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Early 60's Fender Concert, Brown - Page 2
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Thread: Early 60's Fender Concert, Brown

  1. #20
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    I have an RCA blackplate 6L6GB, which is a great sounding tube. It ODs nicely in Champs and tweed Princetons. The "W" designation in tyour tubes stands for ruggedized. The 5881 was an industrial tube, also ruggedized. IIRC, they were used in mobile radios in the US military circa WWII. Those tubes had to be tough. I have a pair of reall 5881s pulled from a hifi amp and they sound glorious in my homebrew tweed Princetons.

    Quote Originally Posted by sunvalleylaw
    Good to know. I wondered what the tube designation meant. Your description of moving toward BF sound is accurate from what I have read. As I understand it, the brown amphs of the early 60s are in between the tweeds and BFs in terms of tone and headroom. It seems to have lots of warmth to my ear, and to me, that gives a bit more character than the squeaky clean BF sound. But that is based on models I have listened to and played through (Line 6 Gearbox models, etc.), not really experience with the real thing. It seems to have enough tweed in it to make it enjoyable to me.

  2. #21
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    Hi guys, just as a follow up, here at the link below are a bunch of pictures just for fun. This thing is cool!


    http://gallery.me.com/sunvalleylaw#100142


    Last edited by sunvalleylaw; February 10th, 2010 at 04:39 PM.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  3. #22
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    Yep It's a keeper! Sumi
    Guitars,Warmoth Tele,90's Fender Strat Plus/Fender CV 50's Tele/Parker p-36/Fretlight/Custom Strat(Fender body/warmoth Clapton neck,tonerider pups)Larrivee L03 mahogany acoustic

    Amphs/66 Super Reverb/60's Bandmaster head and 2/12 cab/Blues jr//epi valve jr/supro super/ ZT lunchbox/Mahaffay Little Laneilei 3350/Pignose g40v

    Pedals/Voods Rodent/MXR carbon copy/Duncan Pickup booster/Ts9/Rat/ts10/Line 6 tone port uk2
    Line 6 M13

  4. #23
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    Wow, Steve...that's a real beauty! I'm coveting...just a little.
    -Sean
    Guitars: Lots.
    Amphs: More than last year.
    Pedals: Many, although I go straight from guitar to amp more often lately.

  5. #24
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    Is the top right speaker missing a dust cap?

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  6. #25
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    As I told you Sunny I have the same amp since 4 years and it's a real beauty, I had it fixed at my repairman which exchange some dead capacitors and install a transfo for 220 - 240V and since then I'm a happy man

    The only down side of this amp is the heavy weight otherwise it's really a great amp and the vibrato is just amazing
    Guitars:
    1978 Fender Telecaster Thinline Custom USA, New Nash TL-72 Thinline Telecaster, 1965 Harmony Meteor, H71, 1986 Fender Telecaster Esquire MIJ, New Martin J-41 Special, 1933 National Duolian, 1941, New Eastwood Mandocaster 12 strings

    Amps:
    Tweed Vibrolux Custom Denis Manlay, 1976 Fender Deluxe Reverb Silverface

  7. #26
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    Quote Originally Posted by Spudman
    Is the top right speaker missing a dust cap?
    Yeah, it is.

    Thanks guys! Pretty cool so far! Jipes, thanks for linking your vids to me when I mailed you on Youtube. I tried to reply, but youtube mail wasn't working. I liked those vids! Esp. the one with the vibrato turned on.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  8. #27
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    Man, that amp is in really nice shape considering its age, Sun! NICE SNAG!!!
    DVM's Ever-Expanding Gear List:

    Guitars - W-A-A-A-Y-Y too many to list. Check 'em all out HERE

    Amps & Cabs - "Kap'n Kerrang-aroo" BYOC 18W TMB kit amp head; Mojave Coyote head; Fender Hot Rod Deluxe Lacquered Tweed Ltd. Ed.; Allen Sweet Spot kit amp; BYOC Tweed Royal kit amp; Epiphone Valve Jr. combo + mods; Drive 2x12 cab / Celestion G12M Greenback + G12H30; AB Custom Audio 1x12 cab / Celestion Alnico Blue

    Pedals/Effects - ZILLIONS, including DVM's Home-built Pedals - See some HERE and HERE, TOO!

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  9. Likes sunvalleylaw liked this post
  10. #28
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    Congrats! I have a '66 Super that's a 4x10 and really like that configuration.

  11. #29
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    Quote Originally Posted by Brian Krashpad
    Congrats! I have a '66 Super that's a 4x10 and really like that configuration.
    True dat.
    Guitars
    Wilburn Versatare, '52 FrankenTele(Fender licensed parts), Fender USA Roadhouse Strat, Fender USA Standard B-bender Telecaster, Agile AL 3000 w/ WCR pickups, Ibanez MIJ V300 Acoustic, Squier Precision Bass,
    Amps
    Ceriatone Overtone Special, Musicman 212 Sixty-Five, Fender Blues Jr., Peavey Classic 30, Fender Super Reverb, Traynor YCV-40 WR Anniversary w/ matching 1x12 ext. cab, Epiphone SoCal 50w head w/ matching 4x12 cab (Lady Luck speakers), Avatar 2x12 semi-open back cab w/ Celestion speakers
    Pedals
    Digitech Bad Monkey, Digitech Jamman, DVM's ZYS, Goodrich volume pedal

  12. #30
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    By way of an update, after leaving the amp at work and just playing it there for a bit, I have had the amp home over the weekend. The Peavey is now at work. I really enjoy this Concert and think I will keep it. I am taking my time, getting to know the voices of the normal and vibrato channels, where I like the settings on each for what purpose, and for my two electric guitars. I also played my Martin through it as well, just to see what that was like (It was fun!).

    So far, my strat is most immediately at home with it. You know, the Fender/Fender thing. My Hagstrom also sounds good with it, though I find I turn the treble up more with that guitar, as it is a slightly darker sounding guitar anyway.

    Also so far, I find I want to use overdrive and distortion type pedals less with this amp as compared to my Peavey Classic 30, and that I like the sound of the amp itself more. I like the sound of my new ZYS more than the Bad Monkey through it, and also enjoy using just the MOSFET boost that is in my ZYS, especially if I have to play quietly. When I do use the ZYS overdrive, I like it to be set up pretty transparent. It bumps the midrange some then, but does not take away all the nice openess of the amph. The presence knob is also very useful.

    So liking it very much indeed. Very articulate, and more articulate on the low end than my Peavey. Very fun to hit the low string to announce a chord change on this amp.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  13. #31
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    SVL, does this amp sound similar to a Fender Bassman?
    Maxi...................

    Bootsy Collins:
    I pledge allegiance to the funk, the whole funk, and nothing but the funk, so help me James, Sly and George, Amen!!

    Guitars: 2010 American Special HSS Strat, 2010 CIC Squire CV ThinLine Tele, & 2006 MIM FSR Strat.

    Basses: 1979 Peavey T-40, 2007 Ibanez SR 500, 2013 Ibanez SR375F, 2013 CIJ Fender Geddy Lee Jazz Bass, 2014 Sadowsky Will Lee VI, & 2014 Sadowsky Will Lee Metro V

    Amps: Mesa Boogie BASS STRATEGY:Eight:88, Aguliar DB 4X12, Augilar DB 751, Genz Benz CTR500-210T/Focus 1X15 CAB, Fender Hot Rod Deville 410, VHT Deliverance 60/VHT 2X12 fat Bottom Cab, & VOX DA20

    Effects: Boss ME-25, MXR Custom Baddass 78, MXR Custom Baddass modified O.D., Vox Joe Satriani Satchurator, MXR Phase 90, MXR Bass Chorus Deluxe/Octave Deluxe/Bass Compressor/Envelope Filter/, Way Huge Pork Loin

  14. #32
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    Well, given I have never truly played an original Bassman, what I say must be taken with a grain of salt. But that said, it is similar, but in a way, in between a Bassman and a Blackface. They don't break up quite as quickly as a Bassman, and stay cleaner longer. Very fat, solid tone with tons of bass, and strong mids, treble voiced a bit lower than a Blackface. Maybe not as middy as a Bassman. Bottom line, a good bit of bassman , voiced a bit more toward the BlackFace (I would say voiced closer to Bassman than Blackface), but really it's own deal altogether. And that is a good thing!
    Last edited by sunvalleylaw; March 16th, 2010 at 08:53 PM.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  15. #33
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    I knew you would keep that amph!Now get a good selection of different preamph tubes and a A/B box to go between the normal and vibrato channel and fine tune the voice you want.Sumi
    Guitars,Warmoth Tele,90's Fender Strat Plus/Fender CV 50's Tele/Parker p-36/Fretlight/Custom Strat(Fender body/warmoth Clapton neck,tonerider pups)Larrivee L03 mahogany acoustic

    Amphs/66 Super Reverb/60's Bandmaster head and 2/12 cab/Blues jr//epi valve jr/supro super/ ZT lunchbox/Mahaffay Little Laneilei 3350/Pignose g40v

    Pedals/Voods Rodent/MXR carbon copy/Duncan Pickup booster/Ts9/Rat/ts10/Line 6 tone port uk2
    Line 6 M13

  16. #34
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    As Sumi mentionned I was also pretty sure that you'll love it, as for the break up I could use it onstage in an open air where I could open it up quite a bit (over6) and you find a nice creamy tone not yet a real crunch but close to it at least with my strat.

    A friend of mine did jam with us that night and play through it with his old Guild Starfire and boum he got a great crunch out of the Concert, probably due to the high gain of his humbuckers
    Guitars:
    1978 Fender Telecaster Thinline Custom USA, New Nash TL-72 Thinline Telecaster, 1965 Harmony Meteor, H71, 1986 Fender Telecaster Esquire MIJ, New Martin J-41 Special, 1933 National Duolian, 1941, New Eastwood Mandocaster 12 strings

    Amps:
    Tweed Vibrolux Custom Denis Manlay, 1976 Fender Deluxe Reverb Silverface

  17. #35
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    Quote Originally Posted by sunvalleylaw
    Well, given I have never truly played an original Bassman, what I say must be taken with a grain of salt. But that said, it is similar, but in a way, in between a Bassman and a Blackface. They don't break up quite as quickly as a Bassman, and stay cleaner longer. Very fat, solid tone with tons of bass, and strong mids, treble voiced a bit lower than a Blackface. Maybe not as middy as a Bassman. Bottom line, a good bit of bassman , voiced a bit more toward the BlackFace (I would say voiced closer to Bassman than Blackface), but really it's own deal altogether. And that is a good thing!

    SVL,

    Thanks for answering That gives me a very good idea then. Sounds like a keeper and a winner for sure Congrats on such a cool find.
    Maxi...................

    Bootsy Collins:
    I pledge allegiance to the funk, the whole funk, and nothing but the funk, so help me James, Sly and George, Amen!!

    Guitars: 2010 American Special HSS Strat, 2010 CIC Squire CV ThinLine Tele, & 2006 MIM FSR Strat.

    Basses: 1979 Peavey T-40, 2007 Ibanez SR 500, 2013 Ibanez SR375F, 2013 CIJ Fender Geddy Lee Jazz Bass, 2014 Sadowsky Will Lee VI, & 2014 Sadowsky Will Lee Metro V

    Amps: Mesa Boogie BASS STRATEGY:Eight:88, Aguliar DB 4X12, Augilar DB 751, Genz Benz CTR500-210T/Focus 1X15 CAB, Fender Hot Rod Deville 410, VHT Deliverance 60/VHT 2X12 fat Bottom Cab, & VOX DA20

    Effects: Boss ME-25, MXR Custom Baddass 78, MXR Custom Baddass modified O.D., Vox Joe Satriani Satchurator, MXR Phase 90, MXR Bass Chorus Deluxe/Octave Deluxe/Bass Compressor/Envelope Filter/, Way Huge Pork Loin

  18. #36
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    Hey Sun there's a guy on e-bay with a full crack pipe trying to sell his '61 concert for 14,000.00. Sumi
    Guitars,Warmoth Tele,90's Fender Strat Plus/Fender CV 50's Tele/Parker p-36/Fretlight/Custom Strat(Fender body/warmoth Clapton neck,tonerider pups)Larrivee L03 mahogany acoustic

    Amphs/66 Super Reverb/60's Bandmaster head and 2/12 cab/Blues jr//epi valve jr/supro super/ ZT lunchbox/Mahaffay Little Laneilei 3350/Pignose g40v

    Pedals/Voods Rodent/MXR carbon copy/Duncan Pickup booster/Ts9/Rat/ts10/Line 6 tone port uk2
    Line 6 M13

  19. #37
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    Woo Hooo!! Someone better hop on that buy, that's a steal!!
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  20. #38
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    Here is the amp I have for sale. Here: http://www.thefret.net/showthread.ph...fier-Brownface

    This is the thread from when I first got it.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

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