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LP virgin asking how to study up...
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  1. #1
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    Default LP virgin asking how to study up...

    I am a total LP virgin, never spent the time to look into them LPs... I feel like a short-order cook who never dared to make pastry!

    I happen to have some spare time this Friday, and there is a rather quiet GC on my way.

    Best way to proceed.. i.e. what to look at first, best type of amp to use, bring a strap, perhaps?

    Potentially, I am looking for either a relative bargain, subject to perhaps trade down the line, or a more expensive but worthwhile "lifetime" keeper (assuming I get the LP bug!).
    Less golf, more saxophone

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    LPs are heavy so do bring a strap and look for a light one. If you play one for several hours a night it can become rather fatiguing. Epiphone makes a chambered one, the Ultra I think. Something like that would be nice. Also, the LTD and ESP are LP shaped but have some different features that make them lighter and unique. Also, a PRS single cut should be checked out as well.

    "No Tele For you." - The Tele Nazi

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    Try using a modeling amp (Fender Super Champ XD, Vox VT, etc.), just to get a variety of sounds without moving around too much.

    I don't know if you can find some with humbuckers and some with P-90s, but if you can try both.

    The Epiphone LP Ultra is chambered and has great resonance. The solid wood is darker sounding from what I understand (don't know personally). I love my Ultra and my guitar playing friends all love it too. It has humbuckers.
    Guitars: Epiphone Les Paul Ultra; pretty red Squier Acoustic;
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    Another alternative is the Hagstrom Swede's. It is hard to find them in a GC (although they say they sell them!). Same as the Epi and Gibsons, They come in various build types and hence have slightly different sounds to them. I have a Swede with Tremolo. It was inexpensive, good quality, and the people who have played it are impressed by its sound. It weighs less then my LP classic and has a bit of a more "dark" sound to it. Since I got it I hardly ever play my LP, preferring the Swede.
    Guitars: '06 Les Paul Classic Goldtop, '07 SG classic, '79 ES335TD Blond, '88 Telecaster, '08 Custom Shop Strat 57 NOS, Framus '69 Goucho Acoustic, '72 Framus Caravelle hollow body, '09 Hagstrom Swede, '10 Ibanez AG95 and '69 Heit

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    I used to play with a Swede back in college.
    Soundcloud - Lights on Project

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    Quote Originally Posted by stingx View Post
    I used to play with a Swede back in college.
    stingx, you are not telling us the whole story here...
    Did that lead to disappointment?
    Less golf, more saxophone

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    I would start with as nice of a guitar as you can find at GC, just to understand what the whole idea of a Les Paul. They're good for certain things and certain types of music, just like with any guitar.

    I personally find it useful to understand what the cheaper models are trying to do by playing the nice ones first; it gives you a basis of comparison.

    Otherwise, the suggestions here seem pretty solid (get it??). I think our very own rylanmartin has good things to say about the LTD EC series, so you might want to try one of those.
    Quote Originally Posted by Spudman
    Does anyone read the original post?
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    Quote Originally Posted by poodlesrule View Post
    I am a total LP virgin...
    Then I'd suggest a cherry burst.



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    Quote Originally Posted by Tig View Post
    Then I'd suggest a cherry burst.

    Alright Tig, I'm gonna send you to your room.... and same thing with stingsx, so that he can think playing with his "Swede" a little more!
    Less golf, more saxophone

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    Well since you'll be at GC ask to see these models and hopefully they'll have them in stock these will give you a very good cross reference of LP style Guitars.

    1. http://guitars.musiciansfriend.com/p...tar?sku=581715
    Exclusive to GC very nice guitar if you can lay hands on one that not to beat up hanging on the wall to long. also has a 60's profile neck

    2. http://guitars.musiciansfriend.com/p...tar?sku=517030
    The entry level LP and has the rounded 50's neck

    3. http://guitars.musiciansfriend.com/p...ku=518341#used
    Epiphone version Gibson's Squire but some of the gear is very good.

    4. http://guitars.musiciansfriend.com/p...tar?sku=521009
    I love this guitar play very well coil split just on heck of sleeper AXE!

    5. http://guitars.musiciansfriend.com/p...tar?sku=513850
    If you can find one in house.

    6. http://guitars.musiciansfriend.com/p...tar?sku=620740
    last but not least nice guitar I just wish it did not have that 50's profile neck but if that does not bother you this is a very good guitar.
    Maxi...................

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  11. #11
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    First of all Tig Very well done. I love that one.
    As usual there are many factors to deciding what you want in a Les Paul. End use, type of music type of amp, budget is a major one.
    There are lots of options when it come to Les Pauls. I have two Gibson LPS, an Epi Elitist LP Custom, and I recently traded a Les Paul Studio for a DSL100 both 2008 models, but I paid, brand new 1099 for the LP and the DSL was 1799 new. A no brainer for me. I will probably replace the studio though.
    My 1996 LP Standard was purchased used in mint condtion and it a sweet, heavy guitar. I love the tone and it has the stock 490/498 pickups. They are by far my farourite pickup combo in a Gibson.
    I owned a Chambered Studio with the same pickups. . They are really nice and quite light. They lack all the binding on a standard, but are pretty well the same guitar. I also own a Chambered Classic If I was buying a first time Les Paul, I would be looking at a chambered studio.
    I think they are in the 1200 range, with a 250 dollar hard case included. You can go to the faded series. They are satin finish, but they can be a little rough. They do have Burst buckers, but I think the only come with a Gig bag now.
    The Standards are the next level but they jump up quite a bit in the dollar department.
    Now if you want to go a little lower in price the Epi LPs are pretty good bang for the buck. The Tribute is a really good deal.
    You get the bling and binding, a choice of a 50s or 60s neck, A complete set of USA hardware and pickups incluidng 57s and 57 classics,Switch craft switch, Strap locks and just about all you could want . Also comes with a hard shell case. All for 749. The Epi Standard LP will set you back probably 550 and most guys usually change the pickups etc on them. With the tribute they are done.
    So You have a couple of choices as far as "real" Les Pauls are concerned. As far as the copies are concerned there are as many out there as you could every imagine, and the vary in quality and price.
    For investment and just overall pride of ownership I would look at a Regular Studio, or Tribute. You will not be dissapointed with either of these.
    The Blues is alright!

    Guitars: 1968 Gibson SG, 2005 Gibson SG Standard, 2006 Gibson LP Classic Gold top, 2004 Epiphone Elitist LP Custom, 1996 Gibson Les Paul Standard. 2001 Epiphone Sheraton II, 2007 Epiphone G400.
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  12. #12
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    Quote Originally Posted by Tig View Post
    Then I'd suggest a cherry burst.


    Very well played sir!

    My perspective is that I have an Epiphone LP Standard and really, really like it a lot. Lots of guitar for the money.
    It did take some setup work to get it where I like it though.

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    Check out the LTD ART300. GC is blowing them out now for $250. Can't beat that with a stick.
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    Quote Originally Posted by marnold View Post
    Check out the LTD ART300. GC is blowing them out now for $250. Can't beat that with a stick.
    That would be an Ibanez Art300
    Maxi...................

    Bootsy Collins:
    I pledge allegiance to the funk, the whole funk, and nothing but the funk, so help me James, Sly and George, Amen!!

    Guitars: 2010 American Special HSS Strat, 2010 CIC Squire CV ThinLine Tele, & 2006 MIM FSR Strat.

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    Quote Originally Posted by MAXIFUNK View Post
    That would be an Ibanez Art300
    Oh crap, you're right. Sigh. I'm getting old. Thanks for the catch. Check it out, no matter what you call it. Spud threw me off by recommending ESPs.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
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    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

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    Quote Originally Posted by ZMAN View Post
    If I was buying a first time Les Paul, I would be looking at a chambered studio
    .....
    Now if you want to go a little lower in price the Epi LPs are pretty good bang for the buck. The Tribute is a really good deal.
    The local GC did not have an Epi tribute for me to look at. (EDIT: is there such a thing...I may have misread ZMAN?)

    I did spend some time there with LPs, and some Ibanez. I now see to benefit of chambered bodies..!
    The only 'Tribute' that they had was a P90s Gibson.

    Ibanez = very light, maybe too much for me?
    Gibson = some finish flaws...hmm
    Epi = nice, but could not tell much of a difference with Gibson models
    Last edited by poodlesrule; March 4th, 2011 at 04:15 PM. Reason: annotation
    Less golf, more saxophone

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    Quote Originally Posted by poodlesrule View Post
    Potentially, I am looking for either a relative bargain, subject to perhaps trade down the line, or a more expensive but worthwhile "lifetime" keeper (assuming I get the LP bug!).
    If your considering dropping some serious coin on an LP, at least CONSIDER the Heritage H-150. If you're not aware, (which I was not, until very recently) Heritage guitars are built in the very same Kalamazoo plant that Gibson built it's LP in for years, by many of the same luthiers who worked for Gibson. When Gibson moved all operations to Nashville, these guys stayed behind and kept building LP's and 335's with some other model variations as well. Arguably, they are more Gibson than many of the guitars you'd see at a GC.

    I recently got a hold of one (a 335 style) and found it better, based on my experience, than my own 335 style guitar, which I had already deemed better than the actual modern Gibson 335's I've been able to play. I've never had my hands on a 60's vintage 335. Folks who have done the same with the LP style have reported similar experiences. YMMV.

    I only throw this out there because it sounds as though you're open to the possibility of going for a legit LP. Of course, there is the drawback of finding one to mess around with.

    Another LP"ish" guitar to be considered, at a much lower price point is the Washburn Idol, which I often see in GC's on the used rack. Look for a WI-66 model.

    Good luck, for sure, this is a case where the hunt can be a blast. Enjoy!
    "It's never too late to be what you might have been" - Eliot

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  18. #18
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    Enough info here to give you a good idea of what to look, or get dizzy, or both.

    My 2 cents here is based on having owned and worked with 3 very nice Gibson LP Customs in the 70's, and more recently (over the past 15 years), having owned a couple of Epiphone LP Standards, an Ibanez ARC300 (like the current ART300, just another in a long line of temporary Ibanez models) and 2 Washburn Idol WI66 models (one with P90 type pickups)...all of them are dearly departed except for my most recent Washburn Idol WI66 with its stock Seymour Duncans, similar to Tio's, only solid body. I've played a Heritage H-150 and other Heritages.

    One critical differerence, IMO, that disqualifies the Ibanez ART300 and the ESP EC Series is that they lack the true LP's 2 vol/2 Tone pot configuration, going with 2 vols and single master tone. They're good guitars, for sure. But these models are not 'Les Pauls'. Sorry, but without that, you just eliminate an important, if not critical, sonic control factor of an LP or any of the myriad of clones by compromising the precision of a 2V/2T setup, and you limit options to modify your wiring with coil tap/coil splits. Also, if you ever consider moving one to switch to a 'better' guitar, your resale value will be hit by the here-today, gone in 2-3 years, replaced by a different marketing spin or oriental contract factory model syndrome.
    I second Tio's suggesstions wholeheartedly. If you decide you want a really fine keeper...take a pass on overpaying for the 'prestige' of Gibson's venerable brand name, living today in a shell of suspect quality control and take-a-hike-sucka customer service attitude, and go with the authenticity and genuine customer care of a Heritage.

    But if you can find a Washburn Idol WI66, you'll find a guitar with a slim-taper type neck and more than subtle difference in its playability and accessibilty up the neck, near the heel, compared to an LP. And it's not a boat anchor.
    ^^
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    Quote Originally Posted by poodlesrule View Post
    The local GC did not have an Epi tribute for me to look at. (EDIT: is there such a thing...I may have misread ZMAN?)

    I did spend some time there with LPs, and some Ibanez. I now see to benefit of chambered bodies..!
    The only 'Tribute' that they had was a P90s Gibson.

    Ibanez = very light, maybe too much for me?
    Gibson = some finish flaws...hmm
    Epi = nice, but could not tell much of a difference with Gibson models
    Yes there is such a thing. http://www.epiphone.com/default.asp?...CollectionID=6

    I think a couple of guys here have them. Duffy has one for sure, maybe he will chime in.
    What I would look for in an Epi is US pickups and a case included. Most guys will change the pickups and you usually have to buy a case with the Epi Standards. The tribute has all of that and more. Upgraded Pots and caps, strap locks, real grovers and a switchcraft toggle. Epis are notorious for toggle failure with their stock units. I have replaced 3.
    The Blues is alright!

    Guitars: 1968 Gibson SG, 2005 Gibson SG Standard, 2006 Gibson LP Classic Gold top, 2004 Epiphone Elitist LP Custom, 1996 Gibson Les Paul Standard. 2001 Epiphone Sheraton II, 2007 Epiphone G400.
    Fender Strats: 1996 Fender 68 Reissue CIJ, 2008 Squier CV 50s, 2009 Squier CV 50s Tele Butterescotch Blonde

    Amps: Blues Junior Special edition Jensen in Brown Tolex with Wheat front, 65 Deluxe Reverb reissue,1970 Sonax reverb by Traynor, Avatar Custom 2/12 Cabinet with Eminence Legend V1216 speakers,
    2008 DSL100 Marshall Amp , Fender Super Champ XD,Fender Vibro Champ XD

    Effects and Pedals: Fulltone Fulldrive II, Fulltone OCD, Fulltone Mini Deja Vibe, Fulltone Fat Boost, Dunlop Crybaby Wah, Boss DS1, Boss DD20 Giga Delay, Boss TU2 tuner, Boss BD2, Ibanez TS9 Tube screamer, Zoom 505. Radial tonebone hot british.

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