Results 1 to 19 of 51

Thread: PRS guitars - Lost their appeal?

Hybrid View

  1. #1
    Join Date
    Nov 2007
    Location
    Binghamton, NY
    Posts
    1,267
    Post Thanks / Like

    Default

    Quote Originally Posted by Rx Tone
    Washed up?...ummmm....no...
    They're some of the highest quality U.S.A. made guitars.




    "better" in what way? Which ones are better and why?
    I don't think they are washed up. They aren't the company they started out as. The guitars are beautiful. They have made some choices in terms of design that I don't care for. I know this is an Ed Roman complaint but it's legit. The neck heel is inexcusable. There's no reason it should be as big as it is. The hardware has also gone downhill. The original bridge they used was by Manne but now they use a much cheaper unit. My all time favorite PRS was the EG series from the early 90's. It was handmade in the US and was cheap. They were great guitars. They still make great guitars but many companies are building superior guitars that far undercut PRS prices. You aren't going to find them in the Musicians Friend catalog. Google luthiers in your area. You'll find someone who builds a quality product that costs way less that the equivalent PRS and you won't look like every other guitar player on the block. There is no reason that these threads should be taken so personally. It shouldn't be a crime for people to express their opinion. We're all here to have fun and further our playing.
    Patrick

  2. #2
    Join Date
    Aug 2006
    Posts
    827
    Post Thanks / Like

    Default

    All the folks I know who bought a PRS either loved them or hated them. It seems that the majority of people I know who didn't like PRS guitars were former strat players who bought a PRS and then went back to their strats.

    PRS guitars are sweet, but in my opinion, way overpriced. Especially considering that the neck heel (as someone mentioned) is a real design flaw, as well as the fact that contrary to popular belief, most of the PRS models are not hand machined.

    But I agree...you can get some guitars built to the same quality for much less. It seems that the major manufacturers, whether PRS, Gibson, and Fender, are doing their best to price themselves out of the market.
    Guitars: 2003 and 2004 American series strats, Squier Classic Vibe 50's Strat, Squier Deluxe Strat.

    Amps: Line 6 Spider IV 120, Vox AD50VT 212, and Peavey Transtube Bandit 112.

    Pedals: Digitech Bad Monkey.

  3. #3
    Join Date
    Sep 2006
    Location
    South Jersey Pine Barrens
    Posts
    1,564
    Post Thanks / Like

    Default

    I'll take heat for this but:

    PRS builds a great guitar - that I wouldn't be caught dead with one on stage. For years, every one finger, two string power chord poser was on video and print making guitar faces with a PRS guitar..................and espousing their "solos are wanking, it's all about the song" excuse for their utter lack of talent. But they had their PRS endorsements...............................

    Call it vanity, but I will never play a PRS. My mind equates them with all of the talentless morons that played them and droned on with the "solos are wanking" ( I suck but I'm in a magazine) mantra.

    ********Putting on flame proof suit now********************
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

  4. #4
    Join Date
    Nov 2007
    Location
    Kent, UK
    Posts
    2,353
    Post Thanks / Like

    Default

    Quote Originally Posted by Plank_Spanker
    I'll take heat for this but:

    PRS builds a great guitar - that I wouldn't be caught dead with one on stage. For years, every one finger, two string power chord poser was on video and print making guitar faces with a PRS guitar..................and espousing their "solos are wanking, it's all about the song" excuse for their utter lack of talent. But they had their PRS endorsements...............................

    Call it vanity, but I will never play a PRS. My mind equates them with all of the talentless morons that played them and droned on with the "solos are wanking" ( I suck but I'm in a magazine) mantra.

    ********Putting on flame proof suit now********************
    But other than that, they're OK, right?
    Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)

    Acoustic: Guitar > microphone > audience

  5. #5
    Join Date
    Dec 2005
    Location
    Idaho (I-duh-ho)
    Posts
    12,581
    Post Thanks / Like

    Default

    I think they are beautiful looking and sounding guitars. However, I have played close to 25 brand new top of the line PRS guitars and didn't get a single bonding urge with any of them. But then...I tried the SE import model and found it to be a better set up and playing instrument than any of the 25. Go figure. That's my 2 cents worth.

    I don't know if they are loosing it or not. Some people really like them and that's great. I'm sure they will always have a market but with the current economy they might not be moving the number of units they have in the past.

    And for what it's worth...I always see many many used PRS guitars for sale. I'm not sure what that means. It's just something I've noticed.

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  6. #6
    Join Date
    Mar 2006
    Location
    Exterra Cognita
    Posts
    5,724
    Post Thanks / Like

    Default

    Quote Originally Posted by Plank_Spanker

    Call it vanity, but I will never play a PRS. My mind equates them with all of the talentless morons that played them and droned on with the "solos are wanking" ( I suck but I'm in a magazine) mantra.
    Did the talentless morons have a decent guitar to not wank on?
    I pick a moon dog.

  7. #7
    Join Date
    Sep 2007
    Location
    High & Dry, Southern California
    Posts
    1,483
    Post Thanks / Like

    Default

    Quote Originally Posted by hubberjub
    I don't think they are washed up. They aren't the company they started out as. ...
    They've even resorted to a series of 'affordable' Asian imports, the SE series...now you can have a PRS that's on a par with a Chinese, Indonesian or Korean Samick, Cort, Ibanez or Epiphone...

  8. #8
    Join Date
    Jan 2009
    Location
    Tennessee
    Posts
    85
    Post Thanks / Like

    Default

    Quote Originally Posted by hubberjub
    I don't think they are washed up. They aren't the company they started out as. The guitars are beautiful. They have made some choices in terms of design that I don't care for. I know this is an Ed Roman complaint but it's legit. The neck heel is inexcusable. There's no reason it should be as big as it is. The hardware has also gone downhill. The original bridge they used was by Manne but now they use a much cheaper unit. My all time favorite PRS was the EG series from the early 90's. It was handmade in the US and was cheap. They were great guitars. They still make great guitars but many companies are building superior guitars that far undercut PRS prices. You aren't going to find them in the Musicians Friend catalog. Google luthiers in your area. You'll find someone who builds a quality product that costs way less that the equivalent PRS and you won't look like every other guitar player on the block. There is no reason that these threads should be taken so personally. It shouldn't be a crime for people to express their opinion. We're all here to have fun and further our playing.
    I agree with most of that.I like the tuners a lot and actually I haven't had any trouble with the bridge.I'm sure I couldn't hear any difference anyway.I like individual height adjustment saddles.It stays in tune with normal whammy use...all in all it's well made, nice looking, and sounds good (to me).If I had to find something to dislike I guess I'd have to agree about the heel. It reminds me of a Rickenbacker.
    I wasn't challenging you, just asking.


    Quote Originally Posted by mrmudcat
    Have you checked out these guitars made in your own backyard,now id spend $3500-4000 on one of those voodoo custom
    No I haven't. I am aware of them, though.Good point. There's also a guy near here, Gerard Melancon in Thibodeaux, who builds excellent guitars.Really nice ones that I have seen and played.He's probably got a website.I honestly don't know.

  9. #9
    Join Date
    Oct 2007
    Location
    DixieFried in BAMA!!!!
    Posts
    2,496
    Post Thanks / Like

    Default

    Hey brother(Rx) not sure your into tats I am.but check out a lifetime childhood friend of mine cameron sweet(my youngest boy was named after him!) Cant wait to get back to norleans one day .....Katrina almost took him and the rest of the place but he survived and he has flown up here to see me since( but ive not witnessed the wreakage firsthand down there) If ya need a shrimp he will put it on ya at:


    http://www.electricladyland.net/

    Peace brother!


    Sorry to stray from the debate but potato/taters ,tomatoes /tom'atoes............yada yada ............:
    "I love being alive and I will be the best man I possibly can. I will take love wherever I find it and offer it to whoever will take it... seek knowledge from those wiser and teach those who wish to learn from me."
    "Develop your talent, man, and leave the world something. Records are really gifts from people. To think that an artist would love you enough to share his music with anyone is a beautiful thing."
    Duane Skydog Allman

    You come to a point in your life when you really don't care what people think about you, you just care what you think about yourself." - Evel Knievel

  10. #10
    Join Date
    Jan 2009
    Location
    Tennessee
    Posts
    85
    Post Thanks / Like

    Default

    Quote Originally Posted by mrmudcat
    Hey brother(Rx) not sure your into tats I am.but check out a lifetime childhood friend of mine cameron sweet(my youngest boy was named after him!) Cant wait to get back to norleans one day .....Katrina almost took him and the rest of the place but he survived and he has flown up here to see me since( but ive not witnessed the wreakage firsthand down there) If ya need a shrimp he will put it on ya at:


    http://www.electricladyland.net/

    Peace brother!


    Sorry to stray from the debate but potato/taters ,tomatoes /tom'atoes............yada yada ............:
    I know exactly where that is.I got one I'd like covered...it's old and faded...Thanks!

  11. #11
    Join Date
    Apr 2009
    Location
    Florida
    Posts
    909
    Post Thanks / Like

    Default

    I was lookin to get a PRS Custom 24, and ready to drop the big bucks. I happened to mention it to my local Peavey dealer (and guitar tech) and he immediately grabbed a Peavey HP Signature EXP for me to try out ($600 - Korean made, just as the PRS SE series are). I immediately fell in love w that guitar and bought it strait away. It's not a PRS Custom, but it gets you abt 95% there for abt 1/5th the price! I highly recommend checking one out!

    Alas, in order to afford my Peavey HP Special USA Custom Shop ($1500 - which I had been drooling over for some time), I sold the HP Signature EXP and an Ibanez Prestige RG1570. But I'll buy another HP EXP when finances allow! A GREAT guitar! PRSs are certainly nice guitars, but WAY over-priced.
    bigG


    Guitars:

    Gibson Les Paul Studio Faded Cherry Mahogany, Peavey HP Signature EXP, Epi Sheraton II, Fender Standard Fat Strat, original 1982 Made in the USA Fender Bullet (w original HSC)/ 2005 Martin HD-7 Roger McGuinn Signature Edition (#102 of 250), Martin M-36 (0000), Martin OM-21, Martin 000-15M, Hohner EL-SP Plus Parlor acoustic

    Amps: Swart Space Tone 6V6se, Swart Night Light Power Attenuator/compressor/stereo line-out, Peavey Windsor Studio, Vox AD50VT, Fender Super Champ XD, Vox DA15, Marshall MG10KK, '83 Peavey Bandit 65

    Pedals: Cry Baby 535q wah, Bad Monkey OD, Boss DS-1, Sabine FuzzStortion, HardWire RV-7 Reverb


    www.swartamps.com
    www.ericjosephelectricguitars.com

    Carpe diem, brother, cause you don't know how many diems you have left to carpe.

  12. #12
    Join Date
    Jan 2007
    Location
    Southern Ontario, Canada
    Posts
    1,173
    Post Thanks / Like

    Default

    As I said earlier, I'm not using either my CE-22 or 24 for my current project, only because the blues/rock/Texas thing is better served by a single coil. But it's got nothing to do with quality.
    I can tell you for certain, these are top quality guitars. The neck heel thing is a non-issue for me, although some may disagree. They play beautifully, the pickups are hot and versatile, the neck comfortable and they adapt to diverse styles easily. PRS is a well-made guitar.
    helliott in Hamilton
    Guitars -- 2 PRS CE 24s 85/15 pups, PRS semi-hollow CE 22, Fender Baja Telecaster; Gibson Les Paul Standard; 80s Strat updated with custom 69 pups, Anniversary Strat with Fat 50s, Epiphone Sheraton re-issue; Yamaha 5-string bass; Yamaha TBS 6 and 12 string acoustics,Takamine acoustic, Fender nylon string acoustic
    Amps -- Mesa Boogie Lone Star; Boss Katana 100, Peavey Blueamaster 2x10, Line 6 Helix
    Pedals etc: Mosfet Full Drive 2; Ibanez Tube Screamer; Fairfield Barbershop OD, Diamond Compressor; Voodo Sparkledrive, Boss Digital Delay DD7; Boss TU2 Chromatic Tuner; Cry Baby wah

  13. #13
    Join Date
    Aug 2006
    Location
    Germany
    Posts
    3,298
    Post Thanks / Like

    Default

    I just called my friend and asked if he gave me his CE22 so I can make a video where I testdrive the PRS. There is a bunch of videos on youtube that are not doing justice to the PRS. Think within the next 3 weeks I will make the video and post it here.
    "A lot of people in the industry want to blame downloading for the state of the business. But I think if most music wasn't shit to begin with people wouldn't be downloading it for free," - Corey Taylor (Slipknot)

  14. #14
    Join Date
    Nov 2006
    Location
    St. Louis Park, MN
    Posts
    103
    Post Thanks / Like

    Default

    I've been awfully happy with my Mira.

    I was looking for a very flexible, well-made guitar that would give me solid single coil and humbucker sounds -- and that looked good to me -- since I don't intend to become a collector.

    The Mira offered all that, and I've been very pleased.


    Guitars: Takamine F-349, PRS Mira
    Pedals: Line 6 M13 Stompbox Modeler, Boss TU-2 Tuner
    Amp: VOX Valvetronix AD30VT, Ultrasound AG-50DS4

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •