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Thread: Which dampit for an f-hole guitar?

  1. #1
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    Default Which dampit for an f-hole guitar?

    I'm thinking of getting a dampit worm thingy to use in my Godin 5th Ave.

    It is an hollow-bodied archtop with f-holes. It is built with laminates, so the need isn't urgent, but I thought that be on the safe side.

    So which one?

    Guitar, violin, bass, viola...?
    I pick a moon dog.

  2. #2
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    Question

    Quote Originally Posted by tot_Ou_tard
    I'm thinking of getting a dampit worm thingy to use in my Godin 5th Ave.
    I have no idea what that is. The dampit worm thingy, not the Godin.

    School me.

  3. #3
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    You really don't have to worrry about the lam woods taking on moisture or drying out much, or at all, so 'a little dab'll do ya'.

    I don't even bother hanging one in my lam woods Epi Sheraton or Casino.

    I use violin models for my Rick 12 (solid maple ) & Wash mando (solid spruce top, maple b/s) & clip it to the edge of the f-hole, and another that I drop thru one of the multi epaulet soundholes on my Ovation Celeb CS257 (solid spruce top). It's thinner than the guitar model. I load 'em with distilled water once a week (better for the foam to not rot, cleaner moisture for the wood...)

    Dampits have been around so long it looks like they haven't re-printed their package inserts since the 30's.
    Dampits at Elderly Music
    ^^
    AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.

  4. #4
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    Krash. from what I understand from posts on here, it's a "sponge" like thingy to regulate humidity while an acoustic/hollowbody guit is in its case.

    Personally, I've never used one, and I don't know anyone else who has. But, then again, I'm in Florida, as you are. From what I get, those northerners REALLY need them due to extreme temp changes.

    Edit: I posted this at exactly the same time as wingsdad posted the one before mine, and he's in SoCal, so it's not just northeners, I guess
    bigG


    Guitars:

    Gibson Les Paul Studio Faded Cherry Mahogany, Peavey HP Signature EXP, Epi Sheraton II, Fender Standard Fat Strat, original 1982 Made in the USA Fender Bullet (w original HSC)/ 2005 Martin HD-7 Roger McGuinn Signature Edition (#102 of 250), Martin M-36 (0000), Martin OM-21, Martin 000-15M, Hohner EL-SP Plus Parlor acoustic

    Amps: Swart Space Tone 6V6se, Swart Night Light Power Attenuator/compressor/stereo line-out, Peavey Windsor Studio, Vox AD50VT, Fender Super Champ XD, Vox DA15, Marshall MG10KK, '83 Peavey Bandit 65

    Pedals: Cry Baby 535q wah, Bad Monkey OD, Boss DS-1, Sabine FuzzStortion, HardWire RV-7 Reverb


    www.swartamps.com
    www.ericjosephelectricguitars.com

    Carpe diem, brother, cause you don't know how many diems you have left to carpe.

  5. #5
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    Yo, bigG, you gotta deal with the opposite syndrome. I'm in the desert where the RH outside only gets over 30 when it rains, which is almost never (less than 4" here YTD).

    You gotta worry about a solid spruce or other softer wood top taking on too much moisture and heat and swelling up to the point that when it finally cools & dries out some, it cracks. Kinda like how asphalt roads get potholes.

    Now that's a real bummer, cuz while you can carefully, slowly succeed at rehydrating dried wood, recure it, so-to-speak, once it's oversoaked, you've pretty much never gonna get life outta the wood again. Sponge-top guitars sound pretty dead.
    ^^
    AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.

  6. #6
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    Right on, wings! Alot of humidity here, but using air conditioning some nine months out of the year cures that. At least inside my apt, and I don't play out anymore....so...

    Fwiw, I registered my used Taylor 310 and, though no warranty, I now get their quarterly "Wood & Steel" mag in the mail. Taylor recommends 48% humidity content...
    bigG


    Guitars:

    Gibson Les Paul Studio Faded Cherry Mahogany, Peavey HP Signature EXP, Epi Sheraton II, Fender Standard Fat Strat, original 1982 Made in the USA Fender Bullet (w original HSC)/ 2005 Martin HD-7 Roger McGuinn Signature Edition (#102 of 250), Martin M-36 (0000), Martin OM-21, Martin 000-15M, Hohner EL-SP Plus Parlor acoustic

    Amps: Swart Space Tone 6V6se, Swart Night Light Power Attenuator/compressor/stereo line-out, Peavey Windsor Studio, Vox AD50VT, Fender Super Champ XD, Vox DA15, Marshall MG10KK, '83 Peavey Bandit 65

    Pedals: Cry Baby 535q wah, Bad Monkey OD, Boss DS-1, Sabine FuzzStortion, HardWire RV-7 Reverb


    www.swartamps.com
    www.ericjosephelectricguitars.com

    Carpe diem, brother, cause you don't know how many diems you have left to carpe.

  7. #7
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    Thanks for the info. My guitars are pretty much in the A/C 24/7, with the exception of the 4 or so months where the weather is milder, like presently. I should probably get one at least for my old MIJ acoustic, even though it's just a no-name with I'm sure not nice woods it is quite dry inside.

    Shows you how much acoustic I play. I'd heard of humidifiers before before in a very vague and general way, but not Dampits specifically.

  8. #8
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    I'd think a Cello Dampit would be good.
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

    Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube

    Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz

  9. #9
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    I've had the Godin for a little more than a year, but I've never concerned myself with humidity. It's always out, but in the basement which tends to be pretty stable in humidity and temperature.

    I thought that the worm couldn't hurt, but I was confused as to whether the cello would be too fat or the violin too thin and fall in.
    I pick a moon dog.

  10. #10
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    Tot-
    The Dampits I've gotten, with or without the (useless) RH 'gauge'/soundhole cover, have a tipped clip thingy,that you can safely slip over the edge of the f-hole. Or, just hang it through the narrowest part of the f-hole, the cap on the head of the worm has a wide enough lip to keep it in place.

    The fatter the worm, the more water it holds, meant for bigger bodied instros, but it doesn't matter; they dry out pretty quick.

    bigG-
    cool with the Taylor; W&S is also on their website in pdf format (last i looked, long ago). Rule of Thumb, depending on who you read, is 45-55% RH. Figures Taylor would be so precise wtih '48%'. With eithter Kyser Lifeguards or Dampits in them, my acoustics and hollows live in a closed cabinet that I manage to keep at around 40-45, that's in a closet that I try to keep at around 45-50. No issues whatsoever with bodies or fingerboards.

  11. #11
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    Thanks Wings! That's exactly the kind of info that I was looking for.
    I pick a moon dog.

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