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3-ply or 1-ply? White plastic parts or aged?

View Poll Results: To Single-ply or Not ??? That is THE question...

Voters
16. You may not vote on this poll
  • I prefer the 1-ply pickguard with the AGED plastic parts

    3 18.75%
  • I prefer the 1-ply pickguard with the WHITE plastic parts

    1 6.25%
  • I prefer the 3-ply pickguard with the AGED plastic parts

    4 25.00%
  • I prefer the 3-ply pickguard with the WHITE plastic parts

    8 50.00%
Results 1 to 16 of 16

Thread: 3-ply or 1-ply? White plastic parts or aged?

  1. #1
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    Default 3-ply or 1-ply? White plastic parts or aged?

    I always admired David Gilmour's black strat, so I have recrently finished my "Blackie" partscaster:



    But I realised that David's guitar has a single ply black pickguard, though mine has a 3-ply (black-white-black layers).

    Also David's plastic parts have aged through the years, while mine are white like snow.

    So the questions are these:

    Q1) Do you think think that a 1-ply pickguard is looking better on o Blackie guitar like that?

    Take a look at this, for example:



    Do you think that it looks better or worse?

    Q2) Do you think that I sould age the white plastic parts (or buy aged ones) or should I leave them age through the years??
    MY GEAR:
    Guitars: Gibson ES-335, Tokai LS160s LP, Rockinger strat 2-tone sunburst, Rockinger tele C.A.R., NS Custom Relic Tele, Epiphone Jeff Baxter electroacoustic, Admira classical guitar
    Amps: Fender Deluxe Reverb II, Tech21 TM30
    Main Effects Unit:
    VOX Tonelab SE

    My Band:
    http://www.blackframe.gr



    Personal Myspace:
    http://www.myspace.com/eliasavdikos

  2. #2
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    I vote 1-ply pickguard, aged plastics.
    I can't say that I've given up on a flanger cause I've never liked the effect either. I also can't say the same about Tremolo. I hate them both equally. - Tone2TheBone 2009

  3. #3
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    I am also a gilmour fan... Sweet look ... I think the 1 ply looks best but perfer the white plastic and let it age in time... by time it looks gilmourish the rest of the guitar will also.. Umm..when are you going to cut the trem bar down like davids? I wonder if they make one shorter like that in the after market?


    Jimmie Vaughan Strat , Squire 51
    Epi 56 GoldTop, SX "Vintage" Jazz Bass
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    G-Dec 3 Thirty, Valve Junior & Cab
    Crate PowerBlock, Crate V33H
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  4. #4
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    if you want a more simple-50s look go to the 1-ply

    60s look and others - 3ply

    I liked you strat the way it is.. the 3-ply black guard breaks a bit of the monotony

    but if it had a white pickguard would be 1-ply to me hands down

  5. #5
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    Be yourself and just play your guitar.
    Guitars:

    Electric: Washburn HB-30, Squier Tele Custom Deluxe, Jay Turser Strat.
    Acoustic: Seagull S6.

    AMPs: VOX AD30VT, Peavey Envoy 110.

    Modelers: V-AMP 2, Digitech RP-100A.

    Pedals: Boss RC-2 Loop Station, Boss CE-5 Chorus Ensemble, Digitech Bad Monkey, Ibanez DE7 Delay/Echo, DOD VFX40B 7-Band Graphic EQ, Ibanez CS-5 Super Chorus.

  6. #6
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    Quote Originally Posted by Tim
    Be yourself and just play your guitar.
    That's a very good advice indeed! Thanks
    Last edited by elavd; October 16th, 2006 at 04:19 PM.
    MY GEAR:
    Guitars: Gibson ES-335, Tokai LS160s LP, Rockinger strat 2-tone sunburst, Rockinger tele C.A.R., NS Custom Relic Tele, Epiphone Jeff Baxter electroacoustic, Admira classical guitar
    Amps: Fender Deluxe Reverb II, Tech21 TM30
    Main Effects Unit:
    VOX Tonelab SE

    My Band:
    http://www.blackframe.gr



    Personal Myspace:
    http://www.myspace.com/eliasavdikos

  7. #7
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    Take a black permanent marker to the beveled edge of the pickguard. Instant all black!

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  8. #8
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    Everybody knows that a three ply pickguard multiplies the tone by three...............
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

  9. #9
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    Note: this is personal opinion only

    I think that aged parts and new guitars made to look worn are about the dumbest things that the musical instrument industry has ever come up with. If you want an aged guitar, buy a guitar and play it. My $0.02, but worth substantially less.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  10. #10
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    Quote Originally Posted by marnold
    Note: this is personal opinion only

    I think that aged parts and new guitars made to look worn are about the dumbest things that the musical instrument industry has ever come up with.
    It`s the buyers fault. The industry is just attending to a demand. People simply started asking for factory "relic`ed" (I hate this term) guitars.. if you were from Fender what you would do? And they actually sell! Though I wouldn`t buy one myself, I dont like destroyed gear, specially one that`s all torn up to look like somebody else`s like that Rory Gallagher Sig. and the SRV #1 clones I saw the other day .


    By the way, I have an authentically aged strat pickguard and knobs to sell, anyone?

  11. #11
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    I like aging the parts myself under real playing... or by taping them to a window for a month and cheating!
    "It's funny the way most people love the dead. Once you are dead, you are made for life." - Jimi Hendrix

  12. #12
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    Quote Originally Posted by Iago
    It`s the buyers fault. The industry is just attending to a demand. People simply started asking for factory "relic`ed" (I hate this term) guitars.. if you were from Fender what you would do? And they actually sell! Though I wouldn`t buy one myself, I dont like destroyed gear, specially one that`s all torn up to look like somebody else`s like that Rory Gallagher Sig. and the SRV #1 clones I saw the other day .
    I guess maybe I can understand why Fender would do it but not why anyone would want it To each their own. Nobody has (yet) put a bazooka to my head and forced me to buy one.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  13. #13
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    I guess its an uncounscient desire of standing out from the crowd... People want worn gear so they can look like they have a whole life with the instrument..many miles together like two old buddys etc.. also cos` they wanna look like they have a gem from the past.. an important museum piece.

  14. #14
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    Has to be 3-ply with aged parts for me
    Soundcloud - Lights on Project

    -Pete

  15. #15
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    I want single ply on a maple necked JV strat...in parchment. Although I like 4 ply tortoise on my rosewood Mexi Strat. My knobs, pickup covers and switch tip have been "Folgerized" aged. .....Oh and single ply PG on 50's Teles definately.
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

    Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube

    Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz

  16. #16
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    Quote Originally Posted by tone2thebone
    I want single ply on a maple necked JV strat...in parchment. Although I like 4 ply tortoise on my rosewood Mexi Strat. My knobs, pickup covers and switch tip have been "Folgerized" aged. .....Oh and single ply PG on 50's Teles definately.
    I voted 3ply and white because of my guitar, but I think it depends on the guitar. I like all black on the Gilmourish one. I am generally not one for artificially aged anything, but that is just my deal.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

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