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The Red Guitar Thread - Page 3
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Thread: The Red Guitar Thread

  1. #39
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    No one needs to move their cherrybursts from here. There can be some overlap, plus they are beauts! I have some severe lust for that tele! Thanks for contributing gents!
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  2. #40
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    Quote Originally Posted by wingsdad
    I happened on that G&L Comanche you bought from me, and gave up this BluesHawk to get that...so, in a roundabout way, you did buy it.
    Hmmm... and yet feels somewhat empty, (as there's no BluesHawk in my line-up.)
    I've noticed that Blues players either love em or hate em... no middle ground with those. Seems most who hate them are trying to push them through the wrong amp.

  3. #41
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    I likes em Joe Louis Walker made his BluesHawk sound sweet.Sumi
    Guitars,Warmoth Tele,90's Fender Strat Plus/Fender CV 50's Tele/Parker p-36/Fretlight/Custom Strat(Fender body/warmoth Clapton neck,tonerider pups)Larrivee L03 mahogany acoustic

    Amphs/66 Super Reverb/60's Bandmaster head and 2/12 cab/Blues jr//epi valve jr/supro super/ ZT lunchbox/Mahaffay Little Laneilei 3350/Pignose g40v

    Pedals/Voods Rodent/MXR carbon copy/Duncan Pickup booster/Ts9/Rat/ts10/Line 6 tone port uk2
    Line 6 M13

  4. #42
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    Quote Originally Posted by Rocket
    Hmmm... and yet feels somewhat empty, (as there's no BluesHawk in my line-up.)
    I've noticed that Blues players either love em or hate em... no middle ground with those. Seems most who hate them are trying to push them through the wrong amp.
    The right amp is sure a key, rocket. I got my Tech21 just before I let it go, and I was loving it. The Hawk is (was, since they disco'd it) an odd duck Gibby. Dummy coil under the Blues90's to 'tap' them via push-pull pots, 3-way strat-type switch & the Varitone...18 pup possible positions. Ya think you could live with the Fender-scale (25.5) neck?

    I'd seen/played one other that came thru my dealer b4 this one, and missed that one. It was in blue, with a bigsby, and instead of the 90's, had the 'mini' buckers. If another ever lands here, I'd be suffering major GAS...

  5. #43
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    Quote Originally Posted by wingsdad
    Ya think you could live with the Fender-scale (25.5) neck?
    Nope... not for electric, (and that must be the reason I don't & haven't owned one.)
    I can barely tolerate 25.5" on acoustics... tune down 1/2 & capo to pitch.

  6. #44
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    Another red beauty:

  7. #45
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    Gutman-- give us some deets on that guitar. Model/brand? Country of origin? Price?

    I like what they did with the upper edge of the pickguard.

  8. #46
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    Quote Originally Posted by Brian Krashpad
    Gutman-- give us some deets on that guitar. Model/brand? Country of origin? Price?

    I like what they did with the upper edge of the pickguard.
    Right
    That's a Fret-King Corona 60 SP by Trevor Wilkinson (you might have heard about the wilkinson tremolo). Trev is running a custom shop in England but I think there's another series made in czech republik (not sure bout that) - he also worked with Patrick Eggle afaik.

    The hardware on this guitar is great - the tuners are staggered locking tuners that work perfectly with the vintage style tremolo. The other specs are very close to a '65 Stratocaster Trev took as a model.

    I was lucky to get this guitar used but in mint condition and I payed about 900 Dollars. I'm not sure about the original retail price and I'm not sure, when this guitar was built..

  9. #47
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    Thumbs up

    Thanks for the info. I've seen Fret-Kings online, and knew about the Wilkinson connexion, they have some cool designs.

    One never sees them here in the States though.

  10. #48
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    Quote Originally Posted by wingsdad
    Since Strummy showed his ex-Epi G400...here's one I often wish I didn't give up...a '99 Gibson BluesHawk...when I got her, the Blues-90 pup covers and knobs were black...I changed them to creme with gold...never could find a Varitone position marker ring...
    You usually don't see too many of them running around.........
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

  11. #49
    pes_laul Guest

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    This isn't really MY guitar, but I play it at my shows (for Drop D stuff.)

    But it's my dad's schecter C1-+

    sorry, not a very good picture.

  12. #50
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    My Stadium SG


    My Schecter C1+
    LIVE AND LET ROCK!!

  13. #51
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    I don't have a red one either. Everything I seem to like is either not offered in red or is too expensive.

    I like wine red and darker reds.

    Nice guitars everyone. I especially like that Gibson Blueshawk.

  14. #52
    pes_laul Guest

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    Quote Originally Posted by Perfect Stranger
    My Stadium SG


    My Schecter C1+
    I have that same guitar! it rules doesnt it?

  15. #53
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    Quote Originally Posted by pes_laul
    I have that same guitar! it rules doesnt it?
    I'm not really sure which one you mean. Both have Seymour Duncan 59's in them, I've leveled the frets, dressed them and polished them, and I have them loaded with Heavy/Lite (10-52) strings. Because of the strings and pickups they sound very similar....the difference being in the necks and fret number.

    Short answer....yes, they rawk! Thanks!
    LIVE AND LET ROCK!!

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