Results 1 to 19 of 44

Thread: Backing Tracks in A

Hybrid View

  1. #1
    Join Date
    Dec 2006
    Location
    Doylestown, PA
    Posts
    226
    Post Thanks / Like

    Default

    OG -

    Thanks for posting all of these backing tracks. Regarding the original backing tracks posted in this thread, could you let me know what key the 4th one is in (the long synth/drum groove)? I have been working on the minor pentatonic scale in A with my teacher, but it doesn't seem to fit that track. I'd like to play along with it, but I don't really know where on the neck it is "safe" to play it. Thanks!
    Guitars: MIM Fender FSR Limited Edition Stratocaster with direct mount pickups, Schecter C-1 Plus, SX SST57 Powder Blue, Alvarez RD8 Accoustic

    Amps: Line6 Spidervalve 112

    Effects: Digitech Bad Monkey, Danelectro Cool Cat Chorus, GFS Delay, GFS Tuner, Behringer HB01 wah, Line6 Toneport GX, GuitarRig 3

  2. #2
    Join Date
    Oct 2005
    Posts
    7,254
    Post Thanks / Like

    Default

    Quote Originally Posted by jasongins
    Thanks for posting all of these backing tracks. Regarding the original backing tracks posted in this thread, could you let me know what key the 4th one is in (the long synth/drum groove)? I have been working on the minor pentatonic scale in A with my teacher, but it doesn't seem to fit that track. I'd like to play along with it, but I don't really know where on the neck it is "safe" to play it. Thanks!
    I'm not the old guy, but it is in A. It a chord progression based on an A major pentatonic scale, so it sounds better with the major pentatonic than the minor. A sneaky way to "convert" your A minor forms to A major is to shift them down three frets (aka a step and a half). Then you are actually playing in F# minor, BUT F# is the relative minor of A which means that when you play F# minor you are also playing A major. Just remember to stick around the A notes instead of the F#s. That way it will sound "right" when you play it. The theory is a bit deep, but it's really as simple as that.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  3. #3
    Join Date
    Dec 2006
    Location
    Doylestown, PA
    Posts
    226
    Post Thanks / Like

    Default

    Thanks for putting me on the right track, marnold. I'll be working on it!
    Guitars: MIM Fender FSR Limited Edition Stratocaster with direct mount pickups, Schecter C-1 Plus, SX SST57 Powder Blue, Alvarez RD8 Accoustic

    Amps: Line6 Spidervalve 112

    Effects: Digitech Bad Monkey, Danelectro Cool Cat Chorus, GFS Delay, GFS Tuner, Behringer HB01 wah, Line6 Toneport GX, GuitarRig 3

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •