I use either Fender Heavy, or Clayton picks at .80 thickness. I tend to switch around with picks alot though and will use a Fender medium once in a while, or a Dunlop Tortex at .73.
I was in the same boat. After trying a couple I came to the conclusion that I just liked it better. For reasons, I mainly listed them here. There's a bunch of other reviews in that thread as well.Originally Posted by Fab4
Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
"I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn
I use either Fender Heavy, or Clayton picks at .80 thickness. I tend to switch around with picks alot though and will use a Fender medium once in a while, or a Dunlop Tortex at .73.
Guitars: 2003 and 2004 American series strats, Squier Classic Vibe 50's Strat, Squier Deluxe Strat.
Amps: Line 6 Spider IV 120, Vox AD50VT 212, and Peavey Transtube Bandit 112.
Pedals: Digitech Bad Monkey.
Actually the V-picks are only worth $3.99 but I can handle that extra cent.
Joking aside, assuming you don't lose picks all the time - what is $4.00 to you? A big investment, a Latte at Starbucks, a juicy hamburger, a pack of the cheapest strings you can find? I don't lose my picks very often, and I am by no means wealthy, but 4 bucks for a great pick is for me not a big investment for something that makes guitar playing more enjoyable and fun.
The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
Master Guitar Academy - I also teach via SKYPE.
Robert is known as "money is no object" so the extra penny is a drop in the bucket to him.
He is right, if you aren't prone to losing them at a rapid rate, $4.00 isn't a big deal and most likely you will like them. Robert and I didn't see eye to eye on this not to long ago, but I do find the picks to be nice. However, I lose picks at a very rapid rate, so I am careful with the three remaining ones I have.
Mark
* Loud is good, good is better!
Let me clarify: I don't mean to imply that a $4 pick (or a $20 pick or whatever) isn't worth the investment. If it works for you, then it's worth whatever you're willing to pay for it. In fact, I'd be willing to give one a try to see if it is worth it to me.
What I'm asking is "Why is it worth it to you? What do you like about them so much that they're worth the money to you?"
Q: How many guitars is enough?
A: Just one more...
For me, they do seem to provide a different tone, they tend to be more versatile in attack (could explain the tone) and for some reason you can play them with a looser grip than many other picks (don't know why)Originally Posted by Fab4
Mark
* Loud is good, good is better!
Dunlop Tortex 2mm
Dunlop black gold 1.14 in the Jazz III size. Awesome!
2.0 baby. You have total control over the sound that you make when you hit the string. You have great recoil which makes it so much easier to play fast. My buddy had a thin pick that I tried to use...and to me it felt like I was trying to strum with a piece of paper.
As thick as it needs to be.
What I mean by that wisenheimer crack is it depends on what style I'm playing and the right-hand technique it requires for attack & tone.
A constant is the shape/size. I prefer smaller, rounder, blunt-tipped types. To me, big picks and/or pointy tips are clumsy.
But as for thickness, for steel-string acoustic guitar, as I string primarily with .010-.047's or .012-.053's, for strumming, mostly .073's (mediums) for flexibilty yet enough volume, but as thin as .050 for faster, lighter, complex strums & to get the rhythmic 'raking' percussive sound in the mix. For flatpicking, single string lines or arpeggio things, I go for around .80-or-so, but no heavier.
For electrics, stringing only with .010-.046's, it's pretty much no lighter than .073's/mediums for rhythm strums, to keep the right hand light, but usually I go with .80's or 1mm's as the 'most versatile', all-purpose type.
Single string and arpeggios, though...again, to keep the right hand light and in control of attack for tonal nuances, it's:
I went with (and still go to) Dunlop Big Stubby 2 or 3mm's, but about 5 years ago, I found these 'Pickboy' exotics at my Local GAS Station. I found this link to one place that may carry them.Scroll down past the stone picks to the Bone, Ebony and Horn ones, the 3 that I have. There's also a Rosewood on the next page:Originally Posted by Suhnton
Pickboy Exotic Picks
They only show the thumb indent (like a Big Stubby's) side here; the other side has a nicely angled finger groove that the side of the index finger nestles nicely into. Very natural feel, and especially good to keep a firm grip as you loosen up a little to mellow things out.
The bone's the 'brightest', the ebony the 'mellowest' of the 3.
They cost me $2 each at the time I got them, but my dealer hasn't gotten them back since, although he carries a variety of Pickboys' other types.
^^
AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.
Oh Wingsdad, looking the prices on those picks, you might get in trouble with the "picks police"!
I'd sure like to try a rosewood pick though.
The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
Master Guitar Academy - I also teach via SKYPE.
Holy cow, I didn't even catch that, good thing Robert dropped a dime on you.
Man, we have to sit down and discuss this wild spending.:
Mark
* Loud is good, good is better!
No way for the stone picks But, if you find 'em, at $5 US they're in the ballpark of the V-pick...Originally Posted by Robert
Yep, I 'stretched' to drop 6 Beans on 3 picks. And had I known they were called 'Exotic', I would've passed on them, because they sure didn't do any kind of pole dance when I fixed my gaze on them. : But you know how it is, amigo...sometimes, ya just 'gotta have it'. :Originally Posted by strummy
But...at $5 each today instead of the $2 I paid? I'd pass & go for a dozen of your faves, the Big Stubby. Of course, you know my relationship with my Local GAS Station, and they wouldn't be $5, either. I might have to go all the way to $3, and pull this out of the back of my wallet to cover one:
I had gone along for quite awhile using only the big Fender Heavy picks and Clayton 1.0 that were the same size, on every guitar and string gauge. I tried the V-Pick starting with the Freakishly Large Rounded one and I liked it but wanted more snap. Then I used the Big Fattie but it's pretty big and I wasn't sure what I thought, and it doesn't snap for me, either. I like the Screamer better yet, and I think the Dimension will be good for me, too. There's some snap in those. I usually just keep the big Fenders in my pocket and use those, as I'm too cheap to want to maybe lose a V-Pick. Anyway, a real good indication of something the V is good for came up the other day when I was playing my Strat and wanted more meat in the tone. I picked up a V-Pick and there it was! It was kind of like turning up the midrange tone on your amp. Very nice.
Dunlop Lucky 13 So Cal 1.0.
Guitars
Wilburn Versatare, '52 FrankenTele(Fender licensed parts), Fender USA Roadhouse Strat, Fender USA Standard B-bender Telecaster, Agile AL 3000 w/ WCR pickups, Ibanez MIJ V300 Acoustic, Squier Precision Bass,
Amps
Ceriatone Overtone Special, Musicman 212 Sixty-Five, Fender Blues Jr., Peavey Classic 30, Fender Super Reverb, Traynor YCV-40 WR Anniversary w/ matching 1x12 ext. cab, Epiphone SoCal 50w head w/ matching 4x12 cab (Lady Luck speakers), Avatar 2x12 semi-open back cab w/ Celestion speakers
Pedals
Digitech Bad Monkey, Digitech Jamman, DVM's ZYS, Goodrich volume pedal
I'm consistently either a 1.0 Tortex or a 2.0 Big Stubby. Occasionally I'll break out the iceberg sized V Pick and I can't tell how thick those are.
"No Tele For you." - The Tele Nazi
Ha! Tele-ish now inbound.
Been playing the thick purple and blue 1.5 and 2.0 picks from Dunlop lately and loving them. Also love the thick pick I got from Vinni.
Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.
Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube
Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz
Have you tried a dunlop Ultex yet? Kinda like the Tortex, but a little less "gummy" and seem to have a brighter sound to me.Originally Posted by Spudman
Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson
Wow, I am blown away by the rampant use of "thick picks"!
My instructor has told me previously, "the thicker the better" and I have tended to disagree (mostly out of ignorance). My experimentation with pick thicknesses since picking up the guitar in January of this year are leading me to wander which pick is best for my current scenario. My lone axe at this point is a steel string acoustic and it SEEMS that the thicker picks produce a duller sound. Is this correct? Having said that the thinner picks I've tried .73 and under seem "floppy" though very quick on the attack.
Thanks for the interesting thread though guys!: Always great to come here and read of new ideas, theories & experiences.
RIG 1:
Guitar: Epiphone Ebony G-400 SG "Fast Eddie"
Amplifier: Peavey Vypyr 15
Effects: I think the amplifier has a bunch built in....
RIG 2:
Guitar: Epiphone Ebony Dreadnought "Cinder"
Amplifier: Big Hole in Center of Guitar
Effects: Various Picks & Gnarled Fingers
: