Page 1 of 2 12 LastLast
Results 1 to 19 of 35

Thread: Head/Cab Vs Combo

  1. #1
    Join Date
    Aug 2006
    Location
    Northeast PA
    Posts
    111
    Post Thanks / Like

    Default Head/Cab Vs Combo

    Hey guys, I've been looking into amps and realized a lot of people will use a head and cab, and others will use a combo. All the amps I've ever played through have been combo amps. What is the general advantages and disadvantages of each? Why would one go for a head/cab when they could get the same amp in combo form?

    Just lookin for everyone's input...
    Leonidas' Gear List:
    Electric Guitars - Agile AL-2800 (S.D. '59 B, Pearly Gates N), Squier Telecaster Custom (GFS FAT PAFs + Mods)
    Acoustic Guitars - Crafter ML-Rose, Epiphone PR-350CE
    Amps - VOX AD50VT, Epiphone Valve Jr. (Modded), Fender Blues Jr
    Pedals - Crybaby Classic w/ Fasel Inductor, Boss DS-1, Digitech Bad Monkey, Danelectro Cool Cat Chorus, Danelectro Fish & Chips EQ, Ibanez AW7

  2. #2
    Join Date
    Dec 2005
    Location
    Idaho (I-duh-ho)
    Posts
    12,581
    Post Thanks / Like

    Default

    Quote Originally Posted by Leonidas
    What is the general advantages and disadvantages of each? Why would one go for a head/cab when they could get the same amp in combo form?

    That's what I say.

    I think the tubes in a combo have a shorter life span because of the vibration. But you only have to make one trip from the car to the stage with a combo amph versus two for the head/cab combo.

    The good thing about the two piece version is that you can have a dynamite cabinet and run a variety of amphs through it. What ever the occasion calls for. Still you'll be making two trips. The good thing is on a large stage you can put the head by you for convenience and the cabinet somewhere else if you have plenty of speaker wire.

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  3. #3
    Join Date
    Sep 2005
    Location
    Albuquerque, New Mexico, USA
    Posts
    6,009
    Post Thanks / Like

    Default

    I remember the old days (ok I hope I'm not too old) when cats used to call them "brains". "Yeah man I got me an Ampeg brain and it's groovy".

    Cabinets if you have the room are suh-weet sounding but then so are combos with great speakers. Anymore I'd do a combo over a "brain" and cab. If it's a big combo then put wheels on it like I did!
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

    Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube

    Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz

  4. #4
    Join Date
    Nov 2005
    Location
    All over Texas...
    Posts
    4,071
    Post Thanks / Like

    Default

    Combos are great for portability, and it is certainly possible to get great tone from a combo. I went with a combo because it's cheaper, and easier to lug around.

    My old Marshall cab, with its closed back, I think got better forward projection of sound than my open backed combo does now, IMHO. When playing a distorted rhythm, it just sounded huge. It's hard to describe, but during heavy palm muted sections I would get this great "WHUMP" sound that you could feel as well as hear that was great. The downside was the cost, and it was heavy, and probably too much rig for small clubs.

    A 30-40 watt head and closed back 2X12 cab, however, might be the best of both worlds...
    Guitars:
    Fender 2006 MIM Fender Stratocaster HSS in 3TS
    Ibanez RG 570 with a bridge Invader
    ESP M II Deluxe with a Tune-o-Matic bridge
    Eleanor, the magical, mystical Road Worn wonder Tele
    Blackstar HT Club 40

  5. #5
    Join Date
    Sep 2005
    Location
    Albuquerque, New Mexico, USA
    Posts
    6,009
    Post Thanks / Like

    Default

    Whump is a perfect description of closed back Marshall cabs.
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

    Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube

    Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz

  6. #6
    Join Date
    Jul 2006
    Location
    USA
    Posts
    291
    Post Thanks / Like

    Default

    Alot of combos also rattle a bit unless your playing at high volumes, combos are good for stage use, but head+cab(s) might probably be better for big places, I prefer heads with cabs over combos but its a personal preference, I only like Fender Combos cause thets pretty much all they make.

  7. #7
    Join Date
    Sep 2006
    Location
    Jönköping, Sweden
    Posts
    119
    Post Thanks / Like

    Default

    stacks look cooler, what else is there to think about?!?!?!


    What i like with stacks is that when you buy them is that you choose your amp, and you choose your cabinette. Of course it's just to swap the speakers out in the combo if you ain't happy with it....but the amp you want might not be avalible in 2x12 or 4x10 or whatever speaker combination that REALLY does it for you.

    cheers

  8. #8
    Join Date
    Aug 2006
    Location
    Northeast PA
    Posts
    111
    Post Thanks / Like

    Default

    Thanks for all the replies guys.

    Ok, from what I've gathered... the advantage of going with head/cab is that it offers more versatility in that you can select what kind of cab you're running. Such that you can get a 4x10, 2x12, 1x15, etc... In addition to that head/cabs are available in higher wattages so they get much louder, which is better for playing large venues, etc...

    Now my question is this (this is hypothetical):
    Say I wanted a Valve Jr, which is a mere 5 watts. I understand the dynamics would be different if you were running, say a 4x10 cab with it, compared to a single speaker. Now, could the head version of the valve jr be significantly louder than the combo if you were to run it into a large cab?
    Leonidas' Gear List:
    Electric Guitars - Agile AL-2800 (S.D. '59 B, Pearly Gates N), Squier Telecaster Custom (GFS FAT PAFs + Mods)
    Acoustic Guitars - Crafter ML-Rose, Epiphone PR-350CE
    Amps - VOX AD50VT, Epiphone Valve Jr. (Modded), Fender Blues Jr
    Pedals - Crybaby Classic w/ Fasel Inductor, Boss DS-1, Digitech Bad Monkey, Danelectro Cool Cat Chorus, Danelectro Fish & Chips EQ, Ibanez AW7

  9. #9
    Join Date
    Jul 2006
    Location
    USA
    Posts
    291
    Post Thanks / Like

    Default

    I would think so, if the cab has bigger speakers like 12" it should be louder, it also depends where your using it.

  10. #10
    Join Date
    Sep 2005
    Location
    Jensen Beach, Florida
    Posts
    2,145
    Post Thanks / Like

    Default

    Quote Originally Posted by Leonidas
    Now my question is this (this is hypothetical):
    Say I wanted a Valve Jr, which is a mere 5 watts. I understand the dynamics would be different if you were running, say a 4x10 cab with it, compared to a single speaker. Now, could the head version of the valve jr be significantly louder than the combo if you were to run it into a large cab?
    The simple answer would be "yes".

    Even if the speakers (single vs. pair/quad) have the same SPL (efficiency), the multiple speaker arrangement is moving more air and will therefore sound louder. The dynamics may favor the single speaker (or may not), but that may be a factor of speaker size and/or construction. There should even be a difference in the perception of the loudness if you were to go from the stock 8" speaker to a 12"...given an equal SPL for both.

    Having said all of that, there is a law of diminishing returns. A 4X12 cab with 4- 150 watt speakers is designed to be pushed by a head running lot of wattage. Some cabs won't sound right unless there's some considerable power being delivered to them.

    So far I've run my Valve Jr. head through a single 12" G12H30, a single Eminence GB12, a 2X12 cab with G12H30's, a 2X12 cab with Weber C12N's, a combo amp cab with 2X12 Mojotone MP12RHD Alnicos, and my Ampeg V-2 4X12 cab with the original Eminence speakers. Each set-up sounded a little different, but in each case the 2X12 cabs definitely sounded "bigger", with more projection. Just for the record, the VJ sounded best through the Webers at 16 ohm (to my ears anyway). The Ampeg 4X12 sounded the worst (too thin, not enough projection).

  11. #11
    Join Date
    Oct 2005
    Location
    , CANADA
    Posts
    482
    Post Thanks / Like

    Default

    Just a quick note regarding amp/ cabinet set ups ... the 1st company to offer seperate amplifier and cabinet set ups was fender , in December 1960 fender released their " piggyback" amps . the 1st was the fender showman which was essentially a twin in smaller box and a seperate box containing an elabourately ported JBL speaker , the system provided for more punch and projection resulting from the closed back sealed and ported cabinet , it also served to lighten the load by seperating the relatively heavy twin chassis and its massive transformers from the speakers , two boxes but each lighter than a combo twin .. one thing to remember before plugging your combo or head into a cabinet is to make shure that the impedence matches , cabinets can be wired in series or paralell to give a 4 , 8 or 16 ohm load , plugging a 16 or 8 ohm cab into a head or combo designed for 4 ohms is one way to fry your output transformer also never hook up a head or combo to a cabinet using a guitar cable it will also cook the output transformer in short order , use a proper 18 guage speaker cable and you'll be fine .. I often record using a 5 watt fender champ with its internal speaker unhooked into a 4 ohm sealed back 2-12 cab , it sounds amazing , a little louder and way more bottomy ... 6S9L
    --------------------------------------------------------------------------------
    Marty DiBergi: "This tasteless cover is a good indication of the lack of musical invention within. The musical growth of this band cannot even be charted. They are treading water in a sea of retarded sexuality and bad poetry."
    Nigel Tufnel: That's just nitpicking, isn't it?

  12. #12
    Join Date
    Sep 2005
    Location
    Camrose, Alberta, Canada - used to be Umea Sweden.
    Posts
    12,854
    Post Thanks / Like

    Default

    I love the head/cab setup (although I don't have a head!) because you don't get the rattle problems like cabs often suffer, and as people have mentioned already you can use your amp with different cabs and so on. I don't think a combo cabinet will likely sound as good as a quality speaker cabinet either. There's a reason for those "Marshall walls"! But even a good 2x12 cab can make a huge difference in tone - my Hellhound is a good example of this. It now sounds much better than it did as a combo. Now I just wish I had the head version instead of the combo...

    Heavy? No, not my Avatar cab. It's really light and easy to move.
    The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
    Master Guitar Academy - I also teach via SKYPE.

  13. #13
    Join Date
    Aug 2006
    Location
    Northeast PA
    Posts
    111
    Post Thanks / Like

    Default

    Hmmm, now i'm leaning more toward the head/cab thing...
    Thanks for all the tips guys, you've shed a lot of light on the subject.

    Quote Originally Posted by Robert
    But even a good 2x12 cab can make a huge difference in tone - my Hellhound is a good example of this. It now sounds much better than it did as a combo.
    I thought the Hellhound sounded great before, but even better.. Robert, have you tried the ad50vt into the avatar yet? I'd be curious to see what you think.

    My next purchase will most likely be a valve jr, but I am undecided on whether I should go with the combo and be done with it, or try the head and maybe a decent 2x12 cab. A cab could give me more versatility with my vox, as well as be useful in future amp GAS attacks.
    Leonidas' Gear List:
    Electric Guitars - Agile AL-2800 (S.D. '59 B, Pearly Gates N), Squier Telecaster Custom (GFS FAT PAFs + Mods)
    Acoustic Guitars - Crafter ML-Rose, Epiphone PR-350CE
    Amps - VOX AD50VT, Epiphone Valve Jr. (Modded), Fender Blues Jr
    Pedals - Crybaby Classic w/ Fasel Inductor, Boss DS-1, Digitech Bad Monkey, Danelectro Cool Cat Chorus, Danelectro Fish & Chips EQ, Ibanez AW7

  14. #14
    Join Date
    Sep 2005
    Location
    Camrose, Alberta, Canada - used to be Umea Sweden.
    Posts
    12,854
    Post Thanks / Like

    Default

    Yes, the AD50VT just blooms through a good cab! It's like night and day. The AD50VT combo cab isn't very good to be honest. I think that is a bigger problem than the stock speaker in the amp. Hook it up to good cab instead (or just get the AD100VT head) and you'll be all smiles.

    Get the cab + head and have no regrets! I know I should have a long time ago.
    The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
    Master Guitar Academy - I also teach via SKYPE.

  15. #15
    Join Date
    Aug 2006
    Posts
    827
    Post Thanks / Like

    Default

    Quote Originally Posted by Robert
    Yes, the AD50VT just blooms through a good cab! It's like night and day. The AD50VT combo cab isn't very good to be honest. I think that is a bigger problem than the stock speaker in the amp. Hook it up to good cab instead (or just get the AD100VT head) and you'll be all smiles.

    Get the cab + head and have no regrets! I know I should have a long time ago.
    Robert,
    What type of speakers are in your 2 x 12?

    Do you find that different speakers significantly color the tone of a modeling amp? That's often the argument from the manufacturers, but I often wonder what a set of Eminence Texas Heats would sound like in my AD100VT.

    The AD100VT has 16ohm speakers (Vox's own, not the 70/80s) so I was thinking about putting in some different speakers. The Neodogs of course are a good choice, but I don't want to spend $400 on two speakers.
    Guitars: 2003 and 2004 American series strats, Squier Classic Vibe 50's Strat, Squier Deluxe Strat.

    Amps: Line 6 Spider IV 120, Vox AD50VT 212, and Peavey Transtube Bandit 112.

    Pedals: Digitech Bad Monkey.

  16. #16
    Join Date
    Sep 2005
    Location
    Camrose, Alberta, Canada - used to be Umea Sweden.
    Posts
    12,854
    Post Thanks / Like

    Default

    I have Celestion Seventy-80 in my cab. Speakers sure make a difference, but I think the cab is even more important. I don't like the combo cabinet in the Vox AD50VT.
    The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
    Master Guitar Academy - I also teach via SKYPE.

  17. #17
    Join Date
    Apr 2006
    Location
    NW Missouri,
    Posts
    4,097
    Post Thanks / Like

    Default

    Lots of good info here, everyone. You have all kind of confirmed what I found with a separate cab/head configuration. I find a 2x12 cab does indeed project better. My Avatar cab has one Celestion Vintage 30 and one G12H. I'm not really sure that the Avatar is as good as a sealed back ported cab, but it really brings the Valve Jr. head to life. I've also plugged my Traynor YCV-40 into the cab, huge difference. I'd like to experiment with other speaker combinations, alnicos, 10 inch vs. 12's,etc. One thing I'd like to add from past experience is power handling. With a little amp like the 5w Valve Jr., I think the best sound will come from the lowest rated speaker (as long as it's a quality speaker) that you can load in the cab. E.G.- A pair of 20w Celestions will sound much better than a pair of 200w E.V.s. The lower rated speakers will move the air better and give more of the aforementioned "WHUMP"! I think Eminence is building some really fine speakers, as well as Weber. I wonder what TWO Valve Jr's would do w/ two 2x12 cabs run through stereo effects w/ an A/B switching box setup?
    One more thing: about combo amps... many manufacturers have overcome the vibration/rattling issues, but I've found that any combo will beat tubes to death, and while tube isolating rings (dampers) and well made and NOS tubes will give much better results, the best isolation characteristics come from seperate head/cab setups. IMHO there is a definite advantage to seperating the chassis from the speakers and NOT having one enclosure providing a path enabling vibration to affect the tubes. Plus I can carry the V. Jr. head in one hand and the Avatar cab in the other. One trip w/ a "balanced" load.
    There are some good mods available for the V. Jr. also, and it might be easier w/ the head only version, plus the earlier hum issue has been fixed on the heads. Just my two cents worth, not trying to sway anybody's decision!
    Glenn

  18. #18
    Join Date
    Sep 2005
    Location
    Jensen Beach, Florida
    Posts
    2,145
    Post Thanks / Like

    Default

    You know it's funny that some people will go through all kinds of painstaking efforts when building (or choosing) a combo cabinet (I'm not excluding myself here). It has to be the right wood, maybe multi-ply birch or solid pine. Then it has to be constructed just right with dove tail or finger joints. Then the baffle has to be just right...maybe a thin, floating baffle that's designed to flex, or a thick stiff baffle that's won't affect the tone and projection of the speaker. The speakers may have to be front mounted for maximum dispersion of sound, or rear mounted for better projection. They might even go as far as figuring out the volume of the cabinet and how that'll affect the tone.

    And after they go through all of that...

    ...they stick an odd size metal chassis in the open back cabinet, with tubes and transformers hanging down into the resonance chamber.

    If it's one's goal to achieve a particular tone by manipulation of the design and construction of a cabinet, then there's really only one way to maximize those efforts - build a stand alone cabinet. Now I know that many will argue that their combo amp sounds great - and many in fact, do - but if it's perfection that one is striving for (if that's possible at all), then the stand alone cabinet is the way to go. I like my combos just fine, but they always seem to sound better when I plug them into one of my 2X12 cabs.

    To use a racing anology: Building a combo amp cabinet to maximize tone is like building a 750 HP nitro fueled V-8 and then sticking it into a stretch limo. Yeah, that motor will scream and it'll be the meanest stretch limo around, but do you think it has a chance against a funny car with the same motor? And after all, what are you trying to do? Light up the night sky with a screaming machine, or look good with your impecably constructed, but highly inefficient box?

    (A bit of hyperbole I know, but it's often useful in getting a point across. For the record; I haven't even persuaded myself to get rid of all of my combos with that arguement )
    Last edited by Bloozcat; September 15th, 2006 at 06:40 AM.

  19. #19
    Join Date
    Sep 2005
    Location
    Albuquerque, New Mexico, USA
    Posts
    6,009
    Post Thanks / Like

    Default

    Dang I was going to ask you how much you wanted for your combos Blooz....
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

    Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube

    Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz

Page 1 of 2 12 LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •