Warning: preg_replace(): The /e modifier is deprecated, use preg_replace_callback instead in ..../includes/class_bbcode.php on line 2958

Warning: preg_replace(): The /e modifier is deprecated, use preg_replace_callback instead in ..../includes/class_bbcode.php on line 2968
The Axis of Awesome 4 Chords
Page 1 of 2 12 LastLast
Results 1 to 19 of 26

Thread: The Axis of Awesome 4 Chords

  1. #1
    Join Date
    Dec 2005
    Location
    Idaho (I-duh-ho)
    Posts
    12,581
    Post Thanks / Like

    Default The Axis of Awesome 4 Chords

    Check it out


    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  2. #2
    Join Date
    Jun 2008
    Location
    Down Under
    Posts
    1,706
    Post Thanks / Like

    Default

    Haha, I just saw them do that live at the Melbourne comedy festival.

    Makes this guitar playing, song writing thing seem pretty simple really

  3. #3
    Join Date
    Oct 2006
    Location
    Sun Valley, Idaho
    Posts
    10,955
    Post Thanks / Like
    Blog Entries
    1

    Default

    Pretty funny! I was thinking about it, and this vid does not mean that all 4 chords were the same necessarily, depending on what key the original was in, does it? It is really the chord structure that is the same. And that is true of a whole bunch of rock music. I looked a little, as I don't know theory enough to tell the structure by my ear, other than to know it was not a typical 12 bar blues based on I, IV, V. I found something saying the structure that is common to all these songs is the I, V, vi, IV chord structure.

    So you can take "With or Without You" by U2 in G, and match it up with "Self Esteem" by the Offspring in A, but put them in the same key, follow the same structure, and you are there.

    I realize this is probably obvious to you as to how they did it, but I had to figure it out. LOL!
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  4. #4
    Join Date
    Jun 2008
    Location
    Down Under
    Posts
    1,706
    Post Thanks / Like

    Default

    SVL. Yeah you spotted it. In reality they fudge it for comedy.

    When I saw them do this live they played the magic 4 chords on keys first (without naming them) and then later when the guitarist joined in, I kept watching and whilst he -mostly- played the same 4 chords, he did throw a couple of others in from time to time.

    Still, if you're not too familiar with music it's pretty impressive. (in other words I dug it hehe)

  5. #5
    Join Date
    Mar 2006
    Location
    Exterra Cognita
    Posts
    5,724
    Post Thanks / Like

    Default

    Very cool...

    but whatsa chord? I gotta get me some.
    I pick a moon dog.

  6. #6
    Join Date
    Oct 2007
    Posts
    797
    Post Thanks / Like

    Default

    Very cool.

    I have not done it in ages, but I used to do Tom Waits "Downtrain Train" and morph it into..
    Blowin in the Wind,
    Luka,
    I think we're alone now
    Let it Be
    My Way
    I wanna be sedated
    and the ever popular Louie Louie

    So was is bloody songwriting so damn hard???
    "The music business is a cruel and shallow money trench, a long plastic
    hallway where thieves and pimps run free, and good men die like dogs.
    There's also a negative side."
    --Hunter S. Thompson

    Guitars: Dean Sweet Wood 00R, Martin D2R, Guild D60, Guild D35NT, Morgan Monroe M30, OS baritone Uke

  7. #7
    Join Date
    Oct 2005
    Posts
    7,254
    Post Thanks / Like

    Default

    I first realized that when listening to my Mom's 50s compilation records. I did my own medley of "The Bristol Stomp" and "Angel Eyes." Reminds me of what someone once said about CCR: four great guys, four great chords.

    I remember at one point being impressed with an acoustic player would could play a seemingly limitless number of songs. Later I realized it was basically the same six or seven chords that were used in each one.

    Back when I was in school, the band I was in learned "Sweet Home Alabama." The singer/guitarist then wanted to play "Werewolves of London." The rest of us complained that we didn't know it. Once he told us it was the same song, basically, with slightly different syncopation, we played it well. Nobody would ever have known that we technically didn't know the song.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  8. #8
    Join Date
    Oct 2008
    Location
    Clear Lake, Texas
    Posts
    5,413
    Post Thanks / Like
    Blog Entries
    1

    Default

    That was creatively cool and interesting!

    It reveals the cornerstone of pop music:
    Comfortable Familiarity
    (NTTAWWT - not that there's anything wrong with that)

    Edit: Forgot to post this shirt:

    Last edited by Tig; December 3rd, 2009 at 10:11 AM.
    Guitar: Gibson SG Standard Natural Burst, Squier CV 50's Tele, Hell Guitars No. 2, Squier CV 50's Strat, Reverend Club King 290, Taylor 522e 12-Fret mahogany,
    Squier Vintage Modified Jaguar Bass Short Scale
    Amp: Fender Super Champ X2 Head, Egnater Tweaker 15, Fender Mustang I, Acoustic B20 1x12 bass amp
    Pedal: Budda Budwah wah, Wampler Ego Compressor, Electro-Harmonix Soul Food, Voodoo Lab Sparkle Drive, Wampler Velvet Fuzz, Seven Sisters Eve Tremolo, TC Electronics Gravy Tri Chorus & Vibrato, Catalinbread Echorec, TC Electronic Alter Ego 2 Delay, Hardwire Supernatural Ambient Verb, MXR Carbon Copy, Catalinbread RAH, Big Muff Pi with Tone Wicker, BYOC Mouse 2.0 Distortion, BYOC Boost/OD-2

  9. #9
    Join Date
    Feb 2006
    Location
    Uppah Noo Yawk
    Posts
    7,407
    Post Thanks / Like

    Default

    Quote Originally Posted by marnold
    Back when I was in school, the band I was in learned "Sweet Home Alabama." The singer/guitarist then wanted to play "Werewolves of London." The rest of us complained that we didn't know it. Once he told us it was the same song, basically, with slightly different syncopation, we played it well. Nobody would ever have known that we technically didn't know the song.
    This was obviously not lost on Kid Rock, either. Amazing what you can achieve these days with a bad haircut, funny hat, bourbon endorsement, and the recycling of other people's old hits....
    DVM's Ever-Expanding Gear List:

    Guitars - W-A-A-A-Y-Y too many to list. Check 'em all out HERE

    Amps & Cabs - "Kap'n Kerrang-aroo" BYOC 18W TMB kit amp head; Mojave Coyote head; Fender Hot Rod Deluxe Lacquered Tweed Ltd. Ed.; Allen Sweet Spot kit amp; BYOC Tweed Royal kit amp; Epiphone Valve Jr. combo + mods; Drive 2x12 cab / Celestion G12M Greenback + G12H30; AB Custom Audio 1x12 cab / Celestion Alnico Blue

    Pedals/Effects - ZILLIONS, including DVM's Home-built Pedals - See some HERE and HERE, TOO!

    DVM's Gear Photos
    Visit MY WEBSITE!



  10. #10
    Join Date
    Oct 2006
    Location
    Sun Valley, Idaho
    Posts
    10,955
    Post Thanks / Like
    Blog Entries
    1

    Default

    Twist and Shout/LaBamba
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  11. #11
    Join Date
    Dec 2008
    Location
    Cambridge (UK)
    Posts
    467
    Post Thanks / Like

    Default

    Quote Originally Posted by marnold
    Back when I was in school, the band I was in learned "Sweet Home Alabama." The singer/guitarist then wanted to play "Werewolves of London..
    Cream's "Badge" middle played by Beatle George has the same chord prog as More than a feeling /Sweet Home Alabama. Did George come up with this first or did another band invent it ?

    -------------------------
    ------------1-----------
    ----2-----0------0--0---
    0-4-----2------0--------
    ------3------2----------
    ------------------3-----

  12. #12
    Join Date
    Nov 2009
    Posts
    34
    Post Thanks / Like

    Default

    Viva la pop hit machine! If I could sing I would now feel much better about my guitar playing. By the way, nice shirt Tig.

  13. #13
    Join Date
    Apr 2007
    Location
    A place to stand, a place to grow...
    Posts
    2,305
    Post Thanks / Like

    Default

    Great post! Here's another cool video that rhymes off popular tunes with similar melody lines

    Gearlist:
    Electric: Ibanez 'AS103', Fender Dlx Nash Pwr Tele, Fender Squier '62 JV Strat, Squier '51, Squier 60's Classic Vibe Strat, Epi Elite LP Studio, Hagstrom Swede Acoustic: Larrivee LV-03RE, A&L AMI, Yamaha FG340-T Bass: Yamaha BB 450 Amps: Roland JC-120, JC-50, Peavey Classic 30, Fender Super Champ XD Pedals: Marshall Guv'nor Plus, Danelectro Cool Cat Drive, Transparent Overdrive, Digitech Digiverb, Bad Monkey, Ibanez TS-9, Boss AC-2, CE-5, CS-2, DD-3, DF-2, DS-1, FV-100, GE-7, OC-2, PSM-5, SD-1, TU-2, DVM~BYOC 'Lush Puppy' Chorus

  14. #14
    Join Date
    Oct 2006
    Location
    Sun Valley, Idaho
    Posts
    10,955
    Post Thanks / Like
    Blog Entries
    1

    Default

    I love that one too David! Cracks me up that you can find something similar to that chord structure in so many songs. And Tig, I love that shirt. If anyone runs across where to get one, let me know. I think I might need one.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  15. #15
    Join Date
    Nov 2006
    Location
    Takoma Park, MD
    Posts
    420
    Post Thanks / Like

    Default

    Quote Originally Posted by sunvalleylaw
    I found something saying the structure that is common to all these songs is the I, V, vi, IV chord structure.

    So you can take "With or Without You" by U2 in G, and match it up with "Self Esteem" by the Offspring in A, but put them in the same key, follow the same structure, and you are there.
    But did you notice? Starting with "Save Tonight" through "Canvas Bags," the video picks on songs that go vi, IV, I, V (or i, VI, III, VII, depending). Self Esteem is in that second category. It's the same four chords, but starting in the middle of the sequence. Pretty slick!

    This video illustrates why it's more important to know the function of the chords in a song than the letter names. A, E, F#m, D doesn't tell you much, but if you know that those chords are I, V, vi, IV, everything becomes much more clear. I think I'll be showing this to my students, actually.
    "When I play, I express my feelings very fast." -Yomo Toro

  16. #16
    Join Date
    Oct 2006
    Location
    Sun Valley, Idaho
    Posts
    10,955
    Post Thanks / Like
    Blog Entries
    1

    Default

    Thanks for pointing that out. I thought I noticed something changed at one point, but had not figured out what. I know enough to know there are chord structures, but am not comfortable enough to really use the function of those structures, at least much beyond a I, IV, V blues.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  17. #17
    Join Date
    Oct 2005
    Posts
    7,254
    Post Thanks / Like

    Default

    Quote Originally Posted by Ro3b
    This video illustrates why it's more important to know the function of the chords in a song than the letter names. A, E, F#m, D doesn't tell you much, but if you know that those chords are I, V, vi, IV, everything becomes much more clear. I think I'll be showing this to my students, actually.
    Always wondered, never asked: is the vi in lower case to indicate that it's minor? If so, what do you do with the VII since it's actually diminished? You could "wing it" a bit with a minor, though, I suppose.

    I'm so used to blues that is I-IV-V, and metal which is basically power chords played in the minor scale of your choice that the extra Roman numeral confuse me a bit.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  18. #18
    Join Date
    Dec 2005
    Location
    Idaho (I-duh-ho)
    Posts
    12,581
    Post Thanks / Like

    Default

    This is so cool. I've just written 12 timeless hits using this formula. Watch out world.

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  19. #19
    Join Date
    Oct 2008
    Location
    Clear Lake, Texas
    Posts
    5,413
    Post Thanks / Like
    Blog Entries
    1

    Default

    Quote Originally Posted by sunvalleylaw
    And Tig, I love that shirt. If anyone runs across where to get one, let me know. I think I might need one.
    Here's the one from the picture I posted:
    http://www.zazzle.com/g+c+d+now+start+a+band+gifts
    Check out some of the others on the page, too.

    Edit: I just saw the $29 price for the shirt! Geez, are they nuts?!
    Guitar: Gibson SG Standard Natural Burst, Squier CV 50's Tele, Hell Guitars No. 2, Squier CV 50's Strat, Reverend Club King 290, Taylor 522e 12-Fret mahogany,
    Squier Vintage Modified Jaguar Bass Short Scale
    Amp: Fender Super Champ X2 Head, Egnater Tweaker 15, Fender Mustang I, Acoustic B20 1x12 bass amp
    Pedal: Budda Budwah wah, Wampler Ego Compressor, Electro-Harmonix Soul Food, Voodoo Lab Sparkle Drive, Wampler Velvet Fuzz, Seven Sisters Eve Tremolo, TC Electronics Gravy Tri Chorus & Vibrato, Catalinbread Echorec, TC Electronic Alter Ego 2 Delay, Hardwire Supernatural Ambient Verb, MXR Carbon Copy, Catalinbread RAH, Big Muff Pi with Tone Wicker, BYOC Mouse 2.0 Distortion, BYOC Boost/OD-2

Page 1 of 2 12 LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •