Ooops! Ignore my vote. I voted before I read the post. I don't play bass.
Pick
Fingers
Both
So do you prefer to fingerpick only or do you pick when you play bass.
Or do you switch it up depending on the song.
I mainly fingerpick but a few songs I play I use a pick
<---dude this is the coolest smilie ever
Ooops! Ignore my vote. I voted before I read the post. I don't play bass.
-Kodiak
Guitars:
Washburn Idol 64 DL w/GFS Dream 180 pups
Washburn X-33 w/GFS 60's-70's Grey Bottom Non Stagger Overwound
Stagg G300 SG w/GFS Power Rails
Art & Lutherie Acoustic
IMO
All the greatest bass players of all times play with their fingers.
THE BASS IS MEANT TO BE BEAT ON! FINGERS IS THE ONLY WAY TO PLAY.
I am sure their many who disagree but
STANLEY CLARKE
MARCUS MILLER
VICTOR WOOTEN
LARRY GRAHAM
LOUIS JOHNSON
RON CARTER
JACO PASTORIUS
Bona Pinder Yayumayalolo (RICHARD BONA)
MARK ADAMS
LES CLAYPOOL
JAMES JAMERSON
JOHN ENTWISLTE
FLEA
GEDDY LEE (AT LEAST I HAVE NEVER NOTICED HIM WITH ONE)
THESE CATS are among the best ever and not picK player among them.
IF it works for them THAT'S GOOD ENOUGH FOR ME!
Last edited by MAXIFUNK; October 17th, 2009 at 12:54 AM.
My preference is to play with my fingers. That is complicated by the fact that I no longer have fingertips on the first three fingers of my right hand. I can still do it kind of, but it's a pain. I started out with a pick, but I was always dropping it due to crappy technique. A Rudy Sarzo instructional cassette tape (tangent: you see, Pes, back in the 80s we had these things called "cassette tapes" and . . . oh, nevermind) convinced me to try playing with my fingers. You can't drop your fingers, plus it enables you to switch between various techniques quickly and easily.
In defense of the pick, sometimes I just like a brighter, sharper attack. I find it easier to pedal a tone that way--take the intro to Queensryche's "Jet City Woman" as an example.
http://www.youtube.com/watch?v=1c8UdpiF_T8 (can't embed this one)
By the way, Eddie Jackson's tone is one of the main reasons I love Spectors so much. Same thing with Mike Starr, formerly of Alice in Chains. That Spector/EMG growl is unmistakable. The only prominent "name" bass player that I can think of who uses a pick is Chris Squire. See Yes' "Roundabout" for example:
So I would chose based on what music I was playing, what tone I was looking for, and personal preference. Due to my injury, I switch off between the two. My pick technique is infinitely better than it used to be, thankfully. I also found that I could imitate the sound of an double bass played with a bow by basically doing a short pick scrape while fretting the notes. I could do a pretty mean imitation of the main riff to Primus' "Mr. Krinkle" that way. That's assuming you are using roundwound strings. You will blow through picks like nobody's business, though.
http://youtube.com/watch?v=WtrmbfS_Vuc (can't embed this one either)
Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
"I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn
And Do not count out Jeff Beck.the man plays great lead without a pick and has for years.
Life is like a camera, just focus on what’s important and capture the good times, develop from the negatives and if things don’t work out, just take another shot. ~ Anonymous
Guitars: 1967(year they came out): Fender Coronado II Wildwood I ,Fullerton ST- 4 Fat Strat , Esteban Legacy acous/elec,99 MIA Standard Fender Strat
Amph's Original Roland Cube 15,Drive 30 w/spring reverb
Just not on bass, which is the point of the thread.Originally Posted by player
Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
"I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn
sorry bossOriginally Posted by marnold
Life is like a camera, just focus on what’s important and capture the good times, develop from the negatives and if things don’t work out, just take another shot. ~ Anonymous
Guitars: 1967(year they came out): Fender Coronado II Wildwood I ,Fullerton ST- 4 Fat Strat , Esteban Legacy acous/elec,99 MIA Standard Fender Strat
Amph's Original Roland Cube 15,Drive 30 w/spring reverb
Heh. NP. As an aside, I saw that special recently with Beck and really was impressed.Originally Posted by player
Back on topic, I forgot about another famous bass player who uses a pick: Lemmy from Motorhead (insert appropriate umlauts here). He's not a technician by any means, but his style keeps Motorhead straddling that line between metal and punk. I know there's another relatively well-known funk player who uses a pick, but his name is eluding me.
Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
"I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn
No question, fingerstyle is the way to play a standup double bass. James Jamerson was a double bassist who converted to bass guitar; notably, he used JUST his index finger, he called 'the hook', on his Fender P-bass, because that's how he played his double bass.
I certainly understand funk bassists using their fingers and even whacking with the side of the thumb; that technique is essential to the sound and style.
But as a guitar player who at one point converted to playing bass guitar more or less by necessity or default, I learned to play bass guitar using a pick, and I never really bothered to attempt to learn fingerstyle.
I thought it was OK to do so because as a kid, I saw some guy named McCartney using a pick on a funny-shaped bass guitar. I thought he played pretty good. Played it practically like it was a lead guitar. Found out later he was actually a frustrated lead guitar player who 'volunteered' to play bass for that dumb little band he was in, so it made sense.
^^
AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.
I, too, was originally a self-taught rhythm guitarist (Gibson SG Jr.). The first band I auditioned for needed a bass player, so I bought a Framus (Hofner knock-off) and proceeded to use a pick only throughout my "career". I was always after that John Entwistle "sound", with the initial high-end treble attack, coupled w the low end. My signature bass set-up thus becoming a Ric, y-corded into a Vox Super Beatle head, one channel set for low-end and the other set for a more trebley attack. Worked perfectly for the instantly recognizable Entwistle sound - the pick adding to the plucky, treble attack, and also for lead-like basslines, as the band that recorded in NYC was a three-piece. So, I was doing alot of Entwistle-like (lead guitar type) runs and fills. (I know Entwistle used a pick - and fingers as well, but I had my style, and it worked well for me, so I saw no reason to change it. None of that slapping and popping stuff was being done during my time, at least not to my knowledge, and when I first started seeing and hearing that style, quite honestly, I hated it. )Originally Posted by wingsdad
bigG
Guitars:
Gibson Les Paul Studio Faded Cherry Mahogany, Peavey HP Signature EXP, Epi Sheraton II, Fender Standard Fat Strat, original 1982 Made in the USA Fender Bullet (w original HSC)/ 2005 Martin HD-7 Roger McGuinn Signature Edition (#102 of 250), Martin M-36 (0000), Martin OM-21, Martin 000-15M, Hohner EL-SP Plus Parlor acoustic
Amps: Swart Space Tone 6V6se, Swart Night Light Power Attenuator/compressor/stereo line-out, Peavey Windsor Studio, Vox AD50VT, Fender Super Champ XD, Vox DA15, Marshall MG10KK, '83 Peavey Bandit 65
Pedals: Cry Baby 535q wah, Bad Monkey OD, Boss DS-1, Sabine FuzzStortion, HardWire RV-7 Reverb
www.swartamps.com
www.ericjosephelectricguitars.com
Carpe diem, brother, cause you don't know how many diems you have left to carpe.
this one?Originally Posted by marnold
http://www.youtube.com/watch?v=3uwvBizKAwcsaw fingerstyle and guitar this jumped right up at me Rev.sorry did not catch the Bass drift in it right away.
our bassist never used a pick either and was still jam good
I'd better not even askI no longer have fingertips on the first three fingers of my right hand
Life is like a camera, just focus on what’s important and capture the good times, develop from the negatives and if things don’t work out, just take another shot. ~ Anonymous
Guitars: 1967(year they came out): Fender Coronado II Wildwood I ,Fullerton ST- 4 Fat Strat , Esteban Legacy acous/elec,99 MIA Standard Fender Strat
Amph's Original Roland Cube 15,Drive 30 w/spring reverb
Let's just say that snowblowers and hands don't mix.Originally Posted by player
Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
"I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn
Don't post this on a bass player's forum. It will degenerate very quickly and never end....
I don't think it matters all that much how you play a bass as long as it sounds good and is comfortable to you. "Sounds good" is a big part of it though.
Funk and reggae likely wouldn't sound good with a pick and practically demand finger playing. Lots of punk players use picks as do metal players, so a pick would be perfectly acceptable for those genres.
I suppose it really depends on what the music asks for and what the player is most comfortable with.
Gotcha! Can't win for losing guess it is time to go AWOL from thefret for awhile.as in months maybe.even though(fingers) reply has been removed.Bass is not my forte'..that said will stick to what is and pay more attention to forum(s) I do moderate elsewhere. not quitting.just laying low for awhile
Last edited by player; October 20th, 2009 at 10:37 AM.
Originally Posted by NWBasser
that could easily be the correct answer to any number of questions around here.
the "right" way is the way that produces the sound you want to make.
"I happen to have perfect situational awareness, Lana. Which cannot be taught, by the way. Like a poet's ... mind for ... to make the perfect words." - Sterling Archer
No kidding. If you ever want to feel better about yourself, search for this kind of thing on TalkBass, although your IQ might drop a good 50 points.Originally Posted by NWBasser
Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
"I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn
+1 You pretty much hit in on the head.Originally Posted by NWBasser
About the only thing I can add to a bass player's discussion is that this piece was the official song of the lunch room my freshman and sophomore year of high school. Cranked up high over the lunch tables and foosball tables. The bass rocks, and I would love to be able to play that way, though when I think of playing bass, it is with fingers.Originally Posted by marnold
Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson
I came from a punk rock background, and learned guitar first, so my natural tendency is to play with a pick. I'm starting to do more fingerstyle though.
I never liked the whole slap funk thing though. It's basically irrelevant to my playing though, since I'm uninterested in the musical genres that would call for it.
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