Guitars: Gibson LP Studio, MIA Fender Precision, Carvin C350Originally Posted by Spudman
Amps: Genz Benz Shuttle 6.0 + Avatar B212 / Genzler 12-3, Acoustic B20
Pedals: Pod HD500X, Diamond Compressor, Tech 21 VT Bass, Sonic Research Turbo Tuner
Guitars: Gibson LP Studio, MIA Fender Precision, Carvin C350Originally Posted by Spudman
Amps: Genz Benz Shuttle 6.0 + Avatar B212 / Genzler 12-3, Acoustic B20
Pedals: Pod HD500X, Diamond Compressor, Tech 21 VT Bass, Sonic Research Turbo Tuner
I think thread goes to show very well how diverse people's tastes are. There are some sounds I also find really good here, but some I pretty much loathe too and it's hard for me to believe someone likes that kind of sound. But then again, my wife for instance just hates any guitar sound wailing.
Matters of taste, for sure.
Dee
"When life's a biatch, be a horny dog"
Amps: Marshall JVM 410H w/ Plexi Cap mod, Choke Mod & Negative Feedback Removal mod, 4x12", Behringer GMX110, Amplitube 3/StealthPedal
Half a dozen custom built/bastardized guitars all with EMG's, mostly 85's, Ibanez Artwood acoustic & Yamaha SGR bass, Epiphone Prophecy SG, Vox Wah, Pitchblack tuner plus assorted pedals, rack gear etc. for home studio use.
Guitars: Gibson LP Studio, MIA Fender Precision, Carvin C350Originally Posted by Spudman
Amps: Genz Benz Shuttle 6.0 + Avatar B212 / Genzler 12-3, Acoustic B20
Pedals: Pod HD500X, Diamond Compressor, Tech 21 VT Bass, Sonic Research Turbo Tuner
"It's never too late to be what you might have been" - Eliot
Guilars: '02 Heritage H-535 ASB; '04 Larrivée LV-03 w/Fishman Blend; '95 Washburn/Bourgeios D-55SW Cherokee
Amphs: Boogie DC-2; DVM/BYOC Tweed Champlifier; Marshall AS50D
Currently on Board: Ditto Looper; Boss TU-2; EB VP Jr; crybaby; DVM Spring Fever; DVM Mini Klone, Brena Effects Cali-Tremor tremolo; Strymon El Capistan
My favorite guitar tone ever is the acoustic Little Martha.
For electric, I'd say pretty much any song by Warren Haynes.
Wow, a lot of variety here. It's pretty hard for me to decide, there's so many I like.
In high school it was Van Halen,
And I've always loved fuzz with wah pedals. There's band called The Oxford Circle that had one album of covers. I LOVE the sound, but couldn't find a youtube vid of what I wanted. Starting at about 32 seconds.
I like reverb drenched stuff like Chris Issak's Wicked Games,
Here's Ashley Cleavland with guitarist Kenny Greenberg
I also love resonator (Dobro-style) and almost anything with a slide. Music starts at 45 seconds
Acoustic guitar gets to me also. I'm sure I could keep going.
Guitars: Epiphone Les Paul Ultra; pretty red Squier Acoustic;
Amps: Vox VT30;
Pedals: Dunlop Fuzz Face; Dunlop Crybaby Wah
My kids have: Squier Affinity Stratocaster MII; Fender G-DEC; Squire Acoustic; Jay Turser Strat-copy, Roland Cube amp
"I am a sworn enemy of the saccharine, and a believer in grace over karma." Bono 2001
+1 on the Black Keys Tio. I LOVE those guys. That guitar sound is 100% brilliant.
My SoundClick -- Rubber Band -- Jazz Trio
--Quebec made 1978 Norman B-30 , Martin Dc 15E , Suzuki Archtop
-- Fender Start Reissue 57 , Ibanez AR 300 , Peavy Falcon ,Xaviere Xv600,
-- Fender Telecaster , Charvel_Jackson , Framus Lapsteel
--Rc boost,Ts9 ,Coolcat-ToD,GGG Fuzz Face, Boss Ce2 , Rc Booster ,Tone driver , Boss dd2 , Boss Gt8 (effects _effects loop)
--Amp:Traynor Ycv40 wr -- Blackstar HT5-- Car :Toyota Tercel 1999..
/ `--'(
< [] []////////|:::-)
\_.--.(
Steve
P R O J E C T - 4 3
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Blaze, thanks for reminding me how good that song is. "Diamond Dust" is one of those rare, perfect songs. Outa' this world tone, too.
I haven't listened to Blow By Blow in awhile. I think this album was the biggest single musical influence for me growing up.
My SoundClick -- Rubber Band -- Jazz Trio
--Quebec made 1978 Norman B-30 , Martin Dc 15E , Suzuki Archtop
-- Fender Start Reissue 57 , Ibanez AR 300 , Peavy Falcon ,Xaviere Xv600,
-- Fender Telecaster , Charvel_Jackson , Framus Lapsteel
--Rc boost,Ts9 ,Coolcat-ToD,GGG Fuzz Face, Boss Ce2 , Rc Booster ,Tone driver , Boss dd2 , Boss Gt8 (effects _effects loop)
--Amp:Traynor Ycv40 wr -- Blackstar HT5-- Car :Toyota Tercel 1999..
/ `--'(
< [] []////////|:::-)
\_.--.(
Seriously? I'm really blown away by this thread and people's likes and dislikes. Diamond dust? Sounds like someone used a Behringer 1st generation D/I emulator and played some random pentatonic c**p over a really annoyingly jazzy elevator music background :-) horrible, completely sustainless and screechy buzzy tone with ugly ovetones and the song itself is even more horrid...but, I guess, to each their own...
Dee
"When life's a biatch, be a horny dog"
Amps: Marshall JVM 410H w/ Plexi Cap mod, Choke Mod & Negative Feedback Removal mod, 4x12", Behringer GMX110, Amplitube 3/StealthPedal
Half a dozen custom built/bastardized guitars all with EMG's, mostly 85's, Ibanez Artwood acoustic & Yamaha SGR bass, Epiphone Prophecy SG, Vox Wah, Pitchblack tuner plus assorted pedals, rack gear etc. for home studio use.
Guitars: Gibson LP Studio, MIA Fender Precision, Carvin C350Originally Posted by Spudman
Amps: Genz Benz Shuttle 6.0 + Avatar B212 / Genzler 12-3, Acoustic B20
Pedals: Pod HD500X, Diamond Compressor, Tech 21 VT Bass, Sonic Research Turbo Tuner
Amazing.
So Jeff Beck, considered to be the best living guitarist by almost all of the other best guitarists, records an album in 1974 produced by George Martin (who also arranged Diamond Dust), using all analog recording and tube amps, sounds like some POS Behringer that is years away from being created??? Maybe he should have taken lessons from Angus on the fine art of playing and tonal variety.
You sure carry some anger around. We all tend to judge musicians who are far superior than we are, but most of us still respect them, even if we don't like something that have created.
LOL now I feel like I have to explain myself. I do like JB usually, and his usual/more modern tones, and I've all the respect in the world for him as a player and a musician...I jut don't like that song, it's nothing like I'd ever listen to at all, both sonically and musically. Can't say I'd hate it - I don't really hate anything really, I don't believe in hatred - but I sure don't like it. It's just my personal opinion and I have no problem when somebody does like it, and dislike what I like in return, I dunno what'd be wrong with that. Best discussions with my best friends usually include a lot of talk about how someone loves this and that band/player, and the other thinks they/he/she sucks to no end.
But in any case, to me that clip just sounds similarly bad as as a lot of 70's music does. Angus too, on the old albums, sounds horrid quite often BTW...they were mixed and recorded to be heard thru some really dull 70's mono-etc- systems, and as a result, well, Let There Be Rock for instance heard from a CD and a fine HiFi system is completely unlistenable. The guitars sound like freaking circular saws. I sometimes wonder if my ear is particularly sensitive to some certain midrange peak that irks me to no end, and that seems to be present in a LOT of 70's music. It doesn't seem to help they used 'great' tube gear, they still managed to get horrid sound out of them anyway. I guess they didn't even have good drive pedals back then, just fuzzes and such.
Of course for instance Beatles did some groundbreaking driven guitar stuff too, and that's incredible in a historical context, but, come on, out of the context, aren't those sounds pretty damned horrible sounding after all?
How bad does the original Woodstock soundtrack sound, if you compare it to the version they remastered in the 90's? Pretty bad.
I mean, take the remastered versions of the said albums, and voilá the sounds are completely different.
Unless it's a remastered version, I can't much recall any 70's albums that would have really great guitar sounds in my book, unless listened to with a boombox or something. I used to dislike all rock music prior to late 70's quite a lot (Stuff like Steppenwolf, Zeppelin, Purple, Heep, etc.) until I started in a cover band that only played those band's songs...when I heard them with good sounds and such, I started liking the stuff.
But for instance Deep Purple's best album in my book is actually a cover album where other people play Purple's songs :-)
It's weird because now and then I listen to much older stuff too, you know, Buddy Holly, Swing music, Motown, Fizgerald, and I like it a lot, hell, sometimes I may listen to some real weird jazzy stuff too, but something about those 70's guitars and rock sounds very often sound real bad to me, and combined with discoish drum etc. sounds and pseudo-jazz backings, eh, no thanks.
Dee
"When life's a biatch, be a horny dog"
Amps: Marshall JVM 410H w/ Plexi Cap mod, Choke Mod & Negative Feedback Removal mod, 4x12", Behringer GMX110, Amplitube 3/StealthPedal
Half a dozen custom built/bastardized guitars all with EMG's, mostly 85's, Ibanez Artwood acoustic & Yamaha SGR bass, Epiphone Prophecy SG, Vox Wah, Pitchblack tuner plus assorted pedals, rack gear etc. for home studio use.
The opening track from one of those damned horrible mid-70's guitar sound albums that was recorded essentially on an analog, 12-track tape machine in a basement home studio still harbors some of my favorite guitar tones in the Tom Scholz sound :
^^
AXES: Fender '81 The STRAT, '12 Standard Tele, '78 Musicmaster Bass, '13 CN-240SCE Thinline; Rickenbacker '82 360-12BWB; Epiphone '05 Casino, '08 John Lennon EJ-160E; Guild '70 D-40NT; Ovation '99 Celebrity CS-257; Yamaha '96 FG411CE-12; Washburn '05 M6SW Mando, '08 Oscar Schmidt OU250Bell Uke; Johnson '96 JR-200-SB Squareneck Reso; Hofner '07 Icon B-Bass; Ibanez '12 AR-325. AMPS: Tech 21 Trademark 10; Peavey ValveKing Royal 8; Fender Acoustonic 90, Passport Mini, Mini Tonemaster; Marshall MS-2 Micro Stack; Behringer BX-108 Thunderbird; Tom Scholz Rockman. PEDALS/FX: Boss ME-50; Yamaha EMP100; Stage DE-1; Samson C-Com 16 L.R. Baggs ParaAcoustic D.I; MXR EQ-10.
Ah, Boston is definitely not that early-70's stuff...those sounds I really dig, very nice. The whole album is a great production way ahead of its time despite the way it was done, incredibly good and doesn't sound at all dated even now. Although the music always was a bit too 'hit' music type for me, that's still awesome stuff, superb vocals and production all the way.
Dee
"When life's a biatch, be a horny dog"
Amps: Marshall JVM 410H w/ Plexi Cap mod, Choke Mod & Negative Feedback Removal mod, 4x12", Behringer GMX110, Amplitube 3/StealthPedal
Half a dozen custom built/bastardized guitars all with EMG's, mostly 85's, Ibanez Artwood acoustic & Yamaha SGR bass, Epiphone Prophecy SG, Vox Wah, Pitchblack tuner plus assorted pedals, rack gear etc. for home studio use.