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Tele project coming! - Page 2
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Thread: Tele project coming!

  1. #20
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    Thank you for the kind words guys. What was that Ian said about Ellie in Jurassic Park as she was leaning into the mound of Triceratops poo...She's tenacious!

    If you do enough of something you will get good at it. I learned a lot of wood work from my dad but I still had to do it for my self. It takes time and somethings ya have to do over, boy did I ever , but it gets better as you go on.
    I remember working on the first guitar I made back in high school, 1971. I was gluing the fretboard on and with all my experience (17 years old). I thought I would just line up the one edge of the board with the edge of the neck, this way I would have less to sand on the other side. Well...That made it easier to sand but the fretboard was cut with a taper. This put the frets at a slight angle and were no longer square with the rest of the guitar. I learned a good lesson that day. This was done without my dads assistance..........Yeah ya mess up a few and ya learn........ Always work off a center line with a guitar.

    I have a question for you all.

    I don't know if I will be able to get all the poly off this Mighty Mite neck and I am afraid I might have adhesion problems when I re-clear it with lacquer.
    Blooz or anyone that has ever put a finish over polyurethane, do you find that it is very hard to get lacquer or other top coats to stick to it?
    I have done a few projects now where I sanded down the poly and put lacquer over it, only to have the lacquer chip off if you barely bump it against something. I think the poly is so hard it is tough to get anything to adhere to it. Do you know of any clear primer that will adhere to poly and that the lacquer will adhere to the primer?


    Thanks.
    M
    Last edited by M29; March 13th, 2010 at 08:15 PM.

  2. #21
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    If it's just the standard, thin poly finish that's on most MM necks, you can easily sand it off. I've done that on three MM necks and then had no problems shooting lacquer afterwards. It's easy to tell when you've got all the poly off. The sanding residue starts out a milky white color and then turns to plain maple sanding dust. It doesn't take very long to do. Then you simply shoot the bare wood with a lacquer sanding sealer and then the lacquer (or vintage amger tint dye, then clear lacquer).

    The other alternative is to cover the poly with clear shellac as a base coat for the lacquer. You can't shoot lacquer right onto poly, but shellac being an organic compound is pretty much a universal undercoat. But, the whole reason for using nitro lacquer is so that you can get a nice thin but hard finish that buffs out to a brilliant gloss. So why spray it over poly and shellac first?
    Ah, nothing relieves the discomfort of GAS pains like the sound of the UPS truck rumbling down your street. It's like the musician's Beano.

  3. #22
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    Thanks Blooz,

    In this case I will sand down to the maple but on other finishes I have put lacquer over poly because I got tired of sanding the darn poly. Like on my LP project I got almost all of the poly off but it seemed like it was so far into the wood that I could not get it all off. That was mahogany though which is more porous. Maple has a tighter grain which might help to keep the poly from sinking into the grain as much.

    I was curious on adhesion to poly for other projects as well. I have found it hard to get poly to stick to poly, such as furniture and flooring. It was a general question that I probably should have explained more.

    Thanks for the shellac tip Blooz!!

  4. #23
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    Otay M: now I realize what I missed. No wonder I haven't seen that guit out there. You MADE it. Cool. Sweet looking, and a Tele is a perfect project. I recently purchased my first Tele, and I am blown away by how easy it is to play. I think the Engineer was a genius.
    The Blues is alright!

    Guitars: 1968 Gibson SG, 2005 Gibson SG Standard, 2006 Gibson LP Classic Gold top, 2004 Epiphone Elitist LP Custom, 1996 Gibson Les Paul Standard. 2001 Epiphone Sheraton II, 2007 Epiphone G400.
    Fender Strats: 1996 Fender 68 Reissue CIJ, 2008 Squier CV 50s, 2009 Squier CV 50s Tele Butterescotch Blonde

    Amps: Blues Junior Special edition Jensen in Brown Tolex with Wheat front, 65 Deluxe Reverb reissue,1970 Sonax reverb by Traynor, Avatar Custom 2/12 Cabinet with Eminence Legend V1216 speakers,
    2008 DSL100 Marshall Amp , Fender Super Champ XD,Fender Vibro Champ XD

    Effects and Pedals: Fulltone Fulldrive II, Fulltone OCD, Fulltone Mini Deja Vibe, Fulltone Fat Boost, Dunlop Crybaby Wah, Boss DS1, Boss DD20 Giga Delay, Boss TU2 tuner, Boss BD2, Ibanez TS9 Tube screamer, Zoom 505. Radial tonebone hot british.

  5. #24
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    Dec 2007
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    Those dots are really easy with a drill press.
    Guitars: 2002 Les Paul Studio Limited Color's Edition | 2004 Greg Bennett Avion Les Paul Copy | S101 Telecaster project | 2004 Washburn D46 Acoustic

    Amplification: Epiphone Valve Jr. Head and Cabinet | VOX AD30VT

    Effects: Rocktron Delay | BBE Free Fuzz | Big Muff Pi | Boss Flanger | Bad Monkey | Jekyll and Hyde | Cry Baby Wah | Boss EQ | Behrenger TU300 Tuner |



  6. #25
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    Well, I am finally back on my Tele project.
    I got started planing off the rosewood fretboard on my new Mighty Mite neck. It had a slight twist in it that I needed to correct and I wanted an ebony board instead of rosewood. I could not afford a neck with these options so I decided to make one up using this neck. It will have a 12 inch radius and abalone dots. as well.

    Here is a pic of the recent progress. If you look close you can still see parts of the white side marker dots as I got closer to the maple neck.

    I am setting up the new fretboard for the dots now.


  7. #26
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    Looking good M29

    Ya know that would make a cool fretless neck

    Hey if you haven't picked one up yet, I have a 12" radius sanding block you can borrow....

  8. #27
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    Thank you for the kind words guitardan777. I picked up a 12 inch block a while back. Thanks for the offer!

    I have the fretboard drilled for the abalone dots and drilled for alignment pins to keep my center line centered with the neck while I clamp and glue it.
    Next I am going to trim the sides of the fretboard closer to the shape of the neck and then glue it on.


  9. #28
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    I finished gluing the fretboard on. I need to do some more polishing of the board along with putting the ebony stain on. I have it sanded to 400 grit in this picture. Once this is done I can get the frets on along with a nitro lacquer finish on the maple. Starting to get anxious on this one.
    I picked up a Barden bridge and Grover locking tuners. Still have to get pickups, control plate, switch and pots.
    I got my ebony fretboard, 12 inch radius, abalone dots and 22 frets. Lots of work but I like it aaahlott.


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