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Tele Fretboard - Maple or Rosewood ..
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Thread: Tele Fretboard - Maple or Rosewood ..

  1. #1
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    Default Tele Fretboard - Maple or Rosewood ..

    Wha' s your favorite fretboard on a Tele style guitar Maple or Rosewood ?

    Any thoughts on the tone & feel differences ?
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  2. #2
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    personally i prefer rosewood... feels better to me, and looks so much nicer..

  3. #3
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    maple - for that Tele snap & brightness, the main reason to spank that plank in the first place
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    We've done four already, but now we're steady, and then they went one-two-three-four....

  4. #4
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    My Teles (and Strats) have always had glossed maple boards.

    Glossed Maple is the original Tele (and Strat) fretboard because it makes whole-step or chord string bending and sliding of chords easier with the slick, hard surface vs. the much softer rosewood surface, and the guitar was designed with working country & western players top-of-mind.

    Also with that in mind, its hardness makes it more durable as it's almost impossible to dent & groove, and it's easy to maintain, impervious to the ravages of sweat or the dry climates (i.e., Southern Californa) it was born in (no need to condition it, oil it like a rosewood board).

    As for tone, once again, with c&w in mind, glossed maple helps produce brighter, snappier treble, mids and bass than rosewood. On the other hand, it does little or nothing to contribute to warmth or sustain.

    Some original Tele players sanded the gloss off the maple to get a bit more warmth and/or sustain. Of course, satin finished, non-glossed maple boards eventually became an option.

    Rosewood boards became an option on Teles and Strats as the 60's rolled in, and no doubt, to compete in the solid-body market with Gibson's late-to-the party Les Paul series.

    Differences in fretboard wood effect on tone has been debated ad infinatum, but I tend to agree with the theory that it's 'about 15%' of a factor, mixed with body wood, size, shape and type (solid, hollow or semi-hollow), pickups, bridge materials & design, string-thru body or on top, and string gauge, surface and type (and age). Not accounted for in that mix is the amp nor the player's left & right hand technique and attack (involving fingers and/or pick and the pick's material, gauge) since those are virtually infinite variables.
    ^^
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  5. #5
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    I've always preferred maple visually, but hate the typical thick amber gloss they slap on there. A maple board with a satin finish--I'm there.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
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  6. #6
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    I have one of each ,maple!!!
    "I love being alive and I will be the best man I possibly can. I will take love wherever I find it and offer it to whoever will take it... seek knowledge from those wiser and teach those who wish to learn from me."
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  7. #7
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    Maple on both Strats and Teles.
    Patrick

  8. #8
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    I'm not convinced that maple or rosewood fretboards have any impact whatsoever on playability or tone : That said, from a pure aesthetic standpoint, maple on a Tele unless it's a Custom or Deluxe thinline - then rosewood. Strats = rosewood for the most part, but I do like the look of a maple board on a Strat from time to time...

    It's mostly a visual thing for me - also depends on the color of the guitar :
    Electrics: Hagstrom Ultra Swede (Gold Eagle Burst) Gretsch 5120 Electromatic (Orange) Custom Nashville Blackout Telecaster (Black, Stat mid/neck p'ups; Lil Puncher (Modern Vintage) bridge p'up; Wilkinson Compensated Bridge w/ 3 brass saddles, Warmoth Vintage Modern Birdseye Maple Neck) Fender MIM Stratocaster (Blue Agave, Rosewood Fretboard, Fender Tex-Mex p'ups; GFS Trem/Block Kit) Highland Spitfire (semi-hollow, flame maple top w/ bubinga inlay)
    Acoustics:Washburn D10CEQSB, Yamaha FG160E
    Bass: Westone Spectrum ST, Warwick Rockbass Corvette Basic Active
    Amps: Vox NT15H/V112NT Night Train, Peavey Bandit 112, Hartke HyDrive 210C Bass Amp, Vox DA5


  9. #9
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    Maple on a tele. I love my maple on my strat too, but may add a rosewood one someday.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
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  10. #10
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    Telecasters must be blonde with a maple board and a black guard. Any deviation from this is a mere copy
    Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)

    Acoustic: Guitar > microphone > audience

  11. #11
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    Quote Originally Posted by markb
    Telecasters must be blonde with a maple board and a black guard. Any deviation from this is a mere copy
    A single ply - 5 hole guard I'd bet - Spoken like a hardcore fundementalist Not sayin' you're wrong, just sayin'
    Electrics: Hagstrom Ultra Swede (Gold Eagle Burst) Gretsch 5120 Electromatic (Orange) Custom Nashville Blackout Telecaster (Black, Stat mid/neck p'ups; Lil Puncher (Modern Vintage) bridge p'up; Wilkinson Compensated Bridge w/ 3 brass saddles, Warmoth Vintage Modern Birdseye Maple Neck) Fender MIM Stratocaster (Blue Agave, Rosewood Fretboard, Fender Tex-Mex p'ups; GFS Trem/Block Kit) Highland Spitfire (semi-hollow, flame maple top w/ bubinga inlay)
    Acoustics:Washburn D10CEQSB, Yamaha FG160E
    Bass: Westone Spectrum ST, Warwick Rockbass Corvette Basic Active
    Amps: Vox NT15H/V112NT Night Train, Peavey Bandit 112, Hartke HyDrive 210C Bass Amp, Vox DA5


  12. #12
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    Quote Originally Posted by t_ross33
    A single ply - 5 hole guard I'd bet - Spoken like a hardcore fundementalist Not sayin' you're wrong, just sayin'
    And it has to be Bakelite. No cross headed screws either

    Actually it's single-ply, 8-hole with a guard mounted pickup. All the rest checks though. And, no, the board isn't scalloped. It's just the light.

    Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)

    Acoustic: Guitar > microphone > audience

  13. #13
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    Real purty, that one!
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    Gear: Epiphone Sheraton II, Epiphone Wildkat, Epiphone Emperor Joe Pass, Fender MIM Strat, Tacoma DR-14, Johnson JR-200 resonator; Fender Super Champ XD amp

  14. #14
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    Quote Originally Posted by markb
    And it has to be Bakelite. No cross headed screws either

    Actually it's single-ply, 8-hole with a guard mounted pickup. All the rest checks though. And, no, the board isn't scalloped. It's just the light.

    Whaaaat? No brass saddles? And you call yourself a purist? (just kidding - nice git) :
    Electrics: Hagstrom Ultra Swede (Gold Eagle Burst) Gretsch 5120 Electromatic (Orange) Custom Nashville Blackout Telecaster (Black, Stat mid/neck p'ups; Lil Puncher (Modern Vintage) bridge p'up; Wilkinson Compensated Bridge w/ 3 brass saddles, Warmoth Vintage Modern Birdseye Maple Neck) Fender MIM Stratocaster (Blue Agave, Rosewood Fretboard, Fender Tex-Mex p'ups; GFS Trem/Block Kit) Highland Spitfire (semi-hollow, flame maple top w/ bubinga inlay)
    Acoustics:Washburn D10CEQSB, Yamaha FG160E
    Bass: Westone Spectrum ST, Warwick Rockbass Corvette Basic Active
    Amps: Vox NT15H/V112NT Night Train, Peavey Bandit 112, Hartke HyDrive 210C Bass Amp, Vox DA5


  15. #15
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    Quote Originally Posted by t_ross33
    Whaaaat? No brass saddles? And you call yourself a purist? (just kidding - nice git) :
    The saddles are brass under all that chrome. This model has a steel bridge plate and brass saddles unlike the US Standard that does it the other way round.
    Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)

    Acoustic: Guitar > microphone > audience

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