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Thread: Does Tone Effect Your Ability?

  1. #1
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    Default Does Tone Effect Your Ability?

    I have been in search of a tone that i like and that is versatile so im always changing how my amp is eq'd. I just bought a new amp (Randall 75 watt G2 series combo) which has a amazing clean channel and a very good distortion also and ive noticed just in the past couple days i feel like i play better. Has anyone else felt this way or is it just me?

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    a lot of people say they play better because the increased clarity leaves less room to be sloppy so they're forced to 'get their shit together'...
    Guitars: Epiphone Elitist LP Custom, Ibanez Talman TC420, Guitar built by yours truly
    Pedals: Digitech DF7, Digitech EX7, Ibanez WH10, ZVEX Fuzz Factory, EHX The Worm, Arion DDM-1, Digitech XBW
    Amp: Marshall MG100HDFX + MG412
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  3. #3
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    When everything comes together - groove, tone, mix - it's absolutely inspiring. When my tone is happening, I can focus just on playing and listening, so I play better.

    New gear can help that process, too. If suddenly I can achieve a sound I've been chasing, it helps me do what I'm trying to do with just that much less effort.
    Q: How many guitars is enough?
    A: Just one more...

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    I always find I need to dial in the right tone for the song otherwise it just doesn't feel right. A good sounding amp makes you feel better about the way your playing sounds.
    Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)

    Acoustic: Guitar > microphone > audience

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    It does for me. I get way more inspired if it sounds good and then I play better. It's much more fun than fighting your amph.

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  6. #6
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    100% for me! People do not care enough for their tone. Having the right tone for your music is the best that can happen to you, it encourages you and inspires you.
    "A lot of people in the industry want to blame downloading for the state of the business. But I think if most music wasn't shit to begin with people wouldn't be downloading it for free," - Corey Taylor (Slipknot)

  7. #7
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    I definitely agree with the rest. When your tone matches up to what your ear is hearing you have more room to focus on notes and phrasing rather than whats missing in the tone. It's also a well known fact that when you get new gear you are excited about your new toy(s) and play more often which can easily convert into playing better.

  8. #8
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    Yep! I can honestly say that my Swart Space Tone has me playing above my usual capabilities. May sound cliche, but true!
    bigG


    Guitars:

    Gibson Les Paul Studio Faded Cherry Mahogany, Peavey HP Signature EXP, Epi Sheraton II, Fender Standard Fat Strat, original 1982 Made in the USA Fender Bullet (w original HSC)/ 2005 Martin HD-7 Roger McGuinn Signature Edition (#102 of 250), Martin M-36 (0000), Martin OM-21, Martin 000-15M, Hohner EL-SP Plus Parlor acoustic

    Amps: Swart Space Tone 6V6se, Swart Night Light Power Attenuator/compressor/stereo line-out, Peavey Windsor Studio, Vox AD50VT, Fender Super Champ XD, Vox DA15, Marshall MG10KK, '83 Peavey Bandit 65

    Pedals: Cry Baby 535q wah, Bad Monkey OD, Boss DS-1, Sabine FuzzStortion, HardWire RV-7 Reverb


    www.swartamps.com
    www.ericjosephelectricguitars.com

    Carpe diem, brother, cause you don't know how many diems you have left to carpe.

  9. #9
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    When the sound is better I tend to play/practice more, when I play/practice more I tend to improve, and play better. It just makes things better.
    Guitars
    Wilburn Versatare, '52 FrankenTele(Fender licensed parts), Fender USA Roadhouse Strat, Fender USA Standard B-bender Telecaster, Agile AL 3000 w/ WCR pickups, Ibanez MIJ V300 Acoustic, Squier Precision Bass,
    Amps
    Ceriatone Overtone Special, Musicman 212 Sixty-Five, Fender Blues Jr., Peavey Classic 30, Fender Super Reverb, Traynor YCV-40 WR Anniversary w/ matching 1x12 ext. cab, Epiphone SoCal 50w head w/ matching 4x12 cab (Lady Luck speakers), Avatar 2x12 semi-open back cab w/ Celestion speakers
    Pedals
    Digitech Bad Monkey, Digitech Jamman, DVM's ZYS, Goodrich volume pedal

  10. #10
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    I agree!I'm not that great of a player so I need all the good tone I can get.I have been learning to write down the settings of amph's and pedals,oh also which guitar and it's settings when I find a sweet spot that I like.Better than rackin my brain sayin darn it sounded great the other day what did have that pedal set at? Sumi
    Guitars,Warmoth Tele,90's Fender Strat Plus/Fender CV 50's Tele/Parker p-36/Fretlight/Custom Strat(Fender body/warmoth Clapton neck,tonerider pups)Larrivee L03 mahogany acoustic

    Amphs/66 Super Reverb/60's Bandmaster head and 2/12 cab/Blues jr//epi valve jr/supro super/ ZT lunchbox/Mahaffay Little Laneilei 3350/Pignose g40v

    Pedals/Voods Rodent/MXR carbon copy/Duncan Pickup booster/Ts9/Rat/ts10/Line 6 tone port uk2
    Line 6 M13

  11. #11
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    Having a sound that pleases you goes a long ways in keeping you inspired.
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

  12. #12
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    Mmmm, tone . . . makes it way better for me. Not sure if it makes me any better, but I like it a whole lot better for sure.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  13. #13
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    Quote Originally Posted by sunvalleylaw
    Mmmm, tone . . . makes it way better for me. Not sure if it makes me any better, but I like it a whole lot better for sure.
    I would probably find myself in the same category. As I've progressed, I have found tone playing a more important role and a great part of the learning process.
    Mark
    * Loud is good, good is better!

  14. #14
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    I heard so good tone last night,it can from experience,attitude,timing and two well trained hands connected to a heart of soul!!!! Sumi
    Guitars,Warmoth Tele,90's Fender Strat Plus/Fender CV 50's Tele/Parker p-36/Fretlight/Custom Strat(Fender body/warmoth Clapton neck,tonerider pups)Larrivee L03 mahogany acoustic

    Amphs/66 Super Reverb/60's Bandmaster head and 2/12 cab/Blues jr//epi valve jr/supro super/ ZT lunchbox/Mahaffay Little Laneilei 3350/Pignose g40v

    Pedals/Voods Rodent/MXR carbon copy/Duncan Pickup booster/Ts9/Rat/ts10/Line 6 tone port uk2
    Line 6 M13

  15. #15
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    The answer is an absolute yes! Think about it like this....

    Music is ALL about the sound you make. The physical technique is somewhat important, but if you can create amazing sounds, that's what it's all about.

    Now, just say you play with an absolutely horrible tone. Unless that's how you feel on the inside, you're not going to be able to play from the soul, because you won't be able to connect with what you're playing. The tone HAS to match what's on the inside. Then, what you create will actually make SENSE to you. Thats why playing in tune is important as well:

  16. #16
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    Quote Originally Posted by just strum
    I would probably find myself in the same category. As I've progressed, I have found tone playing a more important role and a great part of the learning process.
    As and after I posted, I thought to myself, if it causes me to enjoy it more, thus have more fun, thus play more, of course it will make me "better" just from playing and enjoying it more.

    That is one reason I could find a good, inexpensive acoustic (asian, mexi, whatever) that sounds like Martin HD-28V. Then I would have a number one on both the acoustic and electric sides. With an acoustic, I think each guitar has its own thing, but that is the general tone I want to hear. I get frustrated a little with my own acoustic. It just does not have the warmth and depth I want to hear. But, it is what I have, and I have an acoustic guitar and should just be glad for that.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

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