Results 1 to 11 of 11

Thread: What's the deal with necks and fretboards?

  1. #1
    Join Date
    Jul 2009
    Location
    MSP
    Posts
    3,913
    Post Thanks / Like

    Default What's the deal with necks and fretboards?

    So I sometimes see radii measurements where it seems to refer to the neck, like '12" radius neck' or something, like here for instance.

    Is this actually referring to the fretboard? I understand the whole idea of the arc of a circle with radius X for a fretboard, but does this translate to the neck itself at all? Is there any way to measure necks other than the letter designation (C, U, D, V) for shape and general "thick" or "not thick" descriptors for the thickness of it?

    Just trying to understand a bit more. I'll probably ask something about width in here at some point too...
    Quote Originally Posted by Spudman
    Does anyone read the original post?
    Guitars: Gibson LP Studio, MIA Fender Precision, Carvin C350
    Amps: Genz Benz Shuttle 6.0 + Avatar B212 / Genzler 12-3, Acoustic B20
    Pedals: Pod HD500X, Diamond Compressor, Tech 21 VT Bass, Sonic Research Turbo Tuner

  2. #2
    Join Date
    Apr 2010
    Posts
    21
    Post Thanks / Like

    Default

    If you have an expensive custom neck made for you, they take different measurements of your hands so the neck would be perfect for your hand.
    The letter designation is just a template to meet with the tastes of different players, the same goes for width and F.B. radius.

  3. #3
    Join Date
    May 2010
    Posts
    2
    Post Thanks / Like

    Default neck radius

    (See chart) radius in inch or metric, chord is width of neck. Curved line above the chord line is neck curvature. The longer the radius for the same neck width, the flatter the neck is/feels.
    7.5" -> Vintage Fender - easy chording but strings can be too easily pushed off the sides of the fretboard during soloing on the higher frets.
    12" -> Gibson - faster soloing, less comfortable chording.
    The above comparisons are in general.
    I like 12" radius. 7.5" gives me a headache.

    C, U, D, V, etc. usually refers to the back of the neck, the shape of the neck wood itself. The shape of the letter indicates the shape of the cross section of the neck which your hand would feel. i.e, a V feel, a D feel. I think with Fender the C designation is unique to Fender history. I think I read that Fender graded necks A, B, C etc. referring to sizes/neck widths etc. to help in assembly/optioning.
    The Warmoth site has some info on their neck dimensions/designations. You could try buying an oversized unfinished neck and filing/sanding it down to what you like.
    Last edited by rdvstrat; May 11th, 2010 at 06:21 AM.

  4. #4
    Join Date
    Feb 2008
    Location
    North of the Equator: I am a Southerner, Southern Ontario!
    Posts
    2,041
    Post Thanks / Like

    Default

    I found this this little piece it might help.
    http://www.guitartechcraig.com/techneck/necks.htm
    Guitar players come in all shapes and sizes, (of hands that is), and a certain profile, (C, D, U, V) Will fit a persons hands. The sames goes for the style a person plays. A lot of bending of notes usually requires a 9.5 to 12 inch radius.
    Most guitars are made in a one size fits all to appeal to the majority of buyers.
    That is why a lot of guys pick up a guitar and it just doesn't feel right. It doesn't have the correct radius or profile to fit their hands or style.
    In the beginning they measured the shape of the neck profile with a template, and each neck could be slightly different within certain tolerances.
    Now with the C and C machines they are exact.
    I guess what you have to do is play a guitar then find out what the radius is and the profile. Then you can tell what your favourite is.
    Most modern guitars will tell you right up front what they are.
    Signature guitars will have the Radius, and profile that the Artist likes best.
    Vintage spec will be the Radius and profile they were made "in the day".
    As a General rule of thumb, Fender will usually have a 9.5 Radius in the more modern guitars and 7.5 in the Vintage reissues etc.
    Gibson is usually a 12 inch on their boards.
    Knowing what the best fit for you in radius and profile, especially when buying online or sight unseen, can save you a lot of grief.
    The Blues is alright!

    Guitars: 1968 Gibson SG, 2005 Gibson SG Standard, 2006 Gibson LP Classic Gold top, 2004 Epiphone Elitist LP Custom, 1996 Gibson Les Paul Standard. 2001 Epiphone Sheraton II, 2007 Epiphone G400.
    Fender Strats: 1996 Fender 68 Reissue CIJ, 2008 Squier CV 50s, 2009 Squier CV 50s Tele Butterescotch Blonde

    Amps: Blues Junior Special edition Jensen in Brown Tolex with Wheat front, 65 Deluxe Reverb reissue,1970 Sonax reverb by Traynor, Avatar Custom 2/12 Cabinet with Eminence Legend V1216 speakers,
    2008 DSL100 Marshall Amp , Fender Super Champ XD,Fender Vibro Champ XD

    Effects and Pedals: Fulltone Fulldrive II, Fulltone OCD, Fulltone Mini Deja Vibe, Fulltone Fat Boost, Dunlop Crybaby Wah, Boss DS1, Boss DD20 Giga Delay, Boss TU2 tuner, Boss BD2, Ibanez TS9 Tube screamer, Zoom 505. Radial tonebone hot british.

  5. #5
    Join Date
    Jul 2009
    Location
    MSP
    Posts
    3,913
    Post Thanks / Like

    Default

    Quote Originally Posted by ZMAN
    I found this this little piece it might help.
    http://www.guitartechcraig.com/techneck/necks.htm
    Guitar players come in all shapes and sizes, (of hands that is), and a certain profile, (C, D, U, V) Will fit a persons hands. The sames goes for the style a person plays. A lot of bending of notes usually requires a 9.5 to 12 inch radius.
    Most guitars are made in a one size fits all to appeal to the majority of buyers.
    That is why a lot of guys pick up a guitar and it just doesn't feel right. It doesn't have the correct radius or profile to fit their hands or style.
    In the beginning they measured the shape of the neck profile with a template, and each neck could be slightly different within certain tolerances.
    Now with the C and C machines they are exact.
    I guess what you have to do is play a guitar then find out what the radius is and the profile. Then you can tell what your favourite is.
    Most modern guitars will tell you right up front what they are.
    Signature guitars will have the Radius, and profile that the Artist likes best.
    Vintage spec will be the Radius and profile they were made "in the day".
    As a General rule of thumb, Fender will usually have a 9.5 Radius in the more modern guitars and 7.5 in the Vintage reissues etc.
    Gibson is usually a 12 inch on their boards.
    Knowing what the best fit for you in radius and profile, especially when buying online or sight unseen, can save you a lot of grief.
    Cool. Thanks for the link.

    So there's no real way to assign a number to a neck I take it? When they say '13.7" (350mm) radius neck' like in the ad for the Agile I own, does that actually refer to the fretboard radius?

    I'm trying to figure out what the neck profile, thickness, and radii are of the guitars I own so that I can figure out what I like, but first I have to get my terminology down. Is there any good way to figure out what the neck profile is of a guitar you own?
    Quote Originally Posted by Spudman
    Does anyone read the original post?
    Guitars: Gibson LP Studio, MIA Fender Precision, Carvin C350
    Amps: Genz Benz Shuttle 6.0 + Avatar B212 / Genzler 12-3, Acoustic B20
    Pedals: Pod HD500X, Diamond Compressor, Tech 21 VT Bass, Sonic Research Turbo Tuner

  6. #6
    Join Date
    Oct 2009
    Location
    Vancouver, B.C.
    Posts
    1,522
    Post Thanks / Like

    Default

    Nice post, rdvstrat. And welcome to The Fret!
    Quote Originally Posted by rdvstrat
    7.5" -> Vintage Fender - easy chording but strings can be too easily pushed off the sides of the fretboard during soloing on the higher frets.
    12" -> Gibson - faster soloing, less comfortable chording.
    The above comparisons are in general.
    I like 12" radius. 7.5" gives me a headache.

  7. #7
    Join Date
    May 2010
    Posts
    2
    Post Thanks / Like

    Default Thanks

    Thanks bcdon

  8. #8
    Join Date
    Nov 2007
    Location
    Kent, UK
    Posts
    2,353
    Post Thanks / Like

    Default

    Eric, the radius refers to the fingerboard and not the back of the neck. Neck profile is more of a "see what it looks like" deal. The letters C, D, U and V are often used to describe necks. A C neck is a smooth curve with no shoulder found on most modern Fenders. A D neck has more of a shoulder and a U neck has a pronounced deep shoulder. A V neck takes material from the sides of the neck but adds depth with the pointed V profile.

    The profile is just about how it sits in your hand as mentioned above.
    Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)

    Acoustic: Guitar > microphone > audience

  9. #9
    Join Date
    Jul 2007
    Location
    Plymouth, MA USA
    Posts
    2,077
    Post Thanks / Like

    Default

    Weird. I was thinking about this in the shower this morning - particularly the letter designations for neck shape. Nice to get that link, Zman!
    "GAS never sleeps" - Gil Janus

    "Now you got to pay your dues. Get that axe and play the blues." - Spudman

    Gear: Epiphone Sheraton II, Epiphone Wildkat, Epiphone Emperor Joe Pass, Fender MIM Strat, Tacoma DR-14, Johnson JR-200 resonator; Fender Super Champ XD amp

  10. #10
    Join Date
    Jul 2009
    Location
    MSP
    Posts
    3,913
    Post Thanks / Like

    Default

    Quote Originally Posted by markb
    Eric, the radius refers to the fingerboard and not the back of the neck. Neck profile is more of a "see what it looks like" deal. The letters C, D, U and V are often used to describe necks. A C neck is a smooth curve with no shoulder found on most modern Fenders. A D neck has more of a shoulder and a U neck has a pronounced deep shoulder. A V neck takes material from the sides of the neck but adds depth with the pointed V profile.

    The profile is just about how it sits in your hand as mentioned above.
    That's what I was looking for -- thanks very much. I guess I'll keep my eye out for different profiles now to see if I can figure out how the different ones feel.
    Last edited by Eric; May 11th, 2010 at 07:51 PM.
    Quote Originally Posted by Spudman
    Does anyone read the original post?
    Guitars: Gibson LP Studio, MIA Fender Precision, Carvin C350
    Amps: Genz Benz Shuttle 6.0 + Avatar B212 / Genzler 12-3, Acoustic B20
    Pedals: Pod HD500X, Diamond Compressor, Tech 21 VT Bass, Sonic Research Turbo Tuner

  11. #11
    Join Date
    Oct 2005
    Posts
    7,254
    Post Thanks / Like

    Default

    Quote Originally Posted by Eric
    When they say '13.7" (350mm) radius neck' like in the ad for the Agile I own, does that actually refer to the fretboard radius?
    Yes.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •