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SOLD: '02 Takamine EAC38C - Santa Fe
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Thread: SOLD: '02 Takamine EAC38C - Santa Fe

  1. #1
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    Default SOLD: '02 Takamine EAC38C - Santa Fe

    Tak's Japanese-made Santa Fe Series models have been produced since 1993. Each year brings a new limited-run edition, and the EAC38C was 2002's. This one was the 12th born on June 2, 2002, and I bought her last year from her original owner, one of the operators (guitar tech) of my Local GAS Station, a Tak dealer:



    I paid $900USD for her with the original Tak thermoplastic molded case.

    Family & Financial priorities force me to give her up for adoption.

    Specs:

    Body Shape: FXC C/A; 15-3/4” lower bout
    Rosette: Semi-precious stone
    Top: Solid Spruce
    Inlays: Semi-precious stone
    Back: Solid Rosewood
    Sides: Rosewood
    Neck: Mahogany. Slotted headstock. 1-7/8” nut.
    Fingerboard: Ebony, 21-fret, 25-5/8” scale
    Bridge: Ebony. Pinless.
    Electronics: CT4B
    Tuners: Engraved Gold with Amber buttons
    Features: Native American design Rosette/Inlays feature Turquoise, Coral, Azurite-Chrysocolla, stained maple. Maple-bound body.
    Finish: Gloss Natural





    The FX/C body is small, about classical size, and the wide, flatter radius fingerboard slotted headstock & pinless bridge provide classical-like characteristics. However, it's intended as a STEEL-STRING fingerstyle guitar. I've never tried nylons on it, but I'd surmise they'd need to be heavy-tension to keep the neck in line.

    To give you an idea of her size compared to a dread, her she is in my guitar humidor cabinet, 5th from left (dead center):


    I could put more pics up if any of you would like to see more, but I don't expect much interest here in Electric Ladyland.

    If you're interested, drop me a PM with a serious offer.

    One good friend fellow fretter has expressed curiosity already.

    She's gonna be going on consignment where I bought her, soon.

    Thanks.
    Last edited by wingsdad; February 23rd, 2010 at 07:52 AM. Reason: sold/traded
    ^^
    AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.

  2. #2
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    Default

    To bump this thread, a few more pics....

    some detail



    these 2 indoors w/ flash


  3. #3
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    Default

    Bump...

    Hello! Hello! Hello!...

    Is there anybody in there? in there? in there?

    Still available.

    Any questions?

  4. #4
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    Wings,
    If I was in the market for a slot head I'd be all over this.

    Beautiful guitar. Hope you find a good home for her.
    "The music business is a cruel and shallow money trench, a long plastic
    hallway where thieves and pimps run free, and good men die like dogs.
    There's also a negative side."
    --Hunter S. Thompson

    Guitars: Dean Sweet Wood 00R, Martin D2R, Guild D60, Guild D35NT, Morgan Monroe M30, OS baritone Uke

  5. #5
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    Keel,
    Few understand or appreciate the benefits of the slotted head, and the pinless bridge to an acoustic's tone & volume qualities. You most surely do, so thanks for chiming in.

    I was lucky to land her, I hate to have to let her go, but life's a beach and the tide's rollin' high.

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    Quote Originally Posted by wingsdad
    Few understand or appreciate the benefits of the slotted head, and the pinless bridge to an acoustic's tone & volume qualities.
    I don't. I've only seen/played one guitar with a pinless bridge -- it has something to do with tension/angle, I take it? Care to elaborate?
    Quote Originally Posted by Spudman
    Does anyone read the original post?
    Guitars: Gibson LP Studio, MIA Fender Precision, Carvin C350
    Amps: Genz Benz Shuttle 6.0 + Avatar B212 / Genzler 12-3, Acoustic B20
    Pedals: Pod HD500X, Diamond Compressor, Tech 21 VT Bass, Sonic Research Turbo Tuner

  7. #7
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    Yeah, the tension/angle is surely part of it, Eric. But the biggest impact in improving eveneness of tone (delivery level of the hi-mid-lo freq vibrations) and in turn, volume is that the string vibrations transfer directly through the bridge to the top, helped by that flatter angle and with no gaps from slots in pins or coloration by the material of same. It's just wood n' steel.

    The slot head contributes similarly; less wood to absorb vibes above the nut, and again, the string angle isn't bent, but virtually straight-ahead toward the bridge.

  8. #8
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    It's a purdy thing, but I just got me a new acoustic so no can do. I hope it finds a good home!
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  9. #9
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    And a mighty fine acoustic did ye get, Steve ...

    Oh...since compensated bridges (saddles) seem to be a recurring topic of discussion lately in other threads....notice this guitar's TWO compensated saddles: one for the wound lo/mids, one for the trebles.

    It's the little things that make the big differences...

  10. #10
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    I can't believe this is still F/S.

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    Quote Originally Posted by Rockette
    I can't believe this is still F/S.
    Well, I really didn't expect it to fly outta here fast. Not that many fret-netters are as excited about finer acoustic guitars vs. electrics. Not when about 3 Squier pine Teles or Agile LP clones can be had for the same dough.

    And I'm about ready to put my other prized Santa Fe up for adoption. ESF-93. The first model of the Santa Fe breed. a/k/a
    1993 Limited Edition

    Life happens. The harem I'd gathered over more prosperous times must be thinned to the essentials. Family first. Wood n' steel second.

  12. #12
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    Why not cut & paste your F/S & link over at WAG? Can't hurt. At least they tend to more appreciate finer acoustics and aren't so afflicted with tunnel-vision and, (let's call it frugality.)

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    Quote Originally Posted by wingsdad
    Well, I really didn't expect it to fly outta here fast. Not that many fret-netters are as excited about finer acoustic guitars vs. electrics. Not when about 3 Squier pine Teles or Agile LP clones can be had for the same dough.

    And I'm about ready to put my other prized Santa Fe up for adoption. ESF-93. The first model of the Santa Fe breed. a/k/a
    1993 Limited Edition

    Life happens. The harem I'd gathered over more prosperous times must be thinned to the essentials. Family first. Wood n' steel second.
    I think it's a beautiful acoustic, Mick, and certainly priced right. Now as far as the pine Teles or Agile LP clones go, well, there are always going to be the converts to the darkside who want the amph thunder rather than the bliss of gentle wires vibrating towards the heavenly muse sent to guide them.
    That being said, in my particular case, with Dee having rotator cuff surgery on both shoulders and myself having the cubital tunnel surgery, we just aren't in a postion to buy much of anything now. We're doing good to keep up with the house and truck payments and utilities, to be honest.
    Also, please keep in mind the state of the economy at the present time. I'm betting that the same conditions pursuant to you selling such a fine acoustic may also prevent many others here from purchasing it.
    I seriously doubt frugality, tunnel vision, or lack of appreciation for fine acoustics is the sole reason it hasn't been snapped up, but of course, a wider advertising base is always the best bet when trying to sell an item.
    Best of luck with the sale, some lucky dog will no doubt end up with an excellent instrument.
    Guitars
    Wilburn Versatare, '52 FrankenTele(Fender licensed parts), Fender USA Roadhouse Strat, Fender USA Standard B-bender Telecaster, Agile AL 3000 w/ WCR pickups, Ibanez MIJ V300 Acoustic, Squier Precision Bass,
    Amps
    Ceriatone Overtone Special, Musicman 212 Sixty-Five, Fender Blues Jr., Peavey Classic 30, Fender Super Reverb, Traynor YCV-40 WR Anniversary w/ matching 1x12 ext. cab, Epiphone SoCal 50w head w/ matching 4x12 cab (Lady Luck speakers), Avatar 2x12 semi-open back cab w/ Celestion speakers
    Pedals
    Digitech Bad Monkey, Digitech Jamman, DVM's ZYS, Goodrich volume pedal

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    She's gorgeous. they both are.

    and Wings is a straight shooter with pristine equipment.

    right now, nothing is happening for ourselves...

    as everything is about a wedding for BG that happens in august.
    2006 Washburn WD55SW Augusta, 2006 Washburn J28S12DL, Washburn EA20SDL,
    2008 American Standard Fender Telecaster
    2008 Rondo Limited Edition SST, G&L ASAT Semi-Hollow, Gibson LP Ultra

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    Quote Originally Posted by wingsdad
    Not that many fret-netters are as excited about finer acoustic guitars vs. electrics. Not when about 3 Squier pine Teles or Agile LP clones can be had for the same dough.
    Guilty as charged. Sorry -- I don't have enough faith in my guitar skillz or knowledge of what I truly like/need/want to spend serious money on something nice. I think it deserves a better life than I could give it.

    Good luck finding a home for this guitar. Really.
    Quote Originally Posted by Spudman
    Does anyone read the original post?
    Guitars: Gibson LP Studio, MIA Fender Precision, Carvin C350
    Amps: Genz Benz Shuttle 6.0 + Avatar B212 / Genzler 12-3, Acoustic B20
    Pedals: Pod HD500X, Diamond Compressor, Tech 21 VT Bass, Sonic Research Turbo Tuner

  16. #16
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    Quote Originally Posted by wingsdad
    ... Not that many fret-netters are as excited about finer acoustic guitars vs. electrics. Not when about 3 Squier pine Teles or Agile LP clones can be had for the same dough. ...
    Reading Eric's 'guilty as charged', and nowre-reading this, I must apolgize if that comes over as offensive. My intent was simply that if one really prefers electric to acoustic, then why not have a few electrics fro the cost of one acoustic like this? Or , for that matter, one electric in this range?
    Quote Originally Posted by og
    ...I seriously doubt frugality, tunnel vision, or lack of appreciation for fine acoustics is the sole reason it hasn't been snapped up, but of course, a wider advertising base is always the best bet when trying to sell an item.
    I do believe that's it, og...I haven''t been agressive iin marketing her, and that may be because I really don't want to let her go...or her older sister, who started her bloodline with Tak...

    Quote Originally Posted by Rockette
    Why not cut & paste your F/S & link over at WAG?...
    While I've taken a peek over there now & then to see what old friends are up to over there (vs. over here), and I may be i the member base still, it's a matter of personal principle, a couple of incidents that occurred that led to me bailing, I never returned, and can't/won't. (and I'm not talking about thngs that happened to me, per se...but to friends, as well).

  17. #17
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    Wings I hear you there bro. I too left the W long ago to never return. That being said your git fiddle is beautiful and would make anyone a great acoustic. I already have 2 in a very very nice Washburn D46 that I got a steal on from Dave at RGG which is about the only thing about the old W that I miss that is not already over here at The Fret dot Net. To me at least Toaster was/is good people.

    I also have a very very nice Parkwood PW340FM that I have been meaning to list for sale for about a year now and just have not gotten around to it. Now that we have upgraded houses it might be time to do that....as well as spend some more personal time with the D46 and the dark sided instruments I have too.
    Guitars: 2002 Les Paul Studio Limited Color's Edition | 2004 Greg Bennett Avion Les Paul Copy | S101 Telecaster project | 2004 Washburn D46 Acoustic

    Amplification: Epiphone Valve Jr. Head and Cabinet | VOX AD30VT

    Effects: Rocktron Delay | BBE Free Fuzz | Big Muff Pi | Boss Flanger | Bad Monkey | Jekyll and Hyde | Cry Baby Wah | Boss EQ | Behrenger TU300 Tuner |



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    Quote Originally Posted by wingsdad
    Reading Eric's 'guilty as charged', and now re-reading this, I must apologize if that comes over as offensive. My intent was simply that if one really prefers electric to acoustic, then why not have a few electrics fro the cost of one acoustic like this? Or , for that matter, one electric in this range?
    Thanks, but it's not like you're wrong with your original statement. At the lower level of guitars, I think it's often more important for people like me to explore what different electric guitars have to offer, and cheapies from China tend to offer a good opportunity for that.

    If and when one specializes, that's when a high-end classical-type acoustic would be a great option. Until that point, it's like the question of whether you'd want to hire someone with 20 years of experience or a fresh grad -- the experience is great, provided you know what you need and it's an exact fit with the candidate's experience. If you're not sure or if you need something different, the cheap youngster might be a wiser option.

    Odd how I feel like I'm defending myself, even though I'm basically agreeing with you.
    Quote Originally Posted by Spudman
    Does anyone read the original post?
    Guitars: Gibson LP Studio, MIA Fender Precision, Carvin C350
    Amps: Genz Benz Shuttle 6.0 + Avatar B212 / Genzler 12-3, Acoustic B20
    Pedals: Pod HD500X, Diamond Compressor, Tech 21 VT Bass, Sonic Research Turbo Tuner

  19. #19
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    Cool Traded For These 2

    She was on consignment and I stopped by my dealer (where I'd bought her 2 years ago) on Saturday to check on her...ran into these 2 new arrivals you see here in my den/music room: a New Peavey PowerSlide and an Ibanez SZR-720TGB (NOS, '08)...

    Went back yesterday and cut a deal swapping the Tak for these, a new Guardian LP hardcase for the Ibanez, a 3-pack of D'add EXL110 strings, a Long Hollow Leathers suede strap and a couple of decent guitar cables. The PowerSlide is packaged with a 3-point strap, cable, gig bag and a strange metal slide.

    Actually, the deal isn't over yet...had to cut it short as the store was closing at 5. May have one more NOS item to be thrown in when I resume talking it out with the owner.
    Last edited by wingsdad; February 25th, 2010 at 10:38 PM.
    ^^
    AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.

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