Great question.
This is going to be an interesting thread.
Lot's of really old, very shop worn Strats hangin around our local GC,, there for the playing.
"Strats are the most imitated, yet-never-been-duplicated guitar"
-Glen Campbell.
Lately I've been really into Strats and can't stop playing mine.
I'm most familiar with the later 60s tone of Hendrix, and I'm wondering what are the main differences in tone between the early 1954 Strats, compared to later ones from 60s?
I've been looking around at different aftermarket pickups and keep seeing ones based on '54 Strats, pre-CBS, early 1960s, 1957, CBS, etc...
Can someone briefly explain the differences in tone and pickups of Strats through the years, mainly 50s to 70s? Or maybe share some links to some info?
Thanks.
Great question.
This is going to be an interesting thread.
Lot's of really old, very shop worn Strats hangin around our local GC,, there for the playing.
"Strats are the most imitated, yet-never-been-duplicated guitar"
-Glen Campbell.
Make Kindness a constant presence in your life
If you can get ahold of a tape or maybe a CD of Jim Weider in Get that classic Fender sound on homespun tapes it's great and Jim well he's a fantastic player.Sumi
Guitars,Warmoth Tele,90's Fender Strat Plus/Fender CV 50's Tele/Parker p-36/Fretlight/Custom Strat(Fender body/warmoth Clapton neck,tonerider pups)Larrivee L03 mahogany acoustic
Amphs/66 Super Reverb/60's Bandmaster head and 2/12 cab/Blues jr//epi valve jr/supro super/ ZT lunchbox/Mahaffay Little Laneilei 3350/Pignose g40v
Pedals/Voods Rodent/MXR carbon copy/Duncan Pickup booster/Ts9/Rat/ts10/Line 6 tone port uk2
Line 6 M13
Here is some fantastic Strat reading: http://www.dickdale.com/history.html
And the subject in action:
Originally Posted by Trailer Park CasanovaThis, I'd assume, would be a reference to Freddy Tavares who has two great claims to fame. First, and most importantly, he played the steel guitar gliss that introduces all of the Warner Brothers Looney Tunes cartoons. Secondly, he sort of designed the body shape of the Stratocaster. Not a bad CV, really.Leo and his right hand man Freddy T
Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)
Acoustic: Guitar > microphone > audience
Freddie Taveras, for sure, but I'd have to say that Leo's right-hand man was truly George Fullerton, who just passed away about a month ago. It was Fullerton, a guitar-playing erstwhile budding aerospace engineer, that Leo convinced to throw in with him and start what became Fender Musical Instruments.Leo and his right hand man Freddy T
^^
AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.
There is an article on George Fullerton in the Guitar Player mag that just came out.
Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson
There's no disputing Fullerton's importance to the Fender legacy, but without Tavares there would be much less of the legendary even iconic product of steels, amps, and guitars they put out, like the Stratocaster as just one example, and would not be anywhere near the company that we've revered for decades.
BTW, I was quoting the Dick Dale article above. It's not my opinion that Freddie Tavares was Leo F's right hand man. There are many people who made Fender what it was and contributed to the final products we know and love.
Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)
Acoustic: Guitar > microphone > audience
Everybody that worked at Fender (same with all the vintage guitar companies) during the glory day's seem's to get forgotten more and more as time goes by, even with it's constantly increasing popularity.
Even Dick's intimate involement get's often overlooked.
When Leo passed away, I read in Time he was in the final development of the Fender ATS,, which was quickly dubbed on the street by music writers as the "After The Strat".
Wonder what became of that project?
Make Kindness a constant presence in your life
Interesting...according to George Fullerton, in his autobiographical 'Guitars From George & Leo', Leo's last project with G&L was developing what they referred to as a 'baritone guitar', tuned 1/2 way between a guitar & a bass.Originally Posted by Trailer Park Casanova
On Tuesday, March 20, 1991, they finished the first prototype unit. George drove Leo home while the unit was being polished and final assembly checked.
Leo never got to see it. He passed away early the next morning.
^^
AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.