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Thread: PRS guitars - Lost their appeal?

  1. #39
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    I was lookin to get a PRS Custom 24, and ready to drop the big bucks. I happened to mention it to my local Peavey dealer (and guitar tech) and he immediately grabbed a Peavey HP Signature EXP for me to try out ($600 - Korean made, just as the PRS SE series are). I immediately fell in love w that guitar and bought it strait away. It's not a PRS Custom, but it gets you abt 95% there for abt 1/5th the price! I highly recommend checking one out!

    Alas, in order to afford my Peavey HP Special USA Custom Shop ($1500 - which I had been drooling over for some time), I sold the HP Signature EXP and an Ibanez Prestige RG1570. But I'll buy another HP EXP when finances allow! A GREAT guitar! PRSs are certainly nice guitars, but WAY over-priced.
    bigG


    Guitars:

    Gibson Les Paul Studio Faded Cherry Mahogany, Peavey HP Signature EXP, Epi Sheraton II, Fender Standard Fat Strat, original 1982 Made in the USA Fender Bullet (w original HSC)/ 2005 Martin HD-7 Roger McGuinn Signature Edition (#102 of 250), Martin M-36 (0000), Martin OM-21, Martin 000-15M, Hohner EL-SP Plus Parlor acoustic

    Amps: Swart Space Tone 6V6se, Swart Night Light Power Attenuator/compressor/stereo line-out, Peavey Windsor Studio, Vox AD50VT, Fender Super Champ XD, Vox DA15, Marshall MG10KK, '83 Peavey Bandit 65

    Pedals: Cry Baby 535q wah, Bad Monkey OD, Boss DS-1, Sabine FuzzStortion, HardWire RV-7 Reverb


    www.swartamps.com
    www.ericjosephelectricguitars.com

    Carpe diem, brother, cause you don't know how many diems you have left to carpe.

  2. #40
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    I've been awfully happy with my Mira.

    I was looking for a very flexible, well-made guitar that would give me solid single coil and humbucker sounds -- and that looked good to me -- since I don't intend to become a collector.

    The Mira offered all that, and I've been very pleased.


    Guitars: Takamine F-349, PRS Mira
    Pedals: Line 6 M13 Stompbox Modeler, Boss TU-2 Tuner
    Amp: VOX Valvetronix AD30VT, Ultrasound AG-50DS4

  3. #41
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    As I said earlier, I'm not using either my CE-22 or 24 for my current project, only because the blues/rock/Texas thing is better served by a single coil. But it's got nothing to do with quality.
    I can tell you for certain, these are top quality guitars. The neck heel thing is a non-issue for me, although some may disagree. They play beautifully, the pickups are hot and versatile, the neck comfortable and they adapt to diverse styles easily. PRS is a well-made guitar.
    helliott in Hamilton
    Guitars -- 2 PRS CE 24s 85/15 pups, PRS semi-hollow CE 22, Fender Baja Telecaster; Gibson Les Paul Standard; 80s Strat updated with custom 69 pups, Anniversary Strat with Fat 50s, Epiphone Sheraton re-issue; Yamaha 5-string bass; Yamaha TBS 6 and 12 string acoustics,Takamine acoustic, Fender nylon string acoustic
    Amps -- Mesa Boogie Lone Star; Boss Katana 100, Peavey Blueamaster 2x10, Line 6 Helix
    Pedals etc: Mosfet Full Drive 2; Ibanez Tube Screamer; Fairfield Barbershop OD, Diamond Compressor; Voodo Sparkledrive, Boss Digital Delay DD7; Boss TU2 Chromatic Tuner; Cry Baby wah

  4. #42
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    I just called my friend and asked if he gave me his CE22 so I can make a video where I testdrive the PRS. There is a bunch of videos on youtube that are not doing justice to the PRS. Think within the next 3 weeks I will make the video and post it here.
    "A lot of people in the industry want to blame downloading for the state of the business. But I think if most music wasn't shit to begin with people wouldn't be downloading it for free," - Corey Taylor (Slipknot)

  5. #43
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    Quote Originally Posted by Jimi75
    I just called my friend and asked if he gave me his CE22 so I can make a video where I testdrive the PRS. There is a bunch of videos on youtube that are not doing justice to the PRS. Think within the next 3 weeks I will make the video and post it here.

    Great idea!
    Guitars
    Wilburn Versatare, '52 FrankenTele(Fender licensed parts), Fender USA Roadhouse Strat, Fender USA Standard B-bender Telecaster, Agile AL 3000 w/ WCR pickups, Ibanez MIJ V300 Acoustic, Squier Precision Bass,
    Amps
    Ceriatone Overtone Special, Musicman 212 Sixty-Five, Fender Blues Jr., Peavey Classic 30, Fender Super Reverb, Traynor YCV-40 WR Anniversary w/ matching 1x12 ext. cab, Epiphone SoCal 50w head w/ matching 4x12 cab (Lady Luck speakers), Avatar 2x12 semi-open back cab w/ Celestion speakers
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    Digitech Bad Monkey, Digitech Jamman, DVM's ZYS, Goodrich volume pedal

  6. #44
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    Quote Originally Posted by Jimi75
    There is a bunch of videos on youtube that are not doing justice to the PRS.
    Lookin' forward to it!

    A suggestion (and maybe this was your plan already): To really do that CE22 justice, be sure to set up a decent mic on the amp, run it through any kind of mixer to set a good level and then take a wired feed into the mic input on your camera - like I suspect they did on this demo for the PRS DGT:

    http://www.youtube.com/watch?v=-IMdD6Jy1eU

    It's easy, but most people who do You Tube demos don't take the time. Instead, they only use the mic on their video camera. That way, you really can't hear the tone of the amp or guitar, just the tone of the room through the cheesy camera mic - even on "pro" demos:

    http://www.youtube.com/watch?v=FuqWRTmm5ls
    http://www.youtube.com/watch?v=OnXOiILg2xU

    Post a link here when you're done so we can check it out!
    Q: How many guitars is enough?
    A: Just one more...

  7. #45
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    Quote Originally Posted by Fab4
    Lookin' forward to it!

    A suggestion (and maybe this was your plan already): To really do that CE22 justice, be sure to set up a decent mic on the amp, run it through any kind of mixer to set a good level and then take a wired feed into the mic input on your camera - like I suspect they did on this demo for the PRS DGT:

    http://www.youtube.com/watch?v=-IMdD6Jy1eU

    It's easy, but most people who do You Tube demos don't take the time. Instead, they only use the mic on their video camera. That way, you really can't hear the tone of the amp or guitar, just the tone of the room through the cheesy camera mic - even on "pro" demos:

    http://www.youtube.com/watch?v=FuqWRTmm5ls
    http://www.youtube.com/watch?v=OnXOiILg2xU

    Post a link here when you're done so we can check it out!
    Noted! I will record professionally with mikes in front of the amph.
    "A lot of people in the industry want to blame downloading for the state of the business. But I think if most music wasn't shit to begin with people wouldn't be downloading it for free," - Corey Taylor (Slipknot)

  8. #46
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    Off rant:

    I really like the single cuts. I've played a few that were very sweet. I could see one in my collection.

    PRS washed up - no way. They are excellent guitars, with a broad appeal.

    I'm just vain when it comes to owning one - single cut excluded.
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

  9. #47
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    I bet there are some really nice ones out there. However, they have not held a big appeal for me ever. If I were going to spend significant dollars, I would likely find a good, really solid, traditional guitar for the same dollars. Just the way I am about that stuff I guess. Funny, I am not that way about cars where I will be more adventuresome.

    EDIT: I am sure there are some really nice PRS guitars in the line, just not my preference.
    Last edited by sunvalleylaw; April 26th, 2009 at 08:36 AM.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
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    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


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  10. #48
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    I still like mine too !
    “Your sound is in your hands as much as anything. It’s the way you pick, and the way you hold the guitar, more than it is the amp or the guitar you use.” Stevie Ray Vaughan

  11. #49
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    I don't think that PRS is washed up. They have a product for each price level, $500.00 and up. The SE series are great guitars for any price level. I've loved the feel of the three that I have played. The singlecuts are cool, and I like the necks.

    Personally, I would never own a USA PRS, because I just don't have the money and IMO they are overpriced. But, there are die hard PRS fans that would pay any price for what they consider the ultimate guitar, and more power to 'em, if they are willing to pay for it.
    Guitars:
    Fender 2006 MIM Fender Stratocaster HSS in 3TS
    Ibanez RG 570 with a bridge Invader
    ESP M II Deluxe with a Tune-o-Matic bridge
    Eleanor, the magical, mystical Road Worn wonder Tele
    Blackstar HT Club 40

  12. #50
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    I LOVE my PRS's. I have a CU24, an SC250, and an SE Singlecut. They have excellent playability. Prior to owning a PRS, my main guitar was a neck-through, carved-back(no heel AT ALL) and in its footsteps, the neck heels on my PRS's have never been a problem whatsoever. In fact, I've honestly never noticed them once while playing.

  13. #51
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    For the record, I bought a PRS Grissom Goldtop yesterday. Apparently, they still have appeal for me...

    http://www.prsguitars.com/dgt/index.html
    Q: How many guitars is enough?
    A: Just one more...

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