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Thread: Need CL Advice Fast on Tele

  1. #39
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    I think I may save up for a Taylor Electric, considering how much I like my Taylor Acoustic.

  2. #40
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    It was obvious fake, sorry. I only read your post today, so I could have warned you. Good luck with your next purchase. Instrument business, legal or private is still a huge ocean full of sharks! Sad but true!
    "A lot of people in the industry want to blame downloading for the state of the business. But I think if most music wasn't shit to begin with people wouldn't be downloading it for free," - Corey Taylor (Slipknot)

  3. #41
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    Default Eric

    I noticed that you alluded to not liking something about your Xavier. What is exactly the problem? Isn't it a 335 copy? Sounds like a nice guitar if it is anything like my Xavier XV500 when it comes to build quality and tone.

    I think my Xavier LP tribute in white is a great guitar with a three quarter inch maple cap over mahogany and inside the wiring cavity is nice heavy wire and big pots, including good looking swith and jack along with a high quality solder job and no loose wire; very tidy I might say. Plus the guitar plays really great, is heavy like I enjoy my LP's, no chambering here. Although the chambered one looks like a nice hybrid guitar, the LP tribute with the P90 and the bridge zebra alnico zebra hb.

    I think a guitar like an Xavier or Agile would get you way farther ahead than a risky fake guitar.

    I feel badly for you 64, I hate rip offs. Maybe donate it to someone who needs a guitar to get started. It could relieve you of rip of anxiety and help out a person that doesn't have anything. I would sand off, or grind off the headstock fake fender name though and smooth it over and put some poly or varnish over the place it was; maybe even make my own design name like, "Imposter 1" or "offender".
    Duffy
    South Williamsport, Pa.

    "So let us stop talking falsely now, the hour's getting late." (as by JH)

  4. #42
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    OfFender I like he he
    Guitars: 2002 Les Paul Studio Limited Color's Edition | 2004 Greg Bennett Avion Les Paul Copy | S101 Telecaster project | 2004 Washburn D46 Acoustic

    Amplification: Epiphone Valve Jr. Head and Cabinet | VOX AD30VT

    Effects: Rocktron Delay | BBE Free Fuzz | Big Muff Pi | Boss Flanger | Bad Monkey | Jekyll and Hyde | Cry Baby Wah | Boss EQ | Behrenger TU300 Tuner |



  5. #43
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    Quote Originally Posted by Duff
    I noticed that you alluded to not liking something about your Xavier. What is exactly the problem? Isn't it a 335 copy? Sounds like a nice guitar if it is anything like my Xavier XV500 when it comes to build quality and tone.
    Are you talking about this quote?

    sometimes online stuff can be hyped up a bit (read: guitarfetish.com).
    I just meant that if you read the descriptions on their site, you will think they offer the best products ever made; there's a lot of hyperbole on there. Generally speaking, I think GF has good stuff, but their descriptions make it seem better than I think it is.

    Regarding the XV-900, I think it's good, though the pots are backwards (linear taper on the volume) and the tuners are below-average (and the headstock is stupid, but that's sort of separate). A lot of guitar for the money, that's for sure.
    Quote Originally Posted by Spudman
    Does anyone read the original post?
    Guitars: Gibson LP Studio, MIA Fender Precision, Carvin C350
    Amps: Genz Benz Shuttle 6.0 + Avatar B212 / Genzler 12-3, Acoustic B20
    Pedals: Pod HD500X, Diamond Compressor, Tech 21 VT Bass, Sonic Research Turbo Tuner

  6. #44
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    Default Oh yeah!

    I know what you mean about the overblown descriptions.

    I love my XV500 LP tribute though.

    I have bought many GFS pickups and liked them; however, I lastly bought a set of hot "GFS PB Pro PLUS- OVERWOUND Alnico P Bass style" P bass pickups and put them in a nice Squire Black with black pickguard P bass I picked up cheap in super shape with a great neck.

    The pickups are a GREAT improvement over the stock affinity ones on the Squire, needlesstosay; however, my other top contender for the pickups was the Seymour Duncan Quarter Pounder P bass pickups. I have played quarter pounder P bass pickups before and have been amazed.

    The GFS hot P bass pickups do not sound like the SD quarter pounder P bass pickups. For the difference in price I wish I would have spent the extra money and purchased the SD quarter pounder P bass pickups. I might get some yet, as a definite upgrade.

    The XV500 though, is outstanding with serious heft, which I like in a LP type guitar and has super great tone with the crunch paf pups. This lp tribute is a great guitar for the money, tuners should be replaced. I will check my tone controls. Straight up into the tube amp this guitar sounds good on both channels. Thru my inexpensive Korg AX5G it sounds super good, of course; into the amp directly from the pedal. My digitech RP 350 sounds even better.

    I bought some Little Killers that I liked, but they don't even start to compare to the Seymour Duncan Hot rails, no way, I don't care what anyone says about that comparison. My SD single coil sized bridge hot rail in the neck of one of my strats, with a 59 single coil sized humbucker in the middle and the venerable JB Br. single coil humbucker in the bridge sounds nothing like the little killer and these SD single coil humbuckers are outstanding pickups. This combination was advised by an engineer at Seymour Duncan as being a good choice and one made by many great players. I can see why. Not being a great player I can still, at my level, see why they would like them; five distinct sounds. This set of pickups continues to grow on me each time I play the guitar. I also had all the wiring and pots and switch and cap replaced, along with a new jack and installed Fender locking tuners. This is one awesome Squire. Heavily flammed maple neck, every quarter inch is a flame all the way up the neck thru the headstock. It's black with a black pearl pickguard I put on it. Nothing worked on it except that you could play it wide open without too much noise even though nothing was grounded and the tone controls were not operational. It now works as well as any strat I own and sounds probably the best, feels the best, and looks super super good, if not being the best looking because I have a couple beautiful looking ones.

    So, yeah. GFS has its place but then so do other companies. I can see myself buying another one of their guitars.

    Have you noticed harmony-central.com has completely changed their page, much to the worse? I'm very disappointed.
    Duffy
    South Williamsport, Pa.

    "So let us stop talking falsely now, the hour's getting late." (as by JH)

  7. #45
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    Off-topic for sure, but since it's your thread I figure I'm allowed...

    With your current assortment of gits (let's see...Teles, Strats, offset, and acoustic IIRC), what do you find yourself defaulting to most of the time? Still the MIM Tele?
    Quote Originally Posted by Spudman
    Does anyone read the original post?
    Guitars: Gibson LP Studio, MIA Fender Precision, Carvin C350
    Amps: Genz Benz Shuttle 6.0 + Avatar B212 / Genzler 12-3, Acoustic B20
    Pedals: Pod HD500X, Diamond Compressor, Tech 21 VT Bass, Sonic Research Turbo Tuner

  8. #46
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    Quote Originally Posted by Eric
    Off-topic for sure, but since it's your thread I figure I'm allowed...

    With your current assortment of gits (let's see...Teles, Strats, offset, and acoustic IIRC), what do you find yourself defaulting to most of the time? Still the MIM Tele?
    When I play electric, it's hands down the MiM Strat. I play it 80% of the time. I dig that guitar, and will add a heavier trem block someday soon, but other than that, I don't feel like it needs anything.

    The MiM Tele ~15% (it's on CL as we speak) and the others 5%. The MiM tele needs a neck adjustment and perhaps a fret sanding. I was going to do it myself, as I'm eager to do that sort of thing until I saw a CV50s Squier Tele today at GC for $250, which, of course, I bought. I'm trying to downsize...to 3 electrics. I'd like my collection to be the MiM Strat, CV Tele, and the Godin Silverline.

    This means I have to unload a Yamaha Pacifica, A Turser Tele, a MiM Tele, and my Samick Jazzmaster. The Samick is a really cool guitar, I just never play it. I'm really torn about that one, I absolutely love the tone of the P90s in it, but for some reason, I just don't like to play it so much.

    Oh I also have that AXL pseudo strat with the Duncan SH-4 in the bridge, but I'll probably give that to my friend (who has had it for the past 7 months) because he loves it.

  9. #47
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    Quote Originally Posted by Commodore 64
    I'd like my collection to be the MiM Strat, CV Tele, and the Godin Silverline.
    Is that a pun on a Godin Redline or did I miss something? Weren't you going to sell that one?

    Anyway, good luck with the sales. I've found no buyers for the stuff I was going to sell (mostly bargain Asian stuff FWIW), then just after I told a kid at church he could borrow my 50w Crate tube amp, I get two emails asking if I still have it. Ah well, I already committed to him...

    Hopefully you'll fare better with your gear (which is probably actually known outside of online guitar message boards, unlike my stuff).
    Quote Originally Posted by Spudman
    Does anyone read the original post?
    Guitars: Gibson LP Studio, MIA Fender Precision, Carvin C350
    Amps: Genz Benz Shuttle 6.0 + Avatar B212 / Genzler 12-3, Acoustic B20
    Pedals: Pod HD500X, Diamond Compressor, Tech 21 VT Bass, Sonic Research Turbo Tuner

  10. #48
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    Not a pun, I just forgot what it was called. My friend (the same one with the AXL) has had the Godin since a day or 2 after I bought it. It's such a nice guitar, that I want to keep it, even though I haven't played it for more than 20 minutes. LOL. That just seems so stupid. WTF is wrong with me!

  11. #49
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    Quote Originally Posted by Commodore 64
    even though I haven't played it for more than 20 minutes. LOL. That just seems so stupid. WTF is wrong with me!
    Just the same thing that's wrong with everyone else here...

    The other musicians at church just roll their eyes when I show up with some new pedal/amp/guitar. Even though I'm actively trying to get rid of stuff, I keep finding new ways to buy it. Frustrating, huh?
    Quote Originally Posted by Spudman
    Does anyone read the original post?
    Guitars: Gibson LP Studio, MIA Fender Precision, Carvin C350
    Amps: Genz Benz Shuttle 6.0 + Avatar B212 / Genzler 12-3, Acoustic B20
    Pedals: Pod HD500X, Diamond Compressor, Tech 21 VT Bass, Sonic Research Turbo Tuner

  12. #50
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    Quote Originally Posted by Eric
    Just the same thing that's wrong with everyone else here...

    The other musicians at church just roll their eyes when I show up with some new pedal/amp/guitar. Even though I'm actively trying to get rid of stuff, I keep finding new ways to buy it. Frustrating, huh?
    Yeah, yesterday I was playing through a Hot Rod Blues Jr...OMG that reverb sounded so nice...and the master volume was cool. I never had an amp with that...crank the volume, turn down the master volume and you get a nice tone at lower levels.

  13. #51
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    Quote Originally Posted by Commodore 64
    Not a pun, I just forgot what it was called. My friend (the same one with the AXL) has had the Godin since a day or 2 after I bought it. It's such a nice guitar, that I want to keep it, even though I haven't played it for more than 20 minutes. LOL. That just seems so stupid. WTF is wrong with me!
    Well, if you ever want to sell or trade the Godin, let me know. I'm very interested in those.
    Quote Originally Posted by Spudman
    Does anyone read the original post?
    Guitars: Gibson LP Studio, MIA Fender Precision, Carvin C350
    Amps: Genz Benz Shuttle 6.0 + Avatar B212 / Genzler 12-3, Acoustic B20
    Pedals: Pod HD500X, Diamond Compressor, Tech 21 VT Bass, Sonic Research Turbo Tuner

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