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Walk, Don't Run (Or Else You Might Poke Your Eye Out)
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Thread: Walk, Don't Run (Or Else You Might Poke Your Eye Out)

  1. #1
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    Default Walk, Don't Run (Or Else You Might Poke Your Eye Out)

    OK, folks, here is my first feeble attempt at recording. It is my destruction of the Ventures' classic "Walk, Don't Run." This is a relatively clean take (relative to my other, far crappier, takes). I don't have a whammy bar, so I couldn't add those effects. I also normally slide the last chord down a half-step and back again, but I didn't this time. The only post-processing I did on this was adding compression to my part.

    I played this on my Squier '51 with the bridge humbucker into my Vox AD30VT using the Boutique CL preset. I took the line out to the line in on my Creative Audigy. The recording was done in Audacity running in Slackware Linux 11.0. I found the backing track online somewhere. I altered the pitch of the backing track to Eb, since that's what my '51 is tuned to.

    If you are brave, check it out at the Box.net. My apologies to the Ventures. I'd be happy to hear constructive criticism. And, no, I have no intention on giving up guitar
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  2. #2
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    Marnold,
    I like your take on this very much! I haven't heard that tune in ages.
    I like the setting you used, and the recording job was clean, something I don't always get when I record.
    I would recommend turning up the backing track just a little, and checking your guitar's tuning, to my ears it sounded like maybe a chord in there sounded a little out. Your picking was nice and clean, another thing I liked. I play kinda sloppy sometimes when I record, don't know why. I may do a take 5 times in a row clean, but when I push that record button I choke.
    All in all, a very fine first. I wouldn't call it feeble at all. I did far worse (still do some days).
    I'd like to hear this after you get more comfortable with recording and get a whammy bar!
    Glenn

  3. #3
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    Great job Marnold. I'm sitting here doing the Shag. It's hip baby.

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  4. #4
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    It may very well be slightly out of tune. More likely, you are hearing the fact that one of the slots on the nut is cut too high. Most of the time, you don't notice it. On a couple of the chords, it's a bit jarring. (Edit: I just checked the tuning. The culprit is the high slots on the A and particularly the D strings).

    Regarding the volume of the backing track, it sounds a lot better balanced in Audacity than it did when I had it spit out the MP3. All a part of the learning curve.
    Last edited by marnold; November 25th, 2006 at 05:49 PM.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  5. #5
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    Good job, Marnold, especially for first time out! Had me "hangin' ten" off the edge of my computer chair here!

    You might want to try that tune with the Tremolo reverb effect on your Vox and get even deeper in that surf groove.
    DVM's Ever-Expanding Gear List:

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  6. #6
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    Pretty darn nice for a first recording great job here. Love that clean tone maybe just a little more compression if your able with your gear, it will cut down the overtones, but otherwise thats sounding good
    Cannuck on a mission
    Guitars: Fender Strat, Gibson Les Paul Custom, Ibanez Roadstar 2, Peavey Wolfgang Standard, Gibson Flying V, Yamaha 12 string, some beat up old classical
    Amps: 1969 Fender Twin Reverb, 2002 Line 6 Flextone 2
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  7. #7
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    Re: clean tone
    That's one of the main reasons I wanted a '51. My Fender's pickup is pretty hot, so with the same settings on the Vox, the amp will overdrive slightly. It's not altogether unpleasant, but it's just not what I wanted.

    Re: tremolo
    I have messed with that effect a bit. It's all reverb on the original recording, so that's what I went with. I really like the Vox's digital reverb. Actually the one on my little Blazer is pretty cool too. That one's actually a spring unit!

    As an aside, my '51 is now on a wall hanger in my office. It's not only an instrument anymore, it's an objet d'art!
    Last edited by marnold; November 25th, 2006 at 07:07 PM.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  8. #8
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    Marnold: Don't be so hard on yourself. I really enjoyed it. I have been loving all the surfy (smurfy?) tones coming out of the list lately, yours included.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


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  9. #9
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    Really enjoyed it Marnold... thanks for sharing and let's hear some more from you now that the ice is broken.. and not the guitar...

    applause: applause: applause:


    Jimmie Vaughan Strat , Squire 51
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  10. #10
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    Marnold, sounds fine! Surfs Up!
    I can't say that I've given up on a flanger cause I've never liked the effect either. I also can't say the same about Tremolo. I hate them both equally. - Tone2TheBone 2009

  11. #11
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    Clean and tight. Nice job!
    "Without music to decorate it, time is just a bunch of boring production deadlines or dates by which bills must be paid." - Frank Zappa

    Yamaha G240
    Epi Dot Deluxe, Squier '51, G&L S-500
    Vox AD30VT, PODxt

  12. #12
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    Cowabunga Mar-dood! That's seems like a whole lotta fun to play.
    I pick a moon dog.

  13. #13
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    I love to play that song, and your version does the song justice. Great job playing and recording.

    aeolian

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    Marnold ! that was fantastic ! Nice timing and handiwork.
    It's going to be buzzing through my head all day now.

  15. #15
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    This was great! Love the playing...very articulate. Nice recorded tone as well.
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