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Folded the band
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Thread: Folded the band

  1. #1
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    Default Folded the band

    It was a fun three year run, but my band has run its course. I folded it today. Numerous issues, some major, some minor.

    I'm going to take a break, look within, and figure out where I want to take my music next. I know it's time for a change. I was getting moldy and stale the past several months.

    This is strange new ground for me. I haven't been without a working band for eight years...........
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

  2. #2
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    Time to get a looper and do some solo gigs. Higher pay, no other musicians not showing up on time, getting drunk, breaking equipment, being emotionally unstable etc, total creative control. Mucho pluses. Best wishes with your new direction whatever it is.

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  3. #3
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    Thanks, Spud.

    I really don't know where I'm going to go next right now. I know I'm burned out completely on what I've been playing - band wise and personally.

    I think I'm going to put down the guitars for a bit and see if I can find my fire again.
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

  4. #4
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    Sorry to hear about the band, but you will find that fire again in no time I bet. Sounds like a change will do you good!
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  5. #5
    pes_laul Guest

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    Hmm you could always start a death metal band....that should get the creative juices flowing 0

  6. #6
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    Take a break.............................then jump back in the saddle
    "I love being alive and I will be the best man I possibly can. I will take love wherever I find it and offer it to whoever will take it... seek knowledge from those wiser and teach those who wish to learn from me."
    "Develop your talent, man, and leave the world something. Records are really gifts from people. To think that an artist would love you enough to share his music with anyone is a beautiful thing."
    Duane Skydog Allman

    You come to a point in your life when you really don't care what people think about you, you just care what you think about yourself." - Evel Knievel

  7. #7
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    Take the time to remember why you love to play the guitar.
    Patrick

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    Yep I know just what you mean.

    1990 I sold off almost all my gear, half a PA and guitars, whatnot, only kept one mic, a small mixer and an acoustic. After less than a year I had joined a band as a singer again, bought another electric...then I was in about five bands, singer/guitarist, singer or bassist/guitarist until...

    1998 quit all of my bands at once; sold off my amps and most of my gear, only basically kept my Les Paul and some odd pieces of gear. That time it took a little over a year to again start as a singer, develop into singer/guitarist AGAIN and so on. We were just about to land a record deal too when I quit.

    Then in 2004 I quit again, again sold off the PA system I had collected again and most of my gear otherwise...but kept a couple of guitars and a bass. Quit all my then current bands too. One of them was getting a bit too popular anyway, so it was time to quit it before it would have ended up in a record deal or actually getting income from it.

    2006 I started being more active, Internet bands etc...finally sold my Les Paul off as well as all my other guitars, and built/had built 3 electrics to my liking plus bought an acoustic again...ended up in a handful of bands once more.

    2009 finds me quitting most of my bands for now, but this time not all, and I'm concentrating in one live band and one Internet project, doing other stuff only intermittenly...but more like amassing more gear than reducing :-)

    It comes and goes...I seem to always quit when the band is actually starting to get somewhere.

    It's a dilemma; I would love to have my music listened to by millions but I'd like to do it basically incognito...
    Dee

    "When life's a biatch, be a horny dog"

    Amps: Marshall JVM 410H w/ Plexi Cap mod, Choke Mod & Negative Feedback Removal mod, 4x12", Behringer GMX110, Amplitube 3/StealthPedal

    Half a dozen custom built/bastardized guitars all with EMG's, mostly 85's, Ibanez Artwood acoustic & Yamaha SGR bass, Epiphone Prophecy SG, Vox Wah, Pitchblack tuner plus assorted pedals, rack gear etc. for home studio use.

  9. #9
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    Quote Originally Posted by hubberjub
    Take the time to remember why you love to play the guitar.
    I agree with hubberjub. Play for the shear enjoyment of it... because you want too, not because you have too. Play for yourself.
    -- Joe --
    Guitars:
    Gibson: '08 Longhorn DC HS
    Martin: '09 OM-1
    Ovation: '07 Elite-T 1868T; '95 Celebrity Deluxe CC257; '95 Balladeer 1751 12-string
    Fender: '91 Stratocaster Plus; '69 Mustang Competition; '08 Squier Telecaster CV50
    Other: '77 Bradley Les Paul Custom; '03 Michael Kelly Patriot Q
    Bass: '08 Dean EABC
    Effects:
    MXR Dyna Comp; Dunlop Crybaby; DOD TR3R; Ibanez MT10; Rockman Soloist
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    Genz Benz Shenandoah Jr.; Peavey Studio Pro 110; Tascam MP-GT1


  10. #10
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    Sorry to hear the band folded... it has happened to me many times. Hang in there, work on some new things or take a break, and eventually things will come around.
    The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
    Master Guitar Academy - I also teach via SKYPE.

  11. #11
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    Seems most bands get the Spinal Tap syndrome at some point.

    Hate to see bands break up.
    Make Kindness a constant presence in your life

  12. #12
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    It's not a heart breaking thing for me. I've been doing the band thing for a long time and I know that bands come and go. It was a good run, but I'm ready to take a break. I'll give myself some time to figure out what I want to pursue next.
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

  13. #13
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    Now find a girl singer to build a band around and start making some serious money for your effort.

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  14. #14
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    That is a tempting proposal..........................but every band I've been in fronted by a chick turned into a nightmare soap opera right when we needed to be at our best - some of the singers got the diva "I'm in charge of this band and it's MINE" syndrome. In one other, it was "who's banging the singer this week and attempting to call the shots".

    No offense to chick singers out there - I LOVE to hear a chick belt out some rock and roll........................but experience has shown me the downside.
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

  15. #15
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    Were I not a married man, here is a female lead that looks fun to hang out with:


    http://www.youtube.com/watch?v=kSLOo...eature=related
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  16. #16
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    Quote Originally Posted by Plank_Spanker
    That is a tempting proposal..........................but every band I've been in fronted by a chick turned into a nightmare soap opera right when we needed to be at our best -
    You just need to be up front and remind them that this is yours and if they want to play then they have to follow the rules.

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  17. #17
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    Quote Originally Posted by Plank_Spanker
    That is a tempting proposal..........................but every band I've been in fronted by a chick turned into a nightmare soap opera right when we needed to be at our best - some of the singers got the diva "I'm in charge of this band and it's MINE" syndrome. In one other, it was "who's banging the singer this week and attempting to call the shots".

    No offense to chick singers out there - I LOVE to hear a chick belt out some rock and roll........................but experience has shown me the downside.
    Me too, there's never gonna be room for a girl in any of my bands any more. It's a good way to screw up band dynamics and cause problems. When guys play rock and drink hard and party with it, a girl in the band can only cause a mess.
    Dee

    "When life's a biatch, be a horny dog"

    Amps: Marshall JVM 410H w/ Plexi Cap mod, Choke Mod & Negative Feedback Removal mod, 4x12", Behringer GMX110, Amplitube 3/StealthPedal

    Half a dozen custom built/bastardized guitars all with EMG's, mostly 85's, Ibanez Artwood acoustic & Yamaha SGR bass, Epiphone Prophecy SG, Vox Wah, Pitchblack tuner plus assorted pedals, rack gear etc. for home studio use.

  18. #18
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    Quote Originally Posted by deeaa
    Me too, there's never gonna be room for a girl in any of my bands any more. It's a good way to screw up band dynamics and cause problems. When guys play rock and drink hard and party with it, a girl in the band can only cause a mess.
    My hard partying and drinking days are behind me - the hangovers REALLY hurt these days.................

    With a chick singer, there was always some form of emotional nonsense to wade through at practice and gigs. That, and there was always some guy in the band fawning over her. It would be very different to play as a hired gun in a band owned by a chick who knew what she wanted, where she wants to go, and has the no BS drive to take here there. I would just play what she wanted me to and be happy. I just don't want to deal with pretty young thing wannabes that have no idea of the commitment and work it takes to keep a band working.

    It sounds like I'm dancing on the edge of coming across like a misogynist, but I'm definitely not one. I would love to be in a band with a no BS chick singer who can belt it out and work on an even field with the boys in the band. If the band is on par with her, it's a guaranteed draw and word would travel fast.

    Hell.........................I still might try it.
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

  19. #19
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    Man Planky, you'd never make it as a Hollywood producer. What about the casting couch. That's rock and roll baby!

    I've worked with a couple of ladies now and while I do prefer an all male revue all these gals were one of the boys so there were no issues. They pulled their weight. But I can understand where you are coming from.

    Check the regional studios and ask who is doing demos and then contact the artists to see if they can use your services either in the studio or for live playing. Hired gun to the rescue.

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

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