Page 1 of 2 12 LastLast
Results 1 to 19 of 22

Thread: How about some QUEEN?

  1. #1
    Join Date
    Sep 2005
    Location
    Camrose, Alberta, Canada - used to be Umea Sweden.
    Posts
    12,854
    Post Thanks / Like

    Default How about some QUEEN?

    Queen - one of my favourite bands ever. Too bad Freddie had to leave us so soon. Brian May is an amazing guitar player as well, but honestly, the band's success had a lot to do with Freddie Mercury.

    I like their song writing - so cool, inventive, original. Very often also very advanced.

    So, any QUEEN fans here??

    Here's a real ROCK tune! Wicked good.



    This a great tune.


    They sure could play live too!



    One of their later songs that I really like -
    The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
    Master Guitar Academy - I also teach via SKYPE.

  2. #2
    Join Date
    Nov 2005
    Location
    All over Texas...
    Posts
    4,071
    Post Thanks / Like

    Default

    "Stone Cold Crazy" is one of my Queen faves!

    Talk about a versatile band, that could do everything, with amazing harmonies and guitar work!

    Brian May is a rare individual in the rock world, having earned a PhD, on top of all his guitar accomplishments.

    Great post, man!
    Guitars:
    Fender 2006 MIM Fender Stratocaster HSS in 3TS
    Ibanez RG 570 with a bridge Invader
    ESP M II Deluxe with a Tune-o-Matic bridge
    Eleanor, the magical, mystical Road Worn wonder Tele
    Blackstar HT Club 40

  3. #3
    Join Date
    Oct 2007
    Location
    Detroit, MI USA
    Posts
    617
    Post Thanks / Like

    Default

    One of the best classic albums ever is "A Night at the Opera".
    Interestingly, one of my favorite tracks, I'm in love with my car, featured Roger Taylor on vocals (I believe).
    Freddie was Queen, and one heck of an artist. That voice...

  4. #4
    Join Date
    Oct 2005
    Posts
    7,254
    Post Thanks / Like

    Default

    "A Night at the Opera" is probably my favorite of theirs. Here some of my favorites, though more obscure, the first two are from "Opera":

    '39


    The Prophet's Song


    Flick of the Wrist
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  5. #5
    Join Date
    Oct 2006
    Location
    Sun Valley, Idaho
    Posts
    10,955
    Post Thanks / Like
    Blog Entries
    1

    Default

    I really like Queen, though they left my catalog for a while. I rediscovered them after taking up guitar, and realizing how much I like Brian May's tone. A big influence on others too.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  6. #6
    Join Date
    Apr 2009
    Location
    Monmouth, OR
    Posts
    2,039
    Post Thanks / Like

    Default

    I've been a Queen fan for a long time, but mostly their more uptempo stuff. Brian May is amazing. The solo on Brighton Rock is one of my all-time favorites. Yeah, good post Robert!
    -Sean
    Guitars: Lots.
    Amphs: More than last year.
    Pedals: Many, although I go straight from guitar to amp more often lately.

  7. #7
    Join Date
    Jul 2009
    Location
    Finland
    Posts
    3,424
    Post Thanks / Like
    Blog Entries
    23

    Default

    I can't say I'm a fan of Queen, actually I don't think I've listened to all their music, but I'm a big fan of Freddie, who IMO was and still reigns supreme as the kind of rock vocalists. Incredible range and power, I don't think anybody out there could match his range, or if they can match the range, they can't deliver the power, and if they can deliver the power, they can't match the range :-)

    I do dig many of their songs a lot, but as a whole it's all a touch too theatrical for my music taste. Great band, still.
    Dee

    "When life's a biatch, be a horny dog"

    Amps: Marshall JVM 410H w/ Plexi Cap mod, Choke Mod & Negative Feedback Removal mod, 4x12", Behringer GMX110, Amplitube 3/StealthPedal

    Half a dozen custom built/bastardized guitars all with EMG's, mostly 85's, Ibanez Artwood acoustic & Yamaha SGR bass, Epiphone Prophecy SG, Vox Wah, Pitchblack tuner plus assorted pedals, rack gear etc. for home studio use.

  8. #8
    Join Date
    Jul 2009
    Location
    MSP
    Posts
    3,913
    Post Thanks / Like

    Default

    I think I'm with Dee on this one. Queen just hasn't clicked with me for some reason, and the theatrical nature of their music might have something to do with it.

    I know there's a lot to like, and I've tried. Maybe some day.
    Quote Originally Posted by Spudman
    Does anyone read the original post?
    Guitars: Gibson LP Studio, MIA Fender Precision, Carvin C350
    Amps: Genz Benz Shuttle 6.0 + Avatar B212 / Genzler 12-3, Acoustic B20
    Pedals: Pod HD500X, Diamond Compressor, Tech 21 VT Bass, Sonic Research Turbo Tuner

  9. #9
    Join Date
    Jan 2010
    Location
    Chicagoland
    Posts
    1,063
    Post Thanks / Like

    Default

    Love the band. Surprised to see so many shout outs for Night at the Opera, didn't realize it was on ANYONE else top's list.

    I consider May a genius. Mercury, no doubt, delivered the goods like no one else could, but I believe May was the primary composer all along.
    "It's never too late to be what you might have been" - Eliot

    Guilars: '02 Heritage H-535 ASB; '04 Larrivée LV-03 w/Fishman Blend; '95 Washburn/Bourgeios D-55SW Cherokee
    Amphs: Boogie DC-2; DVM/BYOC Tweed Champlifier; Marshall AS50D
    Currently on Board: Ditto Looper; Boss TU-2; EB VP Jr; crybaby; DVM Spring Fever; DVM Mini Klone, Brena Effects Cali-Tremor tremolo; Strymon El Capistan

  10. #10
    Join Date
    Oct 2008
    Location
    Clear Lake, Texas
    Posts
    5,413
    Post Thanks / Like
    Blog Entries
    1

    Default

    I feel that they were one of the best rock bands ever, even if I don't connect to some of their songs. I can't stand watching them with Paul Rodgers, however.

    Freddie was the most talented singer in rock and roll, period. I've always loved Brian May's arrangements and guitar playing.

    Guitar World magazine included a feature called "Legends Salute 30 Legends". Steve Vai saluted Brian May.

    “I don’t think enough is really said about the brilliance of Brian May’s guitar playing, inthe sense that it’s overshadowed by the music itself. The Queen II album was one of those pivotal moments that just nailed me to the wall.

    “He’s probably one of the top identifiable guitar players, even more so than Beck, Page, and Clapton. They’re all so identifiable, but Brian May has such a tone in his head and in his fingers. It speaks volumes. His contribution to orchestrated guitars is unprecedented. There was nothing like it before him. To me, it was like when Edward Van Halen came along and reshaped the sound of electric guitar. That’s what I heard in Brian May’s playing. It’s something that’s inherent in the brain of the guitar player.

    “I remember working with Frank Zappa for the first time. I had just moved out to Los Angeles, and nobody knew me. I was 21. I went out to the Rainbow Bar and Grill, and Brian May was there. I couldn’t believe it. I mustered up every little bit of courage and went up to him and said, ‘Thank you so much for everything you’ve done. I play guitar. I’m here in town with Frank Zappa.’ He said ‘Oh really? Why don’t you come down to our rehearsal?’

    “I went down and he brought me up on the stage, and he let me play the guitar-the guitar that he built with his dad [the “Red Special”]. I couldn’t even believe that I was touching this instrument! He was so kind and so warm, and for who? This kid, you know? And I played his guitar, and it sounded like Steve Vai. Then when he played it, it sounded just like Brian May. It was very apparent to me that his tone is in his fingers and his head.

    “He’s a class act from head to toe, and it shows in his playing. I can listen to any player and pantomime their sound, but I can’t do Brian May. He’s just walking on higher ground.”
    Last edited by Tig; August 26th, 2010 at 10:16 AM.
    Guitar: Gibson SG Standard Natural Burst, Squier CV 50's Tele, Hell Guitars No. 2, Squier CV 50's Strat, Reverend Club King 290, Taylor 522e 12-Fret mahogany,
    Squier Vintage Modified Jaguar Bass Short Scale
    Amp: Fender Super Champ X2 Head, Egnater Tweaker 15, Fender Mustang I, Acoustic B20 1x12 bass amp
    Pedal: Budda Budwah wah, Wampler Ego Compressor, Electro-Harmonix Soul Food, Voodoo Lab Sparkle Drive, Wampler Velvet Fuzz, Seven Sisters Eve Tremolo, TC Electronics Gravy Tri Chorus & Vibrato, Catalinbread Echorec, TC Electronic Alter Ego 2 Delay, Hardwire Supernatural Ambient Verb, MXR Carbon Copy, Catalinbread RAH, Big Muff Pi with Tone Wicker, BYOC Mouse 2.0 Distortion, BYOC Boost/OD-2

  11. #11
    Join Date
    Jan 2010
    Location
    Chicagoland
    Posts
    1,063
    Post Thanks / Like

    Default

    Very cool Tig. Thanks for posting that. May was recently interviewed for "Fresh Air" on NPR. Very interesting interview.

    As I was reading that Vai article, it occured to me, I often say, "this song or that solo" was pivotal in making me want to play guitar. Ironically, it was probably Brian May that kept me AWAY from the guitar as a teen, cuz, basically, what was the point? His orchestrations were so lush, I just couldn't (can't !) imagine what it takes to play like that. Like Vai, I always felt there was everyone else, then May. Technically. My true teen guitar hero, in the late 70's, was Reverend Gibbons, but that's another thread.

    "It's never too late to be what you might have been" - Eliot

    Guilars: '02 Heritage H-535 ASB; '04 Larrivée LV-03 w/Fishman Blend; '95 Washburn/Bourgeios D-55SW Cherokee
    Amphs: Boogie DC-2; DVM/BYOC Tweed Champlifier; Marshall AS50D
    Currently on Board: Ditto Looper; Boss TU-2; EB VP Jr; crybaby; DVM Spring Fever; DVM Mini Klone, Brena Effects Cali-Tremor tremolo; Strymon El Capistan

  12. #12
    Join Date
    May 2007
    Posts
    5,018
    Post Thanks / Like

    Default

    Quote Originally Posted by Tig
    I feel that they were one of the best rock bands ever, even if I don't connect to some of their songs. I can't stand watching them with Paul Rodgers, however.


    Brian May's tone is a huge influence on my views on tone, and a contributing factor to my use of a Vox amp.
    "I happen to have perfect situational awareness, Lana. Which cannot be taught, by the way. Like a poet's ... mind for ... to make the perfect words." - Sterling Archer

  13. #13
    Join Date
    Oct 2006
    Location
    Sun Valley, Idaho
    Posts
    10,955
    Post Thanks / Like
    Blog Entries
    1

    Default

    Quote Originally Posted by deeaa
    I do dig many of their songs a lot, but as a whole it's all a touch too theatrical for my music taste. Great band, still.
    I understand the feeling about the theatrical. I loved them when they were first out in the 70s (when my freshman teams did poorly at sporting events, the team on the bus would sing We are the Losers (champions) on the way home to drive the teacher/coaches crazy. But then I lumped them in with other arena rock I was tired of, and put them in the dust bin in favor of punk and other 2 minute music for a long time. But then I heard that May tone again. Can't deny it.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  14. #14
    Join Date
    Dec 2008
    Location
    Cambridge (UK)
    Posts
    467
    Post Thanks / Like

    Default

    Amazing sound with a Vox AC30 and a treble booster. Freddie was a great song writer and preformer, you will never see a band like them.

  15. #15
    Join Date
    Dec 2008
    Location
    Japan
    Posts
    747
    Post Thanks / Like

    Default

    I remember as a kid when "Killer Queen" came out. I couldn't get enough of that song. Just blew me away with how inventive it was. Fortunately it was all over the radio for awhile and just turning the dial for a few seconds usually got me another piece of it. Finally went out and bought the 33 (edit: meant 45. Thanks Tig... I'm getting old...) which led to all their albums up to News of the World. After that, I think both Queen and I changed a bit, so I didn't have too much interest after that. Thought the best was over after Night at the Opera really.

    They were defintely in my top 3 for a year or two. Nothing like them before or since. I should dust them off and give them a listen.

    Quote Originally Posted by Tio Kimo
    I consider May a genius. Mercury, no doubt, delivered the goods like no one else could, but I believe May was the primary composer all along.
    I think Freddie was responsible for Bohemian Rhapsody, Killer Queen, Somebody To Love, Crazy Little Thing Called Love among many others. Not too shabby for the greatest asian rocker of all time. May is of course brilliant too.
    Last edited by syo; August 26th, 2010 at 10:33 AM.

  16. #16
    Join Date
    Oct 2008
    Location
    Clear Lake, Texas
    Posts
    5,413
    Post Thanks / Like
    Blog Entries
    1

    Default

    Bohemian Rhapsody came out and I bought the 45, which was rare for me even as a 6th grader. Talk about a song that completely blew me away?!

    I think Queen suffered from over exposure later.
    Guitar: Gibson SG Standard Natural Burst, Squier CV 50's Tele, Hell Guitars No. 2, Squier CV 50's Strat, Reverend Club King 290, Taylor 522e 12-Fret mahogany,
    Squier Vintage Modified Jaguar Bass Short Scale
    Amp: Fender Super Champ X2 Head, Egnater Tweaker 15, Fender Mustang I, Acoustic B20 1x12 bass amp
    Pedal: Budda Budwah wah, Wampler Ego Compressor, Electro-Harmonix Soul Food, Voodoo Lab Sparkle Drive, Wampler Velvet Fuzz, Seven Sisters Eve Tremolo, TC Electronics Gravy Tri Chorus & Vibrato, Catalinbread Echorec, TC Electronic Alter Ego 2 Delay, Hardwire Supernatural Ambient Verb, MXR Carbon Copy, Catalinbread RAH, Big Muff Pi with Tone Wicker, BYOC Mouse 2.0 Distortion, BYOC Boost/OD-2

  17. #17
    Join Date
    Oct 2005
    Posts
    7,254
    Post Thanks / Like

    Default

    I loved how Rolling Stone (the mag, not the band) always crapped over Queen's releases in their reviews, but then when Freddy died they fawned all over him. FWIW, my favorite Queen albums (and I have quite a few) would be

    1. A Night at the Opera
    2. The Game
    3. Sheer Heart Attack
    4. A Day at the Races

    After The Game and their Greatest Hits album, I lost interest in most of their 80s stuff. I've got "Classic Queen" which has about all the newer stuff that I need. There are some great songs from that era though like "I Want It All" and "Hammer to Fall."

    John Deacon was one of my early bass heroes, especially for bass lines on "Another One Bites the Dust" and "Dragon Attack."
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  18. #18
    Join Date
    Sep 2005
    Location
    Camrose, Alberta, Canada - used to be Umea Sweden.
    Posts
    12,854
    Post Thanks / Like

    Default

    I dig
    Queen II
    A Night at the Opera
    A Day at the Races

    But all their albums have tunes worth gold, although there are usually a few duds on most of their albums too.
    The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
    Master Guitar Academy - I also teach via SKYPE.

  19. #19
    Join Date
    Jul 2009
    Location
    Finland
    Posts
    3,424
    Post Thanks / Like
    Blog Entries
    23

    Default

    Oh yeah the sound...Brian's sound is the perfect example, IMO, of how little do you need drive in the end.

    I watched this studio bit back in the day where May was playing these powe chords thru his Vox and the booster, and it was sounding nigh clean with lots of overtones. And then the camera - without a break - moved to the studio room, and you hear the tone with all the compression and studio verb and all - and it's the thickest biggest drive you ever heard.

    That's the day I ditched all my distortions and ever since it's been OD only, sounds that sound pretty clean alone, but with the band and recorded and compressed can sound very very driven. Still, it's all just cascading gain stages and very very mild OD's all the way, never distortion even when it might sound like it when it's mixed in.
    Dee

    "When life's a biatch, be a horny dog"

    Amps: Marshall JVM 410H w/ Plexi Cap mod, Choke Mod & Negative Feedback Removal mod, 4x12", Behringer GMX110, Amplitube 3/StealthPedal

    Half a dozen custom built/bastardized guitars all with EMG's, mostly 85's, Ibanez Artwood acoustic & Yamaha SGR bass, Epiphone Prophecy SG, Vox Wah, Pitchblack tuner plus assorted pedals, rack gear etc. for home studio use.

Page 1 of 2 12 LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •