Page 1 of 2 12 LastLast
Results 1 to 19 of 24

Thread: PRS goes Strat

  1. #1
    Join Date
    Aug 2006
    Location
    Germany
    Posts
    3,298
    Post Thanks / Like

    Default PRS goes Strat

    Well, now PRS comes even closer to the Strat body design. Definitely worth checking when this beast enters the stores.

    http://www.prsguitars.com/dc3/specs.php
    "A lot of people in the industry want to blame downloading for the state of the business. But I think if most music wasn't shit to begin with people wouldn't be downloading it for free," - Corey Taylor (Slipknot)

  2. #2
    Join Date
    Oct 2006
    Location
    Sun Valley, Idaho
    Posts
    10,955
    Post Thanks / Like
    Blog Entries
    1

    Default

    Hmm, I guess they thing Leo got it right the first time. Now they just need to fix that head stock.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  3. #3
    Join Date
    Nov 2007
    Location
    Binghamton, NY
    Posts
    1,267
    Post Thanks / Like

    Default

    I'm not a huge PRS fan but I do like some of their newer models. The 305, 513, and the Starla are pretty cool. That one you posted looks interesting too.
    Patrick

  4. #4
    Join Date
    Nov 2007
    Location
    Kent, UK
    Posts
    2,353
    Post Thanks / Like

    Default

    They look like a rehash of the EG models PRS made in the 90s which were stratty bolt-ons with a scratchplate. They came with 3 or 4 coils and I think there was an SE model too.

    From the PRS model history page:

    EG BOLT-ON SERIES I: 1990 – 1991. New squarer shape. Alder body, maple neck, 22-fret rosewood fretboard. EG3 s/s/s and EG4 s/s/h, scratchplate mounted pickups. Volume, twin tones, 5-way selector, PRS tremolo, Schaller non-locking tuners.

    EG BOLT-ON SERIES II: 1992 - 1995. Rounder shape. Alder body, wide thin maple neck, 22-fret rosewood fretboard. Scratchplate mounted pickups in three formats, h/s/h, s/s/h, s/s/s, volume, tone, 5-way selector, coil taps, PRS tremolo, locking machines. EG bolt-on maple top adds three piece maple, ‘10’ option.
    Source
    Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)

    Acoustic: Guitar > microphone > audience

  5. #5
    Join Date
    Nov 2009
    Location
    Kent, Ohio
    Posts
    1,271
    Post Thanks / Like
    Blog Entries
    2

    Default

    If it's like any of the PRS I've tried, it will look great, feel great, stay in tune well, and sound utterly mundane.

  6. #6
    Join Date
    Oct 2008
    Location
    Clear Lake, Texas
    Posts
    5,413
    Post Thanks / Like
    Blog Entries
    1

    Default

    Quote Originally Posted by Commodore 64
    If it's like any of the PRS I've tried, it will look great, feel great, stay in tune well, and sound utterly mundane.
    I've heard similar observations about PRS guitars. Sure, you can drop in your favorite pickups and maybe change the pots or caps, but you shouldn't have to after paying this kind of price.

    Personally, I'd rather go with a G&L USA Legacy Rustic or an Eric Clapton Signature for this price range.
    Guitar: Gibson SG Standard Natural Burst, Squier CV 50's Tele, Hell Guitars No. 2, Squier CV 50's Strat, Reverend Club King 290, Taylor 522e 12-Fret mahogany,
    Squier Vintage Modified Jaguar Bass Short Scale
    Amp: Fender Super Champ X2 Head, Egnater Tweaker 15, Fender Mustang I, Acoustic B20 1x12 bass amp
    Pedal: Budda Budwah wah, Wampler Ego Compressor, Electro-Harmonix Soul Food, Voodoo Lab Sparkle Drive, Wampler Velvet Fuzz, Seven Sisters Eve Tremolo, TC Electronics Gravy Tri Chorus & Vibrato, Catalinbread Echorec, TC Electronic Alter Ego 2 Delay, Hardwire Supernatural Ambient Verb, MXR Carbon Copy, Catalinbread RAH, Big Muff Pi with Tone Wicker, BYOC Mouse 2.0 Distortion, BYOC Boost/OD-2

  7. #7
    Join Date
    Apr 2006
    Location
    NW Missouri,
    Posts
    4,097
    Post Thanks / Like

    Default

    No stores near me carry PRS, so I've never played one.
    A few people I've ran across playing them in bands swore by them, though.
    And they sounded quite good, also.
    Guitars
    Wilburn Versatare, '52 FrankenTele(Fender licensed parts), Fender USA Roadhouse Strat, Fender USA Standard B-bender Telecaster, Agile AL 3000 w/ WCR pickups, Ibanez MIJ V300 Acoustic, Squier Precision Bass,
    Amps
    Ceriatone Overtone Special, Musicman 212 Sixty-Five, Fender Blues Jr., Peavey Classic 30, Fender Super Reverb, Traynor YCV-40 WR Anniversary w/ matching 1x12 ext. cab, Epiphone SoCal 50w head w/ matching 4x12 cab (Lady Luck speakers), Avatar 2x12 semi-open back cab w/ Celestion speakers
    Pedals
    Digitech Bad Monkey, Digitech Jamman, DVM's ZYS, Goodrich volume pedal

  8. #8
    Join Date
    Mar 2010
    Location
    Colorado Springs, CO
    Posts
    283
    Post Thanks / Like

    Default

    Quote Originally Posted by sunvalleylaw
    Hmm, I guess they thing Leo got it right the first time. Now they just need to fix that head stock.
    Looks asside on the headstock, it is a very functional design. Angled back to remove the need for string trees, and each strings is (almost) exactly in line with each tuner - straight string pull helps keep the friction down in the nut so the trem stays in tune.
    "...and I am outta here!"
    Scott

    Guitars:
    Dean EVO Exotic Burl, EVO Special, Vendetta 1000 FR, Stagg Les Paul copy, Squier Standard Telecaster, Squier MIK Stratocaster
    Amps:
    Fender Princeton 65 (solid state), Vox AD15VT, Peavey Windsor Studio, Crate Vintage Club 50 2x12
    Pedals:
    DOD FX40B (x2), FX50, FX52, FX55, FX65, FX67, FX80
    Washburn LSESLD, LSBOD
    BBE Free Fuzz
    Behringer EM300, VP1, PH9
    Dunlop GCB-95
    ProCo Rat II "The Rat"
    DigiTech Bad Monkey, RP90
    Rockman Soloist
    and many, many, many more!

  9. #9
    Join Date
    Nov 2005
    Location
    All over Texas...
    Posts
    4,071
    Post Thanks / Like

    Default

    I like it! It looks much better than the old, discontinued SE version they had out a few years ago... As usual, the necks were fantastic, but the look was, well, confused. It played well, but I wasn't much of a fan of the pups.

    I like the sound of PRS pups... To be sure, they aren't the hottest, and you really have to work the amph to get the tones you want, but when you get 'em... it's good stuff.
    Guitars:
    Fender 2006 MIM Fender Stratocaster HSS in 3TS
    Ibanez RG 570 with a bridge Invader
    ESP M II Deluxe with a Tune-o-Matic bridge
    Eleanor, the magical, mystical Road Worn wonder Tele
    Blackstar HT Club 40

  10. #10
    Join Date
    Nov 2007
    Location
    Binghamton, NY
    Posts
    1,267
    Post Thanks / Like

    Default

    Quote Originally Posted by markb
    They look like a rehash of the EG models PRS made in the 90s which were stratty bolt-ons with a scratchplate. They came with 3 or 4 coils and I think there was an SE model too.

    From the PRS model history page:



    Source
    The series I and II PRS EGs are some of the best guitars that PRS has ever put out. The Lindy Fralin Domino pickups are phenomenal. Other than that, I have never been overly impressed by PRS.
    Patrick

  11. #11
    Join Date
    Jul 2009
    Location
    Finland
    Posts
    3,424
    Post Thanks / Like
    Blog Entries
    23

    Default

    I also think that's pretty much what many or most players think of PRS. They are sort of between Fenders and Gibsons, and in that they do seem quite uninspiring sonically. Can't get the Fender spank, but neither the full Les Paul experience. Even the scale is just in between the two opposites.

    Some people prefer it that way, though...they are steady performers and quality tools I'm sure.
    Dee

    "When life's a biatch, be a horny dog"

    Amps: Marshall JVM 410H w/ Plexi Cap mod, Choke Mod & Negative Feedback Removal mod, 4x12", Behringer GMX110, Amplitube 3/StealthPedal

    Half a dozen custom built/bastardized guitars all with EMG's, mostly 85's, Ibanez Artwood acoustic & Yamaha SGR bass, Epiphone Prophecy SG, Vox Wah, Pitchblack tuner plus assorted pedals, rack gear etc. for home studio use.

  12. #12
    Join Date
    Oct 2005
    Posts
    7,254
    Post Thanks / Like

    Default

    The only PRS I've ever played is one of the low-end ones. Was nice enough, except I couldn't get past the heavy, glossy finish on the back of the neck. I'm afraid to play a real PRS, for fear that I'll like it. Saw a denim transparent finish that they had that looked stunning. The guitar was beyond expensive, though.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  13. #13
    Join Date
    Mar 2010
    Location
    Colorado Springs, CO
    Posts
    283
    Post Thanks / Like

    Default

    I know what you are talking about, marnold, with the PRS finishes... Very thick and the US models have glorious, deep, deep, deep, (did I mention deep) finishes that are just stunning to behold. Come to think of it, I don't think that I have ever seen a bad looking finish on any PRS guitar.
    "...and I am outta here!"
    Scott

    Guitars:
    Dean EVO Exotic Burl, EVO Special, Vendetta 1000 FR, Stagg Les Paul copy, Squier Standard Telecaster, Squier MIK Stratocaster
    Amps:
    Fender Princeton 65 (solid state), Vox AD15VT, Peavey Windsor Studio, Crate Vintage Club 50 2x12
    Pedals:
    DOD FX40B (x2), FX50, FX52, FX55, FX65, FX67, FX80
    Washburn LSESLD, LSBOD
    BBE Free Fuzz
    Behringer EM300, VP1, PH9
    Dunlop GCB-95
    ProCo Rat II "The Rat"
    DigiTech Bad Monkey, RP90
    Rockman Soloist
    and many, many, many more!

  14. #14
    Join Date
    Aug 2007
    Posts
    1
    Post Thanks / Like

    Default

    The finish always looked thicker than it was. It was always fairly thin, but the new (in the last year) V12 finish on many of the USA models is super-thin, but very hard and has a resulting benfit on the resonance. Also the latest pickups (the 5x/xx models) sound as good as ANYTHING out there.

  15. #15
    Join Date
    Sep 2008
    Posts
    384
    Post Thanks / Like

    Default

    Tim Mahoney from 311 has always been a PRS fan and has peaked my interest in some of his interviews talking about them. However, I guess feel is more important than tone for him because he's so heavy into effects.

    That looks cool though - I wish PRS would give bigger pics of the guitars on their websites.

  16. #16
    Join Date
    Oct 2009
    Location
    Columbus OH USA
    Posts
    596
    Post Thanks / Like

    Default

    I had a PRS SE for a while and to me it was a fine instrument, but not very inspiring - playing it just kinda felt "meh". I guess I don't "get" them, but the worship leader for the church band I used to play with LOVED them - that was his brand and it was the only thing that worked for him.

    I kinda dig their headstock - but that neck looks mighty tall for some reason! Maybe it's just the maple. Wonder what the width is at the nut?
    Dave
    Guitars: Ibanez AF-75, Schecter Solo-6 Custom, Douglas SG
    Amps: Fender Princeton 65, Marshall AVT50
    Pedals: Metal Muff, MXR Smart Gate, EHX Cathedral Reverb, Digitech RP-255

  17. #17
    Join Date
    Oct 2009
    Posts
    1,529
    Post Thanks / Like

    Default

    Quote Originally Posted by Tig View Post
    I've heard similar observations about PRS guitars. Sure, you can drop in your favorite pickups and maybe change the pots or caps, but you shouldn't have to after paying this kind of price.

    Personally, I'd rather go with a G&L USA Legacy Rustic or an Eric Clapton Signature for this price range.
    Oh sweet heavens yeah!

    This PRS reminds me of all the boutique jazz basses on the market. One design that hundreds of builders try to improve upon with varying degrees of success.

  18. #18
    Join Date
    Sep 2011
    Location
    Murfreesboro, Tn
    Posts
    352
    Post Thanks / Like

    Default

    I've always been confused about what makes one guitar worth $1000 more than another guitar of equal quality. And don't say fit and finish. I don't buy guitars to hang on the wall. I play every guitar I have. I have always like the looks of the higher end PRS guitars. Then again I like the Carvin guitars for the same reason and I never hear anybody talking much about them.

  19. #19
    Join Date
    Nov 2005
    Location
    All over Texas...
    Posts
    4,071
    Post Thanks / Like

    Default

    Quote Originally Posted by cebreez View Post
    I've always been confused about what makes one guitar worth $1000 more than another guitar of equal quality. And don't say fit and finish. I don't buy guitars to hang on the wall. I play every guitar I have. I have always like the looks of the higher end PRS guitars. Then again I like the Carvin guitars for the same reason and I never hear anybody talking much about them.
    A big chunk of it is name on the headstock, along with the amount of time and dollars it takes to create a particular guitar. A guitar like an American PRS takes a whole lot more time and hand fitting than an American Strat, which was originally designed to be put together on an assembly line, as opposed to highly skilled luthiers.

    Having said that, though, I think the American PRSs cost too much. I think the same about some Gibbys, too.
    Guitars:
    Fender 2006 MIM Fender Stratocaster HSS in 3TS
    Ibanez RG 570 with a bridge Invader
    ESP M II Deluxe with a Tune-o-Matic bridge
    Eleanor, the magical, mystical Road Worn wonder Tele
    Blackstar HT Club 40

Page 1 of 2 12 LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •