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The natural beauty thread
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Thread: The natural beauty thread

  1. #1
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    Default The natural beauty thread

    I'll go first.


    _____

    GUITARS - Carvin DC127M - Carvin Bolt kit
    AMPS - Bogner Alchemist 112 - Blackheart Handsome Devil half stack
    FXs - Roger Linn Adrenalinn III - Boss GT-10
    _____

  2. #2
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    Though I have several I could contribute I'll keep it to one. This is my 1992 Gibson Les Paul Studio. It was my first good guitar. It started out life with black paint and gold hardware. After ten years of play the paint was not holding up well so I stripped it off and finished it with several coats of tung oil which I buffed in with ultra fine steel wool.
    Patrick

  3. #3
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    My birthday present to myself this year.



    Guild/DeArmond Starfire Custom
    Guitars (All Lefty): Fender MIM Wine Red Telecaster
    Washburn D10SCELHBK
    Greg Bennett (Samick) Avion AV3/LH/CS
    Franken-Strat (Maple Neck / Black Body & Pickguard / 2-Point Tremolo / GFS Alnico Single-coil Pups / Gold Hardware)
    2 Fullerton Standard Strats; Sunburst w/ GFS Overwound P'ups and Black w/ GFS Lil Killer Rail 'Buckers
    Fullerton Deluxe Dreadnought
    Amp: Blackheart BH1HS Killer Ant Half Stack (Bitmo Ant Eater Kit)
    Crate V18-112 (Goodsell RGM Speaker / Accutronics Tank / Switch R4 - R10 Mod)
    Pignose G40V (Jensen MOD Speaker / DC Heater Mod / Pentode:Triode Switch)
    Fender Champion 30 Reverb (Accutronics Tank / Jensen MOD Speaker)
    Speaker Cab: Lopo 1x12 Tweed Convertible w/ Eminence GB128 Speaker
    Pedals: Korg ToneWorks AX1000G, AX5G, & AmpworksG Modeling Signal Processors
    Boss DS-1 (Rectifier Tri-Gain Plus Mod); CS-3 (Opto Plus Mod); SD-1 Super (GT Mod); GE-7 (Plus Mod)
    Fender PT-100 Tuner
    E.H. Big Muff Pi (US)
    S.D. Pickup Booster
    Ibanez CF7 Chorus/Flanger
    Alesis NanoVerb
    ART Tube MP Studio (OPA2604 Op Amps) (On Champion 30)
    Behringer NR100 & OD100

  4. #4
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    Here's my Yamaha. It's a pretty decent little guitar!



    Ronnie

    Guitars: Washburn WI64DL Idol, Yamaha Pacifica 112, Yamaha EG112C, Washburn House of Blues Electric, Washburn G30 Acoustic

    Amps: Crate GX1200H Head, Crate 4x12 Cabinet, Crate GLX65 12" Combo, Johnson 15 watt, Fender Frontman 25R

    Pedals: Cry Baby Wah, DOD FX20-B Stereo Phaser, Danelectro Cool Cat Transparent Overdrive, Daneletro CM2 Metal II, Danelectro FAB Chorus, Danelectro FAB Flange

  5. #5
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    OK, I'll bite. My "transparent honey" Xaviere XV820 Tele copy:

    DVM's Ever-Expanding Gear List:

    Guitars - W-A-A-A-Y-Y too many to list. Check 'em all out HERE

    Amps & Cabs - "Kap'n Kerrang-aroo" BYOC 18W TMB kit amp head; Mojave Coyote head; Fender Hot Rod Deluxe Lacquered Tweed Ltd. Ed.; Allen Sweet Spot kit amp; BYOC Tweed Royal kit amp; Epiphone Valve Jr. combo + mods; Drive 2x12 cab / Celestion G12M Greenback + G12H30; AB Custom Audio 1x12 cab / Celestion Alnico Blue

    Pedals/Effects - ZILLIONS, including DVM's Home-built Pedals - See some HERE and HERE, TOO!

    DVM's Gear Photos
    Visit MY WEBSITE!



  6. #6
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    Default

    My Natural Beauties would be most of my acoustics...sorry for eating bandwith, but some backsides are worth the look.

    First, my well-worn partner since new, a '70 Guild D40NT:

    The first issue of the Takamine Santa Fe Series, a '93 ESF-93...verified with Tak that its s/n makes it the 35th made of the limited run of 1,100. MIJ, solid cedar top, solid lacewood (silky oak) back/sides, turquoise eagle flying across the fretboard:

    Another MIJ Tak Santa Fe, an '02 EAC38C...solid spruce top, solid rosewood b/s, natural maple body bindings, dyed turquoise for the back seam, and more Japanese inlay artistry:

    My '04 Washburn NV100C is a semi-solid mahogany bodied, spruce-topped nylon string a/e:

    ...and finally, this little Oscar Schmidt reissue of a 1920's Washburn uke, an '08 OU-250BELL, is of solid Trembesi...some say the next koa, as that wood grows scarce:


    But the absolutely most gorgeous sounding and looking acoustic (a/e) I ever owned was a Tacoma JK28C, a koa-bodied jumbo that Rocket acquired from me last year...via this thread:
    Tacoma JK28C
    Last edited by wingsdad; June 24th, 2009 at 07:52 AM.
    ^^
    AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.

  7. #7
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    Hagstrom Viking Deluxe

    Squier Tele

    Ibanez ST200


    Peavey Generation EXP Double

    Rogue PRS copy

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  8. #8
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    Default

    This is my only nat. guitar. (I am the one on the right with the hair sticking out the back of my hat. It was a Christmas performance I showed up to after skiing and just threw a hat on.) Pretty basic, but it was my first. That is my first guitar instructor there too with his D-35 that he plays beautifully with his thumb pick and fingers. I don't take lessons from him now, but we still play together some and are friends.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  9. #9
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    Default


  10. #10
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    Default

    Fender "70s" Strat


    Fender Lite Ash Tele


    Both my Micheal Kellys




    and a couple of others not shown.
    "Life is not a journey to the grave with the intention of arriving safely in a
    pretty and well preserved body, but rather to skid in broadside, thoroughly
    used up, totally worn out, and loudly proclaiming--WOW--What a ride!!!"
    -Stuart Wilde-

    "If the only tool you have is a hammer, you tend
    to view every problem as a nail."
    -Maslow-

    "Religion is sitting in a church thinking about fishing.
    Spirituality is fishing and thinking about God."
    -Unknown-

  11. #11
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    Default My Douglas

    At the moment, the only natural beauty in the quiver:



    IMHO, mahogany is not the prettiest of all woods for a natural finish guitar. Not as pretty as, say, flame maple or the like. Still, not an ugly guitar, I suppose.
    Last edited by FrankenFretter; June 27th, 2009 at 09:23 PM.

  12. #12
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    Default

    I have this



    But to be honest, when I saw the title of the thread, the beer girls came to mind.
    Mark
    * Loud is good, good is better!

  13. #13
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    Quote Originally Posted by just strum
    I have this
    But to be honest, when I saw the title of the thread, the beer girls came to mind.
    What is that? I like the bridge. Nice design.

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  14. #14
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    Quote Originally Posted by Spudman
    What is that? I like the bridge. Nice design.
    It's a Orpheum. It's imported by Tacoma.

    Mine is a OD19SWM

    Closest thing I can find for you to read

    http://reviews.harmony-central.com/r...m/OD24SWM/10/1

    Or were you referring to the beer girls?
    Mark
    * Loud is good, good is better!

  15. #15
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    Here is some more info on the guitar - some guy named Wingsdad over at the Tacoma forum had one. Hey, wait a minute....

    http://www.tacomaguitarforum.com/index.php?topic=835.0
    Mark
    * Loud is good, good is better!

  16. #16
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    They are all natural. Ok a bit boring.

    The St. Pete herd. A Dean Sweetwood 00R and a Guild D35-NT (1975).



    The Gang in Annapolis
    A Martin D12-1, a Morgan Monroe M-30 and a Martin D2-R.

    "The music business is a cruel and shallow money trench, a long plastic
    hallway where thieves and pimps run free, and good men die like dogs.
    There's also a negative side."
    --Hunter S. Thompson

    Guitars: Dean Sweet Wood 00R, Martin D2R, Guild D60, Guild D35NT, Morgan Monroe M30, OS baritone Uke

  17. #17
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    My Agile AL-3100


    My Carvin C350
    LIVE AND LET ROCK!!

  18. #18
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    Almost forgot my Epi PR350





    I went out to buy picks and this followed me home.
    Mark
    * Loud is good, good is better!

  19. #19
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    Quote Originally Posted by wingsdad
    My Natural Beauties would be most of my acoustics...
    ...and finally, this little Oscar Schmidt reissue of a 1920's Washburn uke, an '08 OU-250BELL, is of solid Trembesi...some say the next koa, as that wood grows scarce:
    wingsdad,
    Great looking collection. Love 'em all but that uke is really cool. : :
    "The music business is a cruel and shallow money trench, a long plastic
    hallway where thieves and pimps run free, and good men die like dogs.
    There's also a negative side."
    --Hunter S. Thompson

    Guitars: Dean Sweet Wood 00R, Martin D2R, Guild D60, Guild D35NT, Morgan Monroe M30, OS baritone Uke

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