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Thread: What tones do you like best?

  1. #1
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    Default What tones do you like best?

    What type of tone do you like the best, and why do you find yourself going back to this tone over and over for practice, recording, or live playing?

    I keep posting sound clips on different guitar forums. Everyone says that everything that I post sounds like the 80's. Some love the tones and some say it sounds really cheesy. I used to hear of monster guitar players years ago, but I never hear much about them anymore. Now everyone seems to just seem to get lost in the mix.

    The guys that I use to listen to a lot are, Steve Morse, Al Di Meola, Neal Schon, Steve Lukather, Van Halen, Steve Vai, Malmsteen, Satriani, Michael Lee Firkins, Paul Gilbert, Kirk Hammett, Jason Becker, George Lynch, Stevie Ray, Brent Mason, Albert Lee, Eric Johnson and on and on.

    A lot of the post 80's "radio" music, Nirvana, Pearl Jam, Oasis, Green Day, has no lead guitar or very simple lines, and a lot of the more recent "radio" music has really rough and unpolished guitar tones, some of which sound like my first $50.00 amp and guitar. I had that sound, and tried everything I could to get rid of it. I have always liked the Boston, Eric Johnson, tight distortion polished tone. The distortion is packed so tight that it almost sounds clean, and has a sweet sound. Hardly anyone uses this tone anymore, and laughs about anyone trying to use it. I have always thought that it is the best sound that I have ever heard.

    When I listen to a song, the instruments are at least, if not more important, than the vocals. If the nice solo sections, drum fills, and instrument fill parts do not exist, I really don't care to hear the song at all unless the song has a really strong message or story.

    Here is a sample of a tone I was trying to get last night. I realize that the effects are too much. The small room that I record in has sound bouncing all over the place and it's hard to hear how much effects to add or subtract for the recording. I need to put my amps in another room and listen to the studio monitors.

    http://www.youtube.com/watch?v=iE7xA7fn_gc

  2. #2
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    I am for developing my own tone, but in my mind, I base it off of this one as my favorite overall lead tone:

    http://www.youtube.com/watch?v=-5imPpWkZo8


    http://www.youtube.com/watch?v=_W_UJ...eature=related
    A little cleaner yet for most of the song, then kicks in the overdrive at about 3:30 or so. Nice combo!

    This cleanish overdrive and sustain strat tone is my favorite, and one big influence as I try to develop my own.

    I am also influenced by this one heavily, especially when I am playing my Viking:


    http://www.youtube.com/watch?v=cvy4oybNIxA

    I am also influenced by cool vintage tones like this:

    http://www.youtube.com/watch?v=8zzT9...rom=PL&index=3

    I like vintage tones with a bit of bite. Hollowbodies and semi-hollows grab me in addition to the nice strat tones above.

    I go back to these tones over and over, because they seem really expressive to me and have a very vocal quality. I like the bit of edge, combined with the clarity so you can hear all the notes, what the pick is doing, etc.

    You asked for favorite, so there you go. I also have my vintage grungey punk tone side too, but that is a different story.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
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  3. #3
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    My favorite tone is the neck pickup on a Strat or a Tele. That's it.

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

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    Satriani - Surfing with the alien, Ice 9.


    same album different songs, similar tone.
    Guitars: Ibanez RG420EG, Harrier Mistral Ice White Tele
    Amps: Hughes & Kettner Edition Blue 15R (w/ 8" Celestion), Marshall Valvestate Mk.I 8100 Head, Blackheart BH5H Head
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    FX:Line 6 Floor POD, BOSS 7-band GE-7, BOSS Mega Distortion MD-2, Vox V847a Reissue Wah, Danelectro Cool Cat Drive

    Just another Rig Sig Jig, Dig?

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    Yeah, that's some great stuff!

    It is amazing that a great sound to some people, is absolutely terrible to others, as far as guitar sound goes. I listen to all kinds of music, and like just about any kind of guitar sound except for some of the fuzz tones. Some fuzz devices are so buzzy and spread out that it sounds like the speakers are blown or have holes cut in them, and some people love that sound. To me it sounds like cheap toy equipment that you buy at Wal-Mart. It's just like asking someone, "What is the best color?" There is no best color.

    This is a cool post for me, because it is introducing me to a new bunch of new material that I have never heard.

  6. #6
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    Default Tone

    Brand new Xavier xv500 LP type chrome neck pup crunchy gfs pat is awesome thru new old stock crate palamino v 32 2 twelve celestions clean and distortion channels w half reverb.
    Duffy
    South Williamsport, Pa.

    "So let us stop talking falsely now, the hour's getting late." (as by JH)

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    Fender amp (or model) at about 5 or 6 so it compresses if you dig in, back off guitar volume for jangly clean. All guitars sound like themselves, add mid-rich OD (TS, etc) for leads. Boring, but it works.
    Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)

    Acoustic: Guitar > microphone > audience

  8. #8
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    I like good tone,let your ears be the judge.Sumi
    Guitars,Warmoth Tele,90's Fender Strat Plus/Fender CV 50's Tele/Parker p-36/Fretlight/Custom Strat(Fender body/warmoth Clapton neck,tonerider pups)Larrivee L03 mahogany acoustic

    Amphs/66 Super Reverb/60's Bandmaster head and 2/12 cab/Blues jr//epi valve jr/supro super/ ZT lunchbox/Mahaffay Little Laneilei 3350/Pignose g40v

    Pedals/Voods Rodent/MXR carbon copy/Duncan Pickup booster/Ts9/Rat/ts10/Line 6 tone port uk2
    Line 6 M13

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    Stevie played a beautiful, very warmly driven tube tone when he recorded "Lenny"


    For humbuckers with a similar driven tube tone, I like the Pearly Gates tone Billy Gibbons gets, especially in "Blue Jean Blues".


    For higher gain solo tone, I have to say I love Slash's tone, like the "November Rain" solos. "Estranged" was their best song and his best solo, IMO.
    Last edited by Tig; November 23rd, 2009 at 08:01 AM.
    Guitar: Gibson SG Standard Natural Burst, Squier CV 50's Tele, Hell Guitars No. 2, Squier CV 50's Strat, Reverend Club King 290, Taylor 522e 12-Fret mahogany,
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    I wish I still had my recording studio, but we moved due to work issues. I used to really be able to crank my amps. Right now, they just don't sound good in my house.

  11. #11
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    Gary Moore is one I like. Fat, full on tone, pick exploding off the strings, and great sustain and harmonics.



    Guitars
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  12. #12
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    That's much too difficult of a question.
    I pick a moon dog.

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    I tend to like 80s metal tones too. Lots of mids and highs, a good amount of gain, but not so much that it turns to mush. Add a bit of delay for some depth. This isn't the best audio quality, but I think this Lynch tone is my favorite. It's also one of my favorite Dokken tunes:


    I will add that Joe Bonamassa's Les Paul tone is definitely growing on me. That struck me while watching Disc 2 of the Live at Royal Albert Hall DVD.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
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    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

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    I Like George Lynch's tone, I like Slash's tone, I like Vivian Campbell's tone. I guess that means I like gain and speaker break-up?

  15. #15
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    I like all kinds...........

    A killer Tele chicken pickin' clean

    A Strat through an amp just at the edge of distorting

    A Les Paul pushing a Marshall hard

    Dano jangle through a Vox

    A 335 pushing a clean Twin hard

    For starters.........................
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

  16. #16
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    My preference for listening is a Les Paul on the neck pickup. Thick and full singing sustain. Gregg Allman and Warren Haynes.

    I do rather like Alex Lifeson's PRS with its strong mids too.

  17. #17
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    I like a sound that is very driven, but not at all distorted. A sound that sounds kind of clean, but has a lot of bite and drive. That sound is also a sound that is hard to play; it reveals all mistakes well and supports nothing, no FX, no sustaining drive.

    I guess on our Crank recordings I got pretty much exactly what I like:
    http://deeaa.pp.fi/crankenhaus/crank...0my%20rage.mp3

    I play the lead melody and the 'main' guitar. No FX, no distortion, just an all tube amp and EMG pickups, played hard.

    This kind of sound is VERY hard to capture, you just have to take my word for it it sounds way better live. Next time I record, I'll try to mic it even further, as it sounds the better the farther and more off-axis the mic is. Some 4 feet away and 4 feet above the amp - where your ear would be - is what I'll use next. But these are pretty good for close micing.
    Dee

    "When life's a biatch, be a horny dog"

    Amps: Marshall JVM 410H w/ Plexi Cap mod, Choke Mod & Negative Feedback Removal mod, 4x12", Behringer GMX110, Amplitube 3/StealthPedal

    Half a dozen custom built/bastardized guitars all with EMG's, mostly 85's, Ibanez Artwood acoustic & Yamaha SGR bass, Epiphone Prophecy SG, Vox Wah, Pitchblack tuner plus assorted pedals, rack gear etc. for home studio use.

  18. #18
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    Quote Originally Posted by deeaa
    I like a sound that is very driven, but not at all distorted. A sound that sounds kind of clean, but has a lot of bite and drive. That sound is also a sound that is hard to play; it reveals all mistakes well and supports nothing, no FX, no sustaining drive.
    I hear you on this! I also love this type of sound, and I agree that it demands much of the player.

    I got my first exposure to this when I bought my Germino Club 40. The amp is awesome sounding at that "driven, just on the edge of distortion" tone.................but it will bring out every flaw in your playing and demands touch when you play.

    But when you and the amp are dialed in, you absolutely cannot beat the sound.
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

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