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Thread: I need an acoustic guitar amp

  1. #1
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    Default I need an acoustic guitar amp

    I’m on the verge of buying an acoustic guitar amp because the bass player from my old band and I are considering doing a two man band thing at small venues. We have a PA system that can be fed via feeds.

    I’ve been exploring a couple of options as to amp choice.

    http://www.marshallamps.com/product....uctCode=AS100D

    and the

    http://www.genzbenz.com/?fa=detail&m...sid=420&cid=94

    I like the features of both of these amps but I’m open to any further recommendations based upon whatever amp is it that members here are using for acoustic guitar amplification.

  2. #2
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    The Marshalls sound good, never tried the GenzBenz amps. In the interests of simplicity and lightening the load though, I'd suggest going straight to the PA and arranging your main speakers so you can hear yourselves OK.
    I'd question the need for that kind of power for what is effectively a personal monitor in a small venue. Just my opinion.
    Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)

    Acoustic: Guitar > microphone > audience

  3. #3
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    The Rivera Sedona Series was the first that came to mind.

    Cool vid here too...


  4. #4
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    Quote Originally Posted by markb
    I'd question the need for that kind of power for what is effectively a personal monitor in a small venue. Just my opinion.
    I'm with Mark on this one. I would look at an EQ pedal and a good DI (Radial etc.), or one of the combo pedals from the likes of Fishman or LR Baggs and DI straight to the PA.
    Electrics: Hagstrom Ultra Swede (Gold Eagle Burst) Gretsch 5120 Electromatic (Orange) Custom Nashville Blackout Telecaster (Black, Stat mid/neck p'ups; Lil Puncher (Modern Vintage) bridge p'up; Wilkinson Compensated Bridge w/ 3 brass saddles, Warmoth Vintage Modern Birdseye Maple Neck) Fender MIM Stratocaster (Blue Agave, Rosewood Fretboard, Fender Tex-Mex p'ups; GFS Trem/Block Kit) Highland Spitfire (semi-hollow, flame maple top w/ bubinga inlay)
    Acoustics:Washburn D10CEQSB, Yamaha FG160E
    Bass: Westone Spectrum ST, Warwick Rockbass Corvette Basic Active
    Amps: Vox NT15H/V112NT Night Train, Peavey Bandit 112, Hartke HyDrive 210C Bass Amp, Vox DA5


  5. #5
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    Yo, 60's -
    I'm in the 'thru the PA' camp, assuming you'll have stage monitors in the system, and for that solution I strongly recommend this for your DI:
    L.R. Baggs ParaAcoustic DI

    I picked up one of these year or so ago. Used in good shape it was about $100. (I traded stuff for it at R.O.B.'s). Takes a bit of tweaking its gain settings until you understand the relationship of your guitar's pickup or system, with or without an onboard preamp, and the DI's to the PA board or, as a recording tool, to your DAW's inputs (it can route the guitar to stereo). But once you find the sweet spot, I doubt if you'll get a truer, more realistic acoustic sound. You could even try pushing its output thru a tube pre to the board.

    I can also vouch for the fact that it works extremely well as an electric bass guitar DI....so beware: your bass player may want to steal it from you if you let him try it. Make him buy his own.

    Years back, I had an acoustic trio gig for a year or so (2 guitars, bass, 3 vox) and the only thing not going thru the PA was the bass. 50 seat Coffee house to 150 cap bars, occasional auditorium things.
    ^^
    AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.

  6. #6
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    I'm w wingsdad on this one. I, too, had a three-piece for abt three years in the early '80s (two acoustic guits, mic'd thru PA, electric bass thru amp, and three vox mic's thru PA).

    If ya want an amp, the new Vox AGA70 has got nothing but rave reviews. Not a bad price:

    http://guitars.musiciansfriend.com/p...Amp?sku=423494

    Also, the Fishman Loudbox Mini gets high ratings (for $100 less):

    http://guitars.musiciansfriend.com/p...Amp?sku=430859

    Hope this helps.

    G
    bigG


    Guitars:

    Gibson Les Paul Studio Faded Cherry Mahogany, Peavey HP Signature EXP, Epi Sheraton II, Fender Standard Fat Strat, original 1982 Made in the USA Fender Bullet (w original HSC)/ 2005 Martin HD-7 Roger McGuinn Signature Edition (#102 of 250), Martin M-36 (0000), Martin OM-21, Martin 000-15M, Hohner EL-SP Plus Parlor acoustic

    Amps: Swart Space Tone 6V6se, Swart Night Light Power Attenuator/compressor/stereo line-out, Peavey Windsor Studio, Vox AD50VT, Fender Super Champ XD, Vox DA15, Marshall MG10KK, '83 Peavey Bandit 65

    Pedals: Cry Baby 535q wah, Bad Monkey OD, Boss DS-1, Sabine FuzzStortion, HardWire RV-7 Reverb


    www.swartamps.com
    www.ericjosephelectricguitars.com

    Carpe diem, brother, cause you don't know how many diems you have left to carpe.

  7. #7
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    Thanks guys for your input!

  8. #8
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    Yep, IMO DI is the way to go if you're playing on a stage with a decent PA system.
    Patrick

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