Playing live is like Golf...
In that. For enthusiastic amateurs there is a lot of wacking the ball into the weeds and then that occasional good shot, or series of shots and you go OK.... I can do this.
Hitting an open mic is sort of the same. Muddle along and then it clicks for a bit and I go ok that was fun. The last few weeks have been lots of muddling and way down on the fun meter. Then last week I went to a new venue and had a pretty good three song set. Ok, hitting the ball down the middle of the fairway again. Last night I went to yet another new spot. Walked in, guitar in hand and gulped. Bit more honky tonk than expected. But the host was terrific and the crowd seemed at least a little bit interested. I knew my coffee house, holky folky stuff would get lost so opened with an old uptempo Jonathan Edwards tune, Shanty (thankfully had the harmonic and rack with me) and the crowd seemed to get a kick out of that. Next did Tupelo Honey, also with the harp. Bit more mellow, but the crowd was singing along, always cool. Had planned on a original or two but decided they were to mellow so launched into the Neil Young tune, Cowgirl in the Sand. Few clanks and tumps but generally ok and the crowd was still with me. Wrapped it up with a novelty thing "Folsom Pinball blues". Alternating Folsom Prison and Pinball Wizard lyrics all done to the folsom tune. Mrs Keel had been after me for ages to do it live. I could see these very puzzled expressions, then a few smiles and some chuckles.
A bit later the host asked me back up and we played together on a few tunes. For What It's Worth, For the Good Times and Heart of Gold.
Usually when I do these things I have a very specific set list. Ended up being fun to make it up on the fly.
"The music business is a cruel and shallow money trench, a long plastic
hallway where thieves and pimps run free, and good men die like dogs.
There's also a negative side."
--Hunter S. Thompson
Guitars: Dean Sweet Wood 00R, Martin D2R, Guild D60, Guild D35NT, Morgan Monroe M30, OS baritone Uke