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Thread: From Wooden Planks to Finished Guitar

  1. #1
    Join Date
    Apr 2009
    Location
    Florida
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    Default From Wooden Planks to Finished Guitar

    I found this last night, and was mesmerised as I watched.

    I usually research everything I can about a guitar I'm thinking of buying or already own (and, many of those owned by some of you guys n gals). So, as I just purchased a used Taylor 310 acoustic (made in 2000), I read all of the professional and user reviews I could find on that guitar, and also went to Taylor's acoustic guitar site.

    There I found this set of 15 videos (from 6 - 14 minutes each), showing, in quite nice detail, how selected pieces of various woods become a finished acoustic guitar. The 15 vids have a total running time of approx 2 hours, so, until you have the time to view all 15, I suggest picking out a few that seem interesting to you. It will be well worth your time. You'll not only see how Taylor does it, but also possibly learn, what might be, some new terminology re parts of a guitar (for those of you not familiar w those many terms).

    I am in NO WAY promoting Taylor guitars here. This is simply the best, most in-depth tutorial I've ever seen regarding the manufacture of a guitar in general, and a Taylor in particular.

    I hope you take some time to check this out. You can start-stop at any time, and pick back up where you left off within each of the 15 segments.

    As The Tone King would say (incessantly!): "So, without further ado"...here's the page for the video tour of the making of an acoustic guitar:

    http://www.taylorguitars.com/video/f...3a+Roto-shaper

    I hope you enjoy it as much as I have! I thought it quite fascinating and, well...amazing!

    G
    bigG


    Guitars:

    Gibson Les Paul Studio Faded Cherry Mahogany, Peavey HP Signature EXP, Epi Sheraton II, Fender Standard Fat Strat, original 1982 Made in the USA Fender Bullet (w original HSC)/ 2005 Martin HD-7 Roger McGuinn Signature Edition (#102 of 250), Martin M-36 (0000), Martin OM-21, Martin 000-15M, Hohner EL-SP Plus Parlor acoustic

    Amps: Swart Space Tone 6V6se, Swart Night Light Power Attenuator/compressor/stereo line-out, Peavey Windsor Studio, Vox AD50VT, Fender Super Champ XD, Vox DA15, Marshall MG10KK, '83 Peavey Bandit 65

    Pedals: Cry Baby 535q wah, Bad Monkey OD, Boss DS-1, Sabine FuzzStortion, HardWire RV-7 Reverb


    www.swartamps.com
    www.ericjosephelectricguitars.com

    Carpe diem, brother, cause you don't know how many diems you have left to carpe.

  2. #2
    Join Date
    Sep 2007
    Location
    High & Dry, Southern California
    Posts
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    Default

    You made a good choice in going with the Taylor 310 over the Crafter, notwithstanding my comments influenced by Taylors' propensity to die early deaths by nature of top-cracking in the arid SoCal desert climate that I've seen them discarded for. You're fortunate to be in a more temperate, humid clime in Florida that should serve the guitar well.

    Nice set of videos; building a fine acoustic guitar is an art.
    ^^
    AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.

  3. #3
    Join Date
    Apr 2009
    Location
    Florida
    Posts
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    Thanks, wingsdad. It is a VERY fine guitar. I'm very happy with it. :
    bigG


    Guitars:

    Gibson Les Paul Studio Faded Cherry Mahogany, Peavey HP Signature EXP, Epi Sheraton II, Fender Standard Fat Strat, original 1982 Made in the USA Fender Bullet (w original HSC)/ 2005 Martin HD-7 Roger McGuinn Signature Edition (#102 of 250), Martin M-36 (0000), Martin OM-21, Martin 000-15M, Hohner EL-SP Plus Parlor acoustic

    Amps: Swart Space Tone 6V6se, Swart Night Light Power Attenuator/compressor/stereo line-out, Peavey Windsor Studio, Vox AD50VT, Fender Super Champ XD, Vox DA15, Marshall MG10KK, '83 Peavey Bandit 65

    Pedals: Cry Baby 535q wah, Bad Monkey OD, Boss DS-1, Sabine FuzzStortion, HardWire RV-7 Reverb


    www.swartamps.com
    www.ericjosephelectricguitars.com

    Carpe diem, brother, cause you don't know how many diems you have left to carpe.

  4. #4
    Join Date
    Sep 2007
    Posts
    1,515
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    Default

    Nice find. I got it bookmarked for later.
    _____

    GUITARS - Carvin DC127M - Carvin Bolt kit
    AMPS - Bogner Alchemist 112 - Blackheart Handsome Devil half stack
    FXs - Roger Linn Adrenalinn III - Boss GT-10
    _____

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