So do you prefer to fingerpick only or do you pick when you play bass.
Or do you switch it up depending on the song.
I mainly fingerpick but a few songs I play I use a pick
<---dude this is the coolest smilie ever
Pick
Fingers
Both
So do you prefer to fingerpick only or do you pick when you play bass.
Or do you switch it up depending on the song.
I mainly fingerpick but a few songs I play I use a pick
<---dude this is the coolest smilie ever
Ooops! Ignore my vote. I voted before I read the post. I don't play bass.
-Kodiak
Guitars:
Washburn Idol 64 DL w/GFS Dream 180 pups
Washburn X-33 w/GFS 60's-70's Grey Bottom Non Stagger Overwound
Stagg G300 SG w/GFS Power Rails
Art & Lutherie Acoustic
IMO
All the greatest bass players of all times play with their fingers.
THE BASS IS MEANT TO BE BEAT ON! FINGERS IS THE ONLY WAY TO PLAY.
I am sure their many who disagree but
STANLEY CLARKE
MARCUS MILLER
VICTOR WOOTEN
LARRY GRAHAM
LOUIS JOHNSON
RON CARTER
JACO PASTORIUS
Bona Pinder Yayumayalolo (RICHARD BONA)
MARK ADAMS
LES CLAYPOOL
JAMES JAMERSON
JOHN ENTWISLTE
FLEA
GEDDY LEE (AT LEAST I HAVE NEVER NOTICED HIM WITH ONE)
THESE CATS are among the best ever and not picK player among them.
IF it works for them THAT'S GOOD ENOUGH FOR ME!
Last edited by MAXIFUNK; October 17th, 2009 at 12:54 AM.
Actually John Entwistle DID use a pick, not to mention Matt freeman, John Paul Jones, Paul McCartney (I hat the beatles, but hey, he did use them) as well as Carol Kaye and I think Pino Palladino may even use them sometimes, and they're two of the most legendary session players of all time, you really need to expand your mind, I mean I play mostly with fingers too, but I find that you can do things with a pick that you can't do with fingers, like sweeping.Originally Posted by MAXIFUNK
"the emperor is rich, but he cannot buy another year"
-anonymous chinese person
"the thief is sorry for being hung, not for being a thief"
-anonymous
"We are not nationalities, we are not races, we are not political parties, we are not social classes, we are not cultures, we are not subcultures, and we are not churches, but when all things are said and done, the guns are shot, the riots have died down, one thing is true, and that should preceed all other things, we are, without division: HUMAN BEINGS, is that not good enough an excuse stop shooting people, and letting others starve to death?" -Pie_man_25
Originally Posted by pie_man_25
NO my MIND is expanded quit far enough thank you very much.
So some how you know my mind from one damn post to a thread please.
Enthwhisle is famous for his fingering technique not his pic playing.
Larry Graham used a pic also but he is famous for popularizing thumping and popping.
Now as far as those folks you mention there was not a name there I have not seen play in person or was not aware of. I could have put a 300 person list out there but why.
As far as sweeping is concern you can do that with your thumb.
LIKE I SAID FOR ME THERE IS NOTHING LIKE PLAYING A BASS WITH YOUR FINGERS AND THUMB.
I apologize for offending you, this idiot (I'm referring to myself) did not try to offend, I was just making a statement, but again, I have to say I respectfully disagree, after all, by playing only with fingers and thumb you are limiting yourself to a range of tones, and entwistle did do a LOT of great stuff with a pick, like the solo for my generation. Yeah, you can keep telling yourself that nothing beats the fingers, and I do agree with you, but sometimes playing with a pick can be more appropriate, After all, like Victor Wooten himself has said many times, being able to do a ton of virtuosic stuff only makes you a technical bassist, being a great bassist is something else entirely. Again, I'm sorry for having offended you, if it really was such a big deal, and again, yeah, fingers are great, but part of being a great bassist is being versatile, which means mastering the many different methods of playing.Originally Posted by MAXIFUNK
ps. though you CAN sweep with your thumb, it sounds sharper with a pick.
"the emperor is rich, but he cannot buy another year"
-anonymous chinese person
"the thief is sorry for being hung, not for being a thief"
-anonymous
"We are not nationalities, we are not races, we are not political parties, we are not social classes, we are not cultures, we are not subcultures, and we are not churches, but when all things are said and done, the guns are shot, the riots have died down, one thing is true, and that should preceed all other things, we are, without division: HUMAN BEINGS, is that not good enough an excuse stop shooting people, and letting others starve to death?" -Pie_man_25
My preference is to play with my fingers. That is complicated by the fact that I no longer have fingertips on the first three fingers of my right hand. I can still do it kind of, but it's a pain. I started out with a pick, but I was always dropping it due to crappy technique. A Rudy Sarzo instructional cassette tape (tangent: you see, Pes, back in the 80s we had these things called "cassette tapes" and . . . oh, nevermind) convinced me to try playing with my fingers. You can't drop your fingers, plus it enables you to switch between various techniques quickly and easily.
In defense of the pick, sometimes I just like a brighter, sharper attack. I find it easier to pedal a tone that way--take the intro to Queensryche's "Jet City Woman" as an example.
http://www.youtube.com/watch?v=1c8UdpiF_T8 (can't embed this one)
By the way, Eddie Jackson's tone is one of the main reasons I love Spectors so much. Same thing with Mike Starr, formerly of Alice in Chains. That Spector/EMG growl is unmistakable. The only prominent "name" bass player that I can think of who uses a pick is Chris Squire. See Yes' "Roundabout" for example:
So I would chose based on what music I was playing, what tone I was looking for, and personal preference. Due to my injury, I switch off between the two. My pick technique is infinitely better than it used to be, thankfully. I also found that I could imitate the sound of an double bass played with a bow by basically doing a short pick scrape while fretting the notes. I could do a pretty mean imitation of the main riff to Primus' "Mr. Krinkle" that way. That's assuming you are using roundwound strings. You will blow through picks like nobody's business, though.
http://youtube.com/watch?v=WtrmbfS_Vuc (can't embed this one either)
Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
"I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn
And Do not count out Jeff Beck.the man plays great lead without a pick and has for years.
Life is like a camera, just focus on what’s important and capture the good times, develop from the negatives and if things don’t work out, just take another shot. ~ Anonymous
Guitars: 1967(year they came out): Fender Coronado II Wildwood I ,Fullerton ST- 4 Fat Strat , Esteban Legacy acous/elec,99 MIA Standard Fender Strat
Amph's Original Roland Cube 15,Drive 30 w/spring reverb
Just not on bass, which is the point of the thread.Originally Posted by player
Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
"I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn
sorry bossOriginally Posted by marnold
Life is like a camera, just focus on what’s important and capture the good times, develop from the negatives and if things don’t work out, just take another shot. ~ Anonymous
Guitars: 1967(year they came out): Fender Coronado II Wildwood I ,Fullerton ST- 4 Fat Strat , Esteban Legacy acous/elec,99 MIA Standard Fender Strat
Amph's Original Roland Cube 15,Drive 30 w/spring reverb
Heh. NP. As an aside, I saw that special recently with Beck and really was impressed.Originally Posted by player
Back on topic, I forgot about another famous bass player who uses a pick: Lemmy from Motorhead (insert appropriate umlauts here). He's not a technician by any means, but his style keeps Motorhead straddling that line between metal and punk. I know there's another relatively well-known funk player who uses a pick, but his name is eluding me.
Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
"I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn
No question, fingerstyle is the way to play a standup double bass. James Jamerson was a double bassist who converted to bass guitar; notably, he used JUST his index finger, he called 'the hook', on his Fender P-bass, because that's how he played his double bass.
I certainly understand funk bassists using their fingers and even whacking with the side of the thumb; that technique is essential to the sound and style.
But as a guitar player who at one point converted to playing bass guitar more or less by necessity or default, I learned to play bass guitar using a pick, and I never really bothered to attempt to learn fingerstyle.
I thought it was OK to do so because as a kid, I saw some guy named McCartney using a pick on a funny-shaped bass guitar. I thought he played pretty good. Played it practically like it was a lead guitar. Found out later he was actually a frustrated lead guitar player who 'volunteered' to play bass for that dumb little band he was in, so it made sense.
^^
AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.
About the only thing I can add to a bass player's discussion is that this piece was the official song of the lunch room my freshman and sophomore year of high school. Cranked up high over the lunch tables and foosball tables. The bass rocks, and I would love to be able to play that way, though when I think of playing bass, it is with fingers.Originally Posted by marnold
Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson
Gotcha! Can't win for losing guess it is time to go AWOL from thefret for awhile.as in months maybe.even though(fingers) reply has been removed.Bass is not my forte'..that said will stick to what is and pay more attention to forum(s) I do moderate elsewhere. not quitting.just laying low for awhile
Last edited by player; October 20th, 2009 at 10:37 AM.
I came from a punk rock background, and learned guitar first, so my natural tendency is to play with a pick. I'm starting to do more fingerstyle though.
I never liked the whole slap funk thing though. It's basically irrelevant to my playing though, since I'm uninterested in the musical genres that would call for it.
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