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The new Fender Pawn Shop Series - Page 2
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Thread: The new Fender Pawn Shop Series

  1. #20
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    I read on the Gear Page that they are CIJ, but I'm not sure if that was speculation or not.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  2. #21
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    Sorry to say, but I am not that impressed with these guitars. I think that with all the relics and now pawnshops the players are deprived of their own whatever...
    "A lot of people in the industry want to blame downloading for the state of the business. But I think if most music wasn't shit to begin with people wouldn't be downloading it for free," - Corey Taylor (Slipknot)

  3. #22
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    Quote Originally Posted by wingsdad View Post
    I think this may be the most brilliant marketing move that Fender's come up with since Leo sold the company to CBS.
    I am waiting for the Dumpster-Diving Series, brought to you by Fender.

    ...The guitars you always wanted, but were afraid to dive for.
    Less golf, more saxophone

  4. #23
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    Too me the Mustang Special looks appealing at least in the shape and the pups
    Guitars:
    1978 Fender Telecaster Thinline Custom USA, New Nash TL-72 Thinline Telecaster, 1965 Harmony Meteor, H71, 1986 Fender Telecaster Esquire MIJ, New Martin J-41 Special, 1933 National Duolian, 1941, New Eastwood Mandocaster 12 strings

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    Tweed Vibrolux Custom Denis Manlay, 1976 Fender Deluxe Reverb Silverface

  5. #24
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    One thing I will say is that at least these guitars are more different than the typical Fender line. It's almost laughable to look at Fenders or Gibsons in an MF catalog and see pages and pages of basically the same three guitars with only minor tweaks to tell them apart.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  6. #25
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    Quote Originally Posted by marnold View Post
    One thing I will say is that at least these guitars are more different than the typical Fender line. It's almost laughable to look at Fenders or Gibsons in an MF catalog and see pages and pages of basically the same three guitars with only minor tweaks to tell them apart.
    You mean with those extra-descriptive terms like special, custom, deluxe, standard, ultra, etc.? I gave up on deciphering that stuff.

    IMO Fender and Gibson should go to some sort of code syntax like most parts manufacturers do. That would at least give apathetic people like me a fighting chance of understanding what the heck distinguishes a given guitar from another.
    Quote Originally Posted by Spudman
    Does anyone read the original post?
    Guitars: Gibson LP Studio, MIA Fender Precision, Carvin C350
    Amps: Genz Benz Shuttle 6.0 + Avatar B212 / Genzler 12-3, Acoustic B20
    Pedals: Pod HD500X, Diamond Compressor, Tech 21 VT Bass, Sonic Research Turbo Tuner

  7. #26
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    Quote Originally Posted by Eric View Post
    You mean with those extra-descriptive terms like special, custom, deluxe, standard, ultra, etc.? I gave up on deciphering that stuff.
    Bingo! It's "special" because a) it's blue and b) the pickups have four more windings!

    And that's before you even talk about: here's the guitar made in America, here's the same guitar made in Mexico, here's the same guitar made in Japan, here's the same guitar made in Indonesia, here's the same guitar made in China.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  8. #27
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    Actually the Mustang reminds me a bit of the MIJ Fenders which are sometimes quite nice. However I'm with wingsdad on this one. I think, coming from Fender, this is absurd.

    "Guitars that never were,
    but should have been."
    Really?!

    Between Gibson and now Fender, I can't keep up with their expanded offerings that are long on marketing and short on substance. I think that both of them are getting increasingly short sighted. They already have an enviable share of the market but now they are diluting their brands by offering a whole range of forgettable products at inflated prices. They should just concentrate on their core and buy up companies that represent different ends of the scale. Like Fender did with Gretsch for example.

  9. #28
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    I am more than happy with my Fender Pawn 51. 15% off plus some rebate credit i had and it was mine for a bit over $500.






  10. #29
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    A lot of people really liked those 51's. I like reading the opinions of someone that actually bought one of these guitars and is happy with it. There is no substitute for experience and beauty is definitely in the eye of the beholder.

    I tried a Squier '51 that was priced very acceptably, a couple years ago. I went home with a walnut finish/black pickguard, Squier Standard tele that I am very happy with to this day. Last month I put into it a new set of Fender Vintage Noiseless tele pickups and it is now even more fun to play. It was originally a great feeling, looking, playing guitar. The neck is quarter sawn and very beautiful and I like the rosewood fretboard on this walnut finished guitar. I am playing it right now thru my Peavey 6505+ combo high gain amp and it sounds very excellent, with no more noise than my average humbucking guitar.

    Is the single coil in your new guitar noiseless? I suppose not. Of course that's easily rectified.
    Duffy Bolduc
    South Williamsport, Pa.

    "Now all the things that use to mean so much to me has got me old before my time." G. Allman, "Old Before My Time", Hittin' the Note.

    Major changes to guitars and amps, to be updated soon.

    Fiance - Supportive of musical art

  11. #30
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    Quote Originally Posted by Duffy View Post
    Is the single coil in your new guitar noiseless? I suppose not. Of course that's easily rectified.
    It's a Strat Texas Special, so no.

    One thing that I did notice that they changed is that they mounted the single coil to the pickguard instead of the body. That was a pet peeve of mine with the Squier version because you had to remove the pickguard to adjust the pickup height. Unfortunately, if I'm looking at the picture right, it also seems that they added a glossy finish to the neck.

    I'd still like to try one. Unfortunately, I'd have to drive an hour to the closest GC and hope they'd have one. I've toyed with upgrading my '51 (which my son is now using), but every time I think about it for very long I abandon the idea.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  12. #31
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    That Texas Special is nothing to scoff at and it's not a light weight pickup even if it is noisy. I like those Texas Specials and you can definitely get that sometimes sought after "ice pick" tone out of it. Makes me think of Albert Collins' playing. What did they call him - "The Ice Man"? I have a bunch of his CDs and they are all good. His wife actually wrote some of his famous songs, which was a surprise to me. I like to watch the "Live at Montreau" DVD that I have in my collection. That dude had character.

    The Pawn Shop line sounds admittedly a little hokey, but people that buy them like them and it sounds like they are rigged up nice. I'm also surprised that the very affordable and excellent playing, sounding, looking Blacktop's aren't getting more mention here. I have a black Blacktop strat that is very incredible that I am going to put a set of Fender brushed nickel locking tuners on. I need to take some pictures of it as well as my new PRS SE Singlecut Tremolo guitar that I put a set of Grover mini locking tuners on, and get them posted on the site. Both of these are great guitars by my reckoning. One could definitely do a lot worse. I got the mint PRS SE tobacco sunburst for 250 out the door, lowest action guitar I have and no buzziness.
    Duffy Bolduc
    South Williamsport, Pa.

    "Now all the things that use to mean so much to me has got me old before my time." G. Allman, "Old Before My Time", Hittin' the Note.

    Major changes to guitars and amps, to be updated soon.

    Fiance - Supportive of musical art

  13. #32
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    Hello solly. First, welcome to The Fret!

    Made in Japan? That's good news. I was afraid they were charging that much for MiM's. Tell us more about the feels and sound of yours.

    The only thing I don't like about the Pawn '51 is the lack of tone control. I'd replace the pickup selector switch with a tone pot and add a 3-position selector toggle.
    Guitar: Gibson SG Standard Natural Burst, Squier CV 50's Tele, Hell Guitars No. 2, Squier CV 50's Strat, Reverend Club King 290, Taylor 522e 12-Fret mahogany,
    Squier Vintage Modified Jaguar Bass Short Scale
    Amp: Fender Super Champ X2 Head, Egnater Tweaker 15, Fender Mustang I, Acoustic B20 1x12 bass amp
    Pedal: Budda Budwah wah, Wampler Ego Compressor, Electro-Harmonix Soul Food, Voodoo Lab Sparkle Drive, Wampler Velvet Fuzz, Seven Sisters Eve Tremolo, TC Electronics Gravy Tri Chorus & Vibrato, Catalinbread Echorec, TC Electronic Alter Ego 2 Delay, Hardwire Supernatural Ambient Verb, MXR Carbon Copy, Catalinbread RAH, Big Muff Pi with Tone Wicker, BYOC Mouse 2.0 Distortion, BYOC Boost/OD-2

  14. #33
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    Here's the Ian Rich Squier '51 control plate made here in NZ which gives you a slot for a switch. It needs a bit of routing in the cavity iirc,

    http://shop.seeker.co.nz/51/51_chrome.aspx
    Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)

    Acoustic: Guitar > microphone > audience

  15. #34
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    Quote Originally Posted by markb View Post
    Here's the Ian Rich Squier '51 control plate made here in NZ which gives you a slot for a switch. It needs a bit of routing in the cavity iirc,
    It does on a Squier '51. I'm not sure about the routing on the Fender, but my guess is that it would have to be very similar.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  16. #35
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    I just have to pipe up again and support Fender for making something different. The fact that they called these models guitar that were never made but maybe should have been I guess recognizes that a lot of people thing they should stick only to the old models. But others criticize Fender and Gibson for never making anything different. I am glad they put out some different stuff. That Blacktop series looks killer too. But I agree, I would want a tone control on the '51. Like Syo says, don't put out anything sub par. Go ahead and put some good quality controls on there, rather than make folks mod a guitar in this price range.

    I like the idea of the Mustang and bet a guy could get some good sounds out of that one.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  17. #36
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    I agree with you, Steve. I like the idea that they're spitballing new ideas and actually producing something. OTOH, I'll pass on the reverse Flying V. But it's good the big names are trying new things.
    Guitars
    Wilburn Versatare, '52 FrankenTele(Fender licensed parts), Fender USA Roadhouse Strat, Fender USA Standard B-bender Telecaster, Agile AL 3000 w/ WCR pickups, Ibanez MIJ V300 Acoustic, Squier Precision Bass,
    Amps
    Ceriatone Overtone Special, Musicman 212 Sixty-Five, Fender Blues Jr., Peavey Classic 30, Fender Super Reverb, Traynor YCV-40 WR Anniversary w/ matching 1x12 ext. cab, Epiphone SoCal 50w head w/ matching 4x12 cab (Lady Luck speakers), Avatar 2x12 semi-open back cab w/ Celestion speakers
    Pedals
    Digitech Bad Monkey, Digitech Jamman, DVM's ZYS, Goodrich volume pedal

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