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Thread: Speaker Ohm ratings

  1. #1
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    Default Speaker Ohm ratings

    Following Tone's lead I am starting a new thread about impedance.

    Spud suggested having a 2x12 cab wired in stereo to allow the flexibility to use one head per speaker. Sounds mondo cool to me!

    I wrote to Avatar and asked about this, but I am confused about impedance. It seem that an 8 Ohm 2x12 stero cab is wired in parallel so that one gets 8 Ohms at each input and 4 Ohms if using it as a mono cab.

    What am I supposed to do if I want the flexibility to do *both*??
    I pick a moon dog.

  2. #2
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    That makes sense - each speaker is 8 ohms and paralleled together for a 4 ohm load in mono - "Ohm's Law" in action . What's the rated output impedance of your amp(s)?

    What do you mean by "doing both"? Having the capability of running mono if you want, stereo if you want?

    Just about any amp can live with a 50 percent impedance mismatch, as long as you don't exceed minimum impedance ratings for a SS amp.
    Last edited by Plank_Spanker; November 21st, 2006 at 01:51 PM.
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

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    A pair of 16 ohm speakers wired parallel becomes an 8 ohm load. (duh) whilst 4 - 16 ohm speakers in a 4x12 cabinet are wired series/parallel which end up again at 16ohms. Why I said this I dunno...

    You're asking how you can make 2 - 12 inch speakers both stereo and mono? Maybe jumpers with jacks wired to the speakers so that all you have to do is select which way you want to run the cab? Is that what youz is askin'?
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

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    Quote Originally Posted by tone2thebone
    A pair of 16 ohm speakers wired parallel becomes an 8 ohm load. (duh) whilst 4 - 16 ohm speakers in a 4x12 cabinet are wired series/parallel which end up again at 16ohms. Why I said this I dunno...

    You're asking how you can make 2 - 12 inch speakers both stereo and mono? Maybe jumpers with jacks wired to the speakers so that all you have to do is select which way you want to run the cab? Is that what youz is askin'?
    You're either going to run the cab stereo or mono in one sitting. You won't be at the back of the cab switching jacks between songs - unless..........
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

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    Plank - Isn't there a slick way he could already have say a 2x12 cab hardwired with female jacks that would allow plugging in for stereo operation or mono operation? Sure he'd have to stop playing and physically plug in...but it would be cool to have a cab that lets you do this. Don't they already make some like this that he could copy or even buy?
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

    Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube

    Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz

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    Quote Originally Posted by tone2thebone
    Plank - Isn't there a slick way he could already have say a 2x12 cab hardwired with female jacks that would allow plugging in for stereo operation or mono operation? Sure he'd have to stop playing and physically plug in...but it would be cool to have a cab that lets you do this. Don't they already make some like this that he could copy or even buy?
    My Mesa 4x12 is wired for that. It has four jacks -two stereo at 4 ohms, one mono at 8 ohms, and one to daisy chain to another cab. I can plug in 4 ohms stereo, switch plugs for 8 ohms mono, or daisy chain another cab. It just involves wiring separate input jacks.
    Last edited by Plank_Spanker; November 21st, 2006 at 03:20 PM.
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

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    Quote Originally Posted by Plank_Spanker
    My Mesa 4x12 is wired for that. It has four jacks -two stereo at 4 ohms, one mono at 8 ohms, and one to daisy chain to another cab. I can plug in 4 ohms stereo, switch plugs for 8 ohms mono, or daisy chain another cab. It just involves wiring separate input jacks.
    There you go ToT. Something like this would be pretty cool I think.
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

    Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube

    Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz

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    Quote Originally Posted by Plank_Spanker
    That makes sense - each speaker is 8 ohms and paralleled together for a 4 ohm load in mono - "Ohm's Law" in action . What's the rated output impedance of your amp(s)?
    The AD30VT has an 8 Ohm output. My "future" Valve Junior head has 4, 8, & 16 Ohm outs.
    Quote Originally Posted by Plank_Spanker
    What do you mean by "doing both"? Having the capability of running mono if you want, stereo if you want?
    'xactly that.
    Quote Originally Posted by Plank_Spanker
    Just about any amp can live with a 50 percent impedance mismatch, as long as you don't exceed minimum impedance ratings for a SS amp.
    That phrase has got me boggled.

    Don't exceed minimum?

    Shouldn't one not go below the minimum, nor *exceed the maximum*. You know, kind'a like as a definition?
    I pick a moon dog.

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    Quote Originally Posted by tone2thebone
    There you go ToT. Something like this would be pretty cool I think.
    It'd certainly be cool. It'd require extra wiring on my part.


    I'm still a little confused about what I should order to have the maximum flexibility.
    I pick a moon dog.

  10. #10
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    Tot,

    I haven't figured out how to work multiple quotes in one reply here, but.................

    Your AD30VT has an 8 ohm output.

    Your future Valve Junior is selectable to 8 ohms.

    You're golden for a cab rated at 8 ohms - stereo.

    As far as the impedance mismatch goes, I should have said "never go below the rated minimum impedance of a SS amp" - too many years talking tech to tech. It's bad juju that can fry the amp.
    Last edited by Plank_Spanker; November 21st, 2006 at 04:31 PM.
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

  11. #11
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    Quote Originally Posted by Plank_Spanker
    Tot,

    I haven't figured out how to work multiple quotes in one reply here, but.................

    Your AD30VT has an 8 ohm output.

    Your future Valve Junior is selectable to 8 ohms.

    You're golden for a cab rated at 8 ohms - stereo.

    As far as the impedance mismatch goes, I should have said "never go below the rated minimum impedance of a SS amp" - too many years talking tech to tech. It's bad juju that can fry the amp.
    Thanks Spanky!

    Just so I have it clear. You are saying that if I run the 8 Ohm stereo as mono (ie at 4 Ohms) it'll be alright? That sounds t'me me like entering bad jujuville. Or have I twisted it all around again?

    I guess that my question is:

    For my AD30VT I know that 8 Ohms is OK (that is its output rating).

    Is 4 Ohms fine or bad jujitzu?
    Is 16 Ohm bad cahones or fine n' dandy?

    Sorry for being so dense.
    Last edited by tot_Ou_tard; November 21st, 2006 at 04:43 PM.
    I pick a moon dog.

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    Quote Originally Posted by tot_Ou_tard
    Thanks Spanky!

    Just so I have it clear. You are saying that if I run the 8 Ohm stereo as mono (ie at 4 Ohms) it'll be alright? That sounds t'me me like entering bad jujuville. Or have I twisted it all around again?
    You should be quite safe running mono at 4 ohms. You can select it on the Valve Junior, and the Vox shouldn't have a problem with it.
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

  13. #13
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    Quote Originally Posted by Plank_Spanker
    You should be quite safe running mono at 4 ohms. You can select it on the Valve Junior, and the Vox shouldn't have a problem with it.
    Wow! Thanks Planky.

    So what kind of tonal differences do you get running an 8 Ohm amp into 4 Ohm versus an 8 Ohm cab?
    I pick a moon dog.

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    Quote Originally Posted by tot_Ou_tard
    Wow! Thanks Planky.

    So what kind of tonal differences do you get running an 8 Ohm amp into 4 Ohm versus an 8 Ohm cab?
    You probably won't hear much of a difference in tone.
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

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    Quote Originally Posted by Plank_Spanker
    You probably won't hear much of a difference in tone.
    Fantastic. Thanks again.
    I pick a moon dog.

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    So,

    What cab is going to be?
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

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