Good job Robert,the only thing I could add is to save that piece of E string to un clog your window squiters in your car or use it in your tattoo gun(homemade of course from a tape player motor).Sumi
I prefer locking tuners, but for a typical guitar with a hole through the tuning peg, this is my method -
The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
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Good job Robert,the only thing I could add is to save that piece of E string to un clog your window squiters in your car or use it in your tattoo gun(homemade of course from a tape player motor).Sumi
Guitars,Warmoth Tele,90's Fender Strat Plus/Fender CV 50's Tele/Parker p-36/Fretlight/Custom Strat(Fender body/warmoth Clapton neck,tonerider pups)Larrivee L03 mahogany acoustic
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Good vid Roberto.
I'm 50/50 on that method. I use it on some guitars but not all and the ones that I switch back and forth on this method with I don't really notice a stability difference. Maybe it's because I have good tuners on those guitars?
"No Tele For you." - The Tele Nazi
Ha! Tele-ish now inbound.
If you wind the string enough around the post (3 laps or more, with no slack in there anywhere), I imagine it should work perfectly well.
Good tuners sure help! The cheapos that come with these 1-200 dollar guitars are usually pretty sketchy. My MK is so-so in this regard. Could definitely be better.
The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
Master Guitar Academy - I also teach via SKYPE.
Question about this: I know people complain about bad tuners a lot, and I have some on a $100 guitar that are not smooth at all, but how does this affect tuning stability?Originally Posted by Robert
What I thought was if the nut is bad it can pinch the strings, and string bends while playing would pull the slack string through the nut, right? There is a similar phenomenon with the slack around the tuning pegs, which is why locking tuners are good, yes?
My question is about tuners -- do the tuners themselves actually rotate while you play, causing the guitar to de-tune? Other than the things mentioned above (pinching nut, wound string slack being tightened), I can't think of anything else that would make tuners affect the tuning stability of a guitar.
If the tuners do rotate while playing, that's quite odd, and even more odd that the non-smooth tuners are the ones that are less stable.
Guitars: Gibson LP Studio, MIA Fender Precision, Carvin C350Originally Posted by Spudman
Amps: Genz Benz Shuttle 6.0 + Avatar B212 / Genzler 12-3, Acoustic B20
Pedals: Pod HD500X, Diamond Compressor, Tech 21 VT Bass, Sonic Research Turbo Tuner
Exactly the method I use with all my non-locking tuner guitars.
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I'd add that the string should wind 'down' the tuning peg towards the headstock as you wind them on, not allowing the string to wind over itself. Finished article should be tidy and like a coil spring.
I use more coils (about 5) on the top e string and less on the botom E (about 2) and progressively in between across the headstock.
Cheerz
Mark H
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_____
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_____
Well I finally re-strung my strat tonight. Looooonnnnnnggggg overdue. I used GHS Boomers, the Gilmour 10-48 set, that I have had laying around since I started thinking about changing my strings, like a year ago.
Robert, can you sticky this thread, as I always seem to need a reminder on how to re-string? Not the most spatially adept person. It is always good for me to measure thrice and cut twice, . . . or something like that.
Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson
Sumi: You are starting to scare me. LOLOriginally Posted by sumitomo
The Blues is alright!
Guitars: 1968 Gibson SG, 2005 Gibson SG Standard, 2006 Gibson LP Classic Gold top, 2004 Epiphone Elitist LP Custom, 1996 Gibson Les Paul Standard. 2001 Epiphone Sheraton II, 2007 Epiphone G400.
Fender Strats: 1996 Fender 68 Reissue CIJ, 2008 Squier CV 50s, 2009 Squier CV 50s Tele Butterescotch Blonde
Amps: Blues Junior Special edition Jensen in Brown Tolex with Wheat front, 65 Deluxe Reverb reissue,1970 Sonax reverb by Traynor, Avatar Custom 2/12 Cabinet with Eminence Legend V1216 speakers,
2008 DSL100 Marshall Amp , Fender Super Champ XD,Fender Vibro Champ XD
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The BB King method - don't cut the string, wind the whole friggin thing onto the post!
I use a "1 over, 2 or 3 under" method, which I've never really had a problem with it.. although from what I understand, Gibson tuners are not really ever that great. I'm thinking about upgrading to some Grovers, but only if I can find irrefutable proof that their "Vintage" winders are any better.
Electrics: '07 Gibson Les Paul Classic Antique, Oscar Schmidt OE40N Hollowbody aka. "Fat Girl"
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I just did my Hagstrom too. First string change for me on that guitar. The trapeze bridge took a little getting used to, but was really quite easy after figuring it out on the first string. Did a nice polish and cleanse too while I was at it. Feels like new shoes!
Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson
You are the only guy I know that walks on his guitar. Strange.Originally Posted by sunvalleylaw
I really like Kiteman's way too. A few guitars I have that don't have the best tuners get that version of restringing.
"No Tele For you." - The Tele Nazi
Ha! Tele-ish now inbound.
I re-string very much like Robert with a couple small differrences.
1. Start with the hole in the peg at 90 degrees to the fretboard.
2. With the non winding hand both hold the string in place at the nut AND maintain tension as you wind.
3. Have a bit less winds on the low and high E's than on the D and G strings. Facilitates a downward pressure on the nut.
4. Always work outside to inside. Start with the Low E, then the A and D. then high E, B and last the G. Just is easier for me.
5. Finally give those strings several steady pulls, tune and repeat, tune and repeat to get the strings tight on the peg and all the stretch out of 'em.
Now the slot-head, that's a whole different mess involving blood and swearing.
"The music business is a cruel and shallow money trench, a long plastic
hallway where thieves and pimps run free, and good men die like dogs.
There's also a negative side."
--Hunter S. Thompson
Guitars: Dean Sweet Wood 00R, Martin D2R, Guild D60, Guild D35NT, Morgan Monroe M30, OS baritone Uke
With all due respect to the many very knowledgeable people who have contributed here, I think I must disagree with most of you. I have tuned and strung my fair share of guitars over the years and here is my honest opinion:
1st and most important is that the machine head be strung properly. Even crappy tuners in my experience will hold a tune pretty well as long as this is done.
Given the first thing is done, obviously the quality of the tuner is important. I personally do not believe in locking tuners. The precision of the machining in the manufacture of the worm gear mechanism is what determines how well it will hold tune. It doesn't matter if your tuner locks the string in the capstan (as most locking tuners do, pinching it in the hole), if the capstan moves because there is lash in the gear mechanism behind it. If properly strung, the string will kink at the point it passes through the capstan (the hole in the peg for the string) locking it in place. It will not slip at that point. Then I suggest no more than two coils of string around the capstan. More coils just gives more string to stretch and slip, and tuning feels more direct with less coils. Tying the various knots I see people make has the same effect, or depending on the knot, causes the string to pass through the hole at a funny angle so it doesn't really make a sharp kink towards where it coils down the capstan. That kink effectively locks the string in place there, especially once there is a coil of string below pushing against it.
Here's how I string my heads:
My guitar never goes out of tune for no reason. Also, all these other methods take more time, which as I get older, I appreciate the value of more and more.
I strongly recommend Schaller sealed full oil bath machine heads. Made in Germany to very exacting tolerances. Finest money can buy. And you will pay for them. Their gold plated machines are particularly nice, hand polished. I love the set I bought for my dreadnaught. They weight 45.6 grams each with the screw (that's heavy), and they are beatiful. This will immediately also have the effect of improving your sustain, as it effectively weights the headstock.
Guit Boxes: 87 MIJ Strat, Ibanez MIJ RG540, Korean Fender Dreadnaught, The Loar LH-500 (1934 L-5 Reproduction)
Amp: Marshall TSL100 amp head with JCM900 1960 Lead 4 X 12 angled cab
Effects: Crybaby, TS10 Tube Screamer, Badder Bad Monkey, Boss Metal Zone
This is the method I've always used - 1 over, 3 under.Originally Posted by mainestratman
In reality, there's probably several effective methods. What works for you is what's best...
Ah, nothing relieves the discomfort of GAS pains like the sound of the UPS truck rumbling down your street. It's like the musician's Beano.
You must put as much of the string as possible on non locking tuners, in a nice even wind with no overlapping. On strats I use a lube on all string contact spots & all metal to metal contacts on the bridge assembly. I break a lot of strings at the bridge so I feed the broken string back thru the bridge and tie the end back on, sometime this makes it difficult to get the ends out of the string holes in the block when I want to restring the guitar so I use a short piece of bass string to push the old end out.
You're kidding, right?Originally Posted by Stringtreat