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Gibson Les Paul Standard Limited Edition
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Thread: Gibson Les Paul Standard Limited Edition

  1. #1
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    Thumbs up Gibson Les Paul Standard Limited Edition

    Features:

    Mahogany body, maple top finished in "Pacific Reef". The website pictures do not convey the complexity of the finish. It's a blue / green with swirls of green running through it. The body is finished in a dark blue that beautifully complements the top. The body and neck feature white binding.

    "60's" profile neck with ebony fretboard, trap pearloid inlays. The neck binding caps the fret ends and makes for a buttery smooth feel. Gibson Deluxe Kluzon style tuners with nickel buttons on a reduced size headstock.

    Two Alnico V Burstbucker Pro pickups, with the standard two volume / two tone configuration. Standard TOM bridge and stop bar. "Top Hat" style knobs in black.

    The strap pegs are standard Gibson fare and should be criminal for a Les Paul, unless you want to support your local luthier by having the head stock glued back on after it takes a dive. The first thing I did after I removed the guitar from the case was install Schaller strap locks.

    The guitar shipped with a nice Gibson hard shell case in black tolex.

    Sound:

    Played straight into my Germino Club 40, this guitar shines. It has a very well balanced sound. The Burstbuckers are clear and musical all the way to the stops. At full volume with the amp set up to roar, every note is well defined, with no evidence of any "mud" or "hair". With the volume rolled back on the guitar, it cleans up nicely without losing any high mid sparkle. The neck and bridge pickups are excellently balanced, with no volume dips or spikes when switching them. This guitar would be equally at home playing jazz as it is playing driving rock.

    Action, Fit, and Finish:

    Since I ordered this guitar, it arrived to me basically straight from Gibson and the standard setup took just a little tweaking to dial it into my liking. The factory intonation was spot-on. There are no dead frets or strings buzzing.

    The finish is eye popping and beautifully executed. The nitro clear coat shines like a mirror. There is no evidence of any "orange peel" or buffing swirls. The binding is well executed with no gaps, bumps or other flaws. The nut is cut for 10-46 strings, but can still benefit from a precise application of Nut Sauce. The tuners are precise and smooth and the guitar holds tune very well. The fretwork is nicely done - polished smooth and shiny. I've been over this guitar with a fine toothed comb, and I can find no flaws in it's construction.

    Overall Impressions:

    After a week of steady playing, I can resolutely say that this guitar is a winner among winners. It's loaded with "eye candy", and has the sound and playability to go with it. One item of special note is that this guitar is noticeably lightweight for a Les Paul. It tips the scales at 8.2 pounds. The body is very resonant, and you can feel the guitar playing in your hands and belly.

    If a high end Les Paul is what you seek, then this is the guitar to look at. This guitar is now the Crown Jewel of my collection, and I look forward to playing lots of gigs with it.

    Last edited by Plank_Spanker; November 21st, 2006 at 10:57 AM.
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

  2. #2
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    Plank - You've got one hell of an axe there. I could easily picture in my mind's eye your descriptions.

    On your tune-o-matic bridge....are the saddles and the screw points inside the holes drilled into the bridge or does it have the wire running across? Is your bridge screwed in directly to the body or does it sit on the bushings? I can't remember from your photos and I'm at work so I can't see your pics on your post (web filter).

    Do you have the option to get a 50's style neck with the LEs? A light Gibson LP with resonance sounds nice.
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

    Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube

    Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz

  3. #3
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    Quote Originally Posted by tone2thebone

    A light Gibson LP with resonance sounds nice.
    Good understatement of the year Tone! Plank, what a beautiful guitar. Can we get some drooly smilies!?
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  4. #4
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    Quote Originally Posted by tone2thebone
    Plank - You've got one hell of an axe there. I could easily picture in my mind's eye your descriptions.

    On your tune-o-matic bridge....are the saddles and the screw points inside the holes drilled into the bridge or does it have the wire running across? Is your bridge screwed in directly to the body or does it sit on the bushings? I can't remember from your photos and I'm at work so I can't see your pics on your post (web filter).

    Do you have the option to get a 50's style neck with the LEs? A light Gibson LP with resonance sounds nice.
    Thanks, T2B and Sunvalley!

    The saddle screws are threaded into the bridge - no retainer wire. The bridge sits on thumbwheel posts and bushings. The LE's are available with the 50's neck.


    http://www.gibson.com/Products/Gibso...Standard%20LE/
    Last edited by Plank_Spanker; November 21st, 2006 at 10:55 AM.
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

  5. #5
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    Beautiful axe, Spanky. Looks even better outside on the "Road to Oz".

    As a matter of fact, isn't that the the Tin Woodsman in the background? *muffled voice* "mmfffffooooyyllll"

    Watch out for those flying monkeys!

  6. #6
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    Thanks, Nelskie. I'll have to tell my wife about "The Road to Oz".
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

  7. #7
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    man that is a beautiful guitar!

    I like green guitars (i have a 98 lp special in spearmint green)

    if it plays half as good as it looks it will be killer!!

    ww
    Quote Originally Posted by just strum
    For the record, my annoyance with Warren has a lot to do with the hissing noises he makes.
    Guitars: Gibson 1998 Les Paul Special : Peavey Predator (Early 90's Fat Strat Copy) : Ibanez GAX30TR
    Brownsville Reso - 101 Electric Reso : Fender GDO-300 Maple Quilt Top Acoustic

    Amps: Fender Super Champ XD

    Effects: Digitech RP250 Modeling Guitar Processor : DVM "Phased and Confused" Script Phaser Clone : Digitech Bad Monkey
    Danelectro Cool Cat Chorus : Behringer Distortion Modeler : Ernie Ball Volume Pedal : Dunlop Cry Baby Wah

  8. #8
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    That Les Paul is abso[beep]lutely beautiful. Oh, my. That must look great under good stage lighting. Heck, under any lighting!

    Play your guitar daily!

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