    Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)

    Acoustic: Guitar > microphone > audience

  4. #4
    Join Date
    May 2008
    Location
    Wales, UK
    Posts
    238
    Post Thanks / Like

    Default

    Quote Originally Posted by Robert
    Some of the tips seem kinda nerdy?
    And some completely contradictory:

    Uninstall the neck and check the cavity; it should be absolutely free of any paint, dirt and other things. Over the years I've found a lot of funny things there -- credit cards, paper, cardboard, etc.

    If you feel that the neck does not fit the cavity because the cavity is too wide or too low, get your guitar to an experienced luthier who will "shim" it.
    http://soundcloud.com/tarasque

    Guitars: Encore Strat, No-Name Les Paul copy, Cort Acoustic, Vintage VRS100AW, Schecter Tempest Custom, Cort VX-4V, Dean Inferno V.

    Amphs: Ashdown Fallen Angel FA 60 DSP, Harley-Benton GA5.

    Pedals: Zoom G2.1U, Digitech Screamin' Blues, Electro-Harmonix Stereo Electric Mistress, Dunlop Crybaby 535Q Wah.

  5. #5
    Join Date
    Feb 2006
    Location
    Uppah Noo Yawk
    Posts
    7,407
    Post Thanks / Like

    Default

    Quite a bit of good info there (and some stuff that I'm skeptical about, too), but there is very little mentioned that I would consider to be legitimate Strat "mods"! Keeping your screws tightened is a mod??? C'mon--we're talking basic guitar set-up and ongoing maintenance with something like that.

    To me, a "mod" would be something like installing a different trem block or a push/pull pot to put your bridge pickup in series with either of the other two. Pretty weak effort by Mr. Wacker, IMO....
    DVM's Ever-Expanding Gear List:

    Guitars - W-A-A-A-Y-Y too many to list. Check 'em all out HERE

    Amps & Cabs - "Kap'n Kerrang-aroo" BYOC 18W TMB kit amp head; Mojave Coyote head; Fender Hot Rod Deluxe Lacquered Tweed Ltd. Ed.; Allen Sweet Spot kit amp; BYOC Tweed Royal kit amp; Epiphone Valve Jr. combo + mods; Drive 2x12 cab / Celestion G12M Greenback + G12H30; AB Custom Audio 1x12 cab / Celestion Alnico Blue

    Pedals/Effects - ZILLIONS, including DVM's Home-built Pedals - See some HERE and HERE, TOO!

    DVM's Gear Photos
    Visit MY WEBSITE!



  6. #6
    Join Date
    Sep 2005
    Location
    Camrose, Alberta, Canada - used to be Umea Sweden.
    Posts
    12,854
    Post Thanks / Like

    Default

    Well, a mod I do to vintage bridges is to loosen all screws but the outer ones. So the 4 screws in the middle I unscrew halfway, and then I loosen the outer ones just enough so that they function as a pivot. That way I can set the bridge to float and it stays in tune.
    The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
    Master Guitar Academy - I also teach via SKYPE.

  7. #7
    Join Date
    Dec 2005
    Location
    Idaho (I-duh-ho)
    Posts
    12,581
    Post Thanks / Like

    Default

    One good one that was left out is to re-seat the neck heel more firmly against the body.

    To do this loosen the strings a little bit (not totally slack but with some tension so that clear notes will sound - maybe 1 step down) then loosen the 4 screws that mount the neck about 1 turn at most. Then re-tighten. The string tension will pull the neck heel tight against the body and thus improving vibration transfer.

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  8. #8
    Join Date
    Sep 2007
    Location
    Northern Ohio - Near Cleveland - Home of the Rock and Roll Hall of Fame http://www.rockhall.com/
    Posts
    7,753
    Post Thanks / Like

    Default

    One of the simple ones that is quickly reversible - what is the reason for the sound change?

    2. A Stratocaster typically has a rear-routed tremolo cavity that is covered with a plastic cover and some screws. Take the cover away. It's amazing how the overall sound of a guitar can change by simply taking away this cover. I know it sounds like voodoo, but it's true -- give it a try and hear the difference yourself.
    Mark
    * Loud is good, good is better!

  9. #9
    Join Date
    May 2008
    Location
    London, England
    Posts
    916
    Post Thanks / Like

    Default

    Quote Originally Posted by just strum
    One of the simple ones that is quickly reversible - what is the reason for the sound change?

    2. A Stratocaster typically has a rear-routed tremolo cavity that is covered with a plastic cover and some screws. Take the cover away. It's amazing how the overall sound of a guitar can change by simply taking away this cover. I know it sounds like voodoo, but it's true -- give it a try and hear the difference yourself.
    It's the same sort of physics as close-back/half-back/open-back amps. It's just the way the sound reverberates in the cavity and, in my opinion, is more subjective than anything else. . .

  10. #10
    Join Date
    Sep 2007
    Location
    Northern Ohio - Near Cleveland - Home of the Rock and Roll Hall of Fame http://www.rockhall.com/
    Posts
    7,753
    Post Thanks / Like

    Default

    Quote Originally Posted by thearabianmage
    It's the same sort of physics as close-back/half-back/open-back amps. It's just the way the sound reverberates in the cavity and, in my opinion, is more subjective than anything else. . .
    So depending on your taste or preference, it's only good or bad based on the individual. Well, simple to do, I'll give it a try to see if these battered ears can hear a difference.

    I'll have to give Spud's suggestion a try too.
    Mark
    * Loud is good, good is better!

  11. #11
    Join Date
    Oct 2005
    Posts
    7,254
    Post Thanks / Like

    Default

    There was a follow-up letter that said that the back cover made a difference acoustically, but not when plugged-in. YMMV. I leave mine off just for convenience's sake, but I always have this fear that the claw will give way and disembowel me. It's be a pretty funny way to go!
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  12. #12
    Join Date
    Sep 2007
    Location
    Northern Ohio - Near Cleveland - Home of the Rock and Roll Hall of Fame http://www.rockhall.com/
    Posts
    7,753
    Post Thanks / Like

    Default

    Quote Originally Posted by marnold
    ... It's be a pretty funny way to go!

    Sort of rock star-ish
    Mark
    * Loud is good, good is better!

  13. #13
    Join Date
    Nov 2007
    Location
    Kent, UK
    Posts
    2,353
    Post Thanks / Like

    Default

    Quote Originally Posted by marnold
    There was a follow-up letter that said that the back cover made a difference acoustically, but not when plugged-in. YMMV. I leave mine off just for convenience's sake, but I always have this fear that the claw will give way and disembowel me. It's be a pretty funny way to go!
    Very Spinal Tap

    If you take off the spring cover the springs get damped by contact with your body. I prefer the natural chorus effect of leaving the cover on myself but I'll admit it's very subtle.
    Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)

    Acoustic: Guitar > microphone > audience

  14. #14
    Join Date
    May 2008
    Location
    London, England
    Posts
    916
    Post Thanks / Like

    Default

    Quote Originally Posted by markb
    Very Spinal Tap

    If you take off the spring cover the springs get damped by contact with your body.
    When I took my BC Rich to a luthier to have it fixed, he said that leaving the back cover off exposes the springs etc. to excess moisture which can lead them to rust. Since then, I've always just kept mine on. . .

  15. #15
    Join Date
    Sep 2005
    Location
    Camrose, Alberta, Canada - used to be Umea Sweden.
    Posts
    12,854
    Post Thanks / Like

    Default

    In order to get great tone, I gently brush off all dust from guitar with a swiffer duster.
    The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
    Master Guitar Academy - I also teach via SKYPE.

  16. #16
    Join Date
    May 2008
    Location
    London, England
    Posts
    916
    Post Thanks / Like

    Default

    Quote Originally Posted by Robert
    In order to get great tone, I gently brush off all dust from guitar with a swiffer duster.


    I feed my guitar pizza and whiskey, does the job every time, although every now and again, the whammy bar goes a bit wobbly. . .

  17. #17
    Join Date
    Sep 2005
    Location
    Camrose, Alberta, Canada - used to be Umea Sweden.
    Posts
    12,854
    Post Thanks / Like

    Default

    I order to get great jazz tone from my axe, I wrap it in soft blankets and I read a good book to it. Mellows it right down.
    The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
    Master Guitar Academy - I also teach via SKYPE.

  18. #18
    Join Date
    Oct 2006
    Location
    Sun Valley, Idaho
    Posts
    10,955
    Post Thanks / Like
    Blog Entries
    1

    Default

    Quote Originally Posted by Robert
    In order to get great tone, I gently brush off all dust from guitar with a swiffer duster.
    Hmm, that's old skool. I use compressed air!
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  19. #19
    Join Date
    May 2008
    Location
    London, England
    Posts
    916
    Post Thanks / Like

    Default

    Whenever I want to play metal, I slap my guitar around a little bit, call it names, and tell it that it's worthless. . . But I have to watch it, because it could start whining and get all country on me if I do it too much. . .

Page 1 of 2 12 LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •