Originally Posted by wingsdad
You and I have discussed this, but I guess this is why I prefer rosewood/spruce Martins. I like that throbbing, low end that almost vibrates you. : Nothing against Taylors or those who prefer them, just not my sound.
Originally Posted by wingsdad
You and I have discussed this, but I guess this is why I prefer rosewood/spruce Martins. I like that throbbing, low end that almost vibrates you. : Nothing against Taylors or those who prefer them, just not my sound.
Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson
Appreciate the review Del... and please say hello to Linus and Lucy for me
(One of my YouTube favourites)
Welcome!
David
Gearlist:
Electric: Ibanez 'AS103', Fender Dlx Nash Pwr Tele, Fender Squier '62 JV Strat, Squier '51, Squier 60's Classic Vibe Strat, Epi Elite LP Studio, Hagstrom Swede Acoustic: Larrivee LV-03RE, A&L AMI, Yamaha FG340-T Bass: Yamaha BB 450 Amps: Roland JC-120, JC-50, Peavey Classic 30, Fender Super Champ XD Pedals: Marshall Guv'nor Plus, Danelectro Cool Cat Drive, Transparent Overdrive, Digitech Digiverb, Bad Monkey, Ibanez TS-9, Boss AC-2, CE-5, CS-2, DD-3, DF-2, DS-1, FV-100, GE-7, OC-2, PSM-5, SD-1, TU-2, DVM~BYOC 'Lush Puppy' Chorus
That was the first one I watched! Loved it!Originally Posted by Algonquin
Guitars
Wilburn Versatare, '52 FrankenTele(Fender licensed parts), Fender USA Roadhouse Strat, Fender USA Standard B-bender Telecaster, Agile AL 3000 w/ WCR pickups, Ibanez MIJ V300 Acoustic, Squier Precision Bass,
Amps
Ceriatone Overtone Special, Musicman 212 Sixty-Five, Fender Blues Jr., Peavey Classic 30, Fender Super Reverb, Traynor YCV-40 WR Anniversary w/ matching 1x12 ext. cab, Epiphone SoCal 50w head w/ matching 4x12 cab (Lady Luck speakers), Avatar 2x12 semi-open back cab w/ Celestion speakers
Pedals
Digitech Bad Monkey, Digitech Jamman, DVM's ZYS, Goodrich volume pedal
Same here, SVL. I've got nothing against Taylors. They are what they are, and they make a fine guitar for what they are. I've played on many of them...friends' guitars and trying them out in the stores, new and used. Personally, to my ears and the acoustic tones I desire, the 3 Tacoma's I've owned and the 2 Taks I still own all kicked their a$$, hands-down. The best butt-kicker of them all, by far, was a Tacoma JK28C-E4 Koa/Spruce cutaway Jumbo that I sold to Rocket several months ago. When I bought it, I'd A-B'd it against a used Taylor 914 model, a top-dawg.Originally Posted by sunvalleylaw
It's those thin tops...they take the heart right out of a Rosewood back/sides.
It's so tricky to contain the low-freqs of a big-sounding acoustic when recording it, such that they don't overpower the presence of the critical mids and clarity of the highs. A Taylor's naturally mid/high-boosted (or bass-cut) tone makes it much easier.
I think you've just nailed what Taylors are designed for, Wings. Fitting nicely into a mix without difficulty. Sadly this tends to make them a bit bland played in a solo context. I've only had to mix one Taylor with ES live but it sat in the mix nicely. At soundcheck it sounded thin and awful to me but once the bass and electric guitar joined in it all made sense.Originally Posted by wingsdad
Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)
Acoustic: Guitar > microphone > audience
BINGO Well said, mark. Geat example from experience.:Originally Posted by markb
So, are Taylors overrated?
IMO, there's 2 answers:
1) As a studio and/or guitar, no, they're not overrated. The got well-known and widely used professionally fast. Sure, there's been a lot of clever, strategic placement with artists, endorsements-in-fact, selling the public.
But they're a dream to work with in those applications.
2) As a (amateur or pro) solo-style artist's guitar or as a hobbyist's 'player' alone...yes. Ironically, for all the reasons that make them a great studio guitar.