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What is it about the Tele?
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Thread: What is it about the Tele?

  1. #1
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    Default What is it about the Tele?

    I'm finding that I like Tele's more and more as I get older. What's up with that?
    Do you notice the same thing?

    For me I think this is because I am finding so many examples of Tele sounds being used in classic recordings over the years, and my tastes have changed. I'm listening to more of the old-school stuff now that I didn't appreciate as much when I was younger. I also think that the Tele tends to reflect the personality of the player more than other guitars because it's so simple. Danny Gatton did so many cool things with that simple guitar that may not have been as effective on some other type of guitar.

    Anyway, just wondering why Tele's are now appealing to me after all these years of thinking that they were the ugly step child of the guitar world. I only have 1 Tele-style guitar now and it's not even a stock kind of setup. I need to get one of those :-) G.A.S. ... here we go again.

    --Jim
    Electrics: Hamer Newport, Fender Clapton Strat, Ibanez AF86, Line6 Variax 700
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  2. #2
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    I hear you. I have acquired three tele-style guitars over the last couple of years (an SX thinline copy, a Peavey Generation EXP ACM, and a Peavey Generation S-3), and find myself picking them up more often than my other guitars. The S-3 is an especially comfortable guitar to play, very light and the neck fits my hand very well.

    I've gotten into a lot of country music recently which may explain my fascination with the teles, and like you, have discovered that teles were used in many more classic rock songs than I realized.

  3. #3
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    Yes, this seems to be a well-kept secret. The Tele is a workhorse guitar. It is used to record so much music yet it is not often the first choice people think of when they want a guitar to perform with. Jimmy Page recorded so many of the early Led Zeppelin tracks with a Tele, yet everyone associates him with the Les Paul. You hear a Tele on so much of the great R&B records of the 60s, for example, in addition to the countless country records, funk, surf music, and pop music over the years. It just seems to be that sound that works so well for rhythm parts that lay well in the mix with other instruments, yet it's often overlooked as a main guitar. I suppose I'm just now discovering this.

    --Jim
    Electrics: Hamer Newport, Fender Clapton Strat, Ibanez AF86, Line6 Variax 700
    Acoustic Guitars: Taylor 514CE, Martin J40-M
    Dobro: Regal "Black Lightning Dobro"
    Mandolin: Morgan Monroe Mandolin
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    http://www.soundclick.com/bands/page...?bandid=301718

  4. #4
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    The January Guitar World has a huge article about Tele's and their history worth a read.

    I love 'em!

  5. #5
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    Teles are cool for whatever reason these days. Check out any indie band to see some telecasters and semi-hollows.

    I think they're pretty cool guitars. Very soon, I will have a couple of tele-ish guitars.
    Quote Originally Posted by Spudman
    Does anyone read the original post?
    Guitars: Gibson LP Studio, MIA Fender Precision, Carvin C350
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  6. #6
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    They're extremely versatile guitars, right for any number of musical situations. I have no doubt that my next instrument purchase will be a Tele-style guitar.
    "I happen to have perfect situational awareness, Lana. Which cannot be taught, by the way. Like a poet's ... mind for ... to make the perfect words." - Sterling Archer

  7. #7
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    The other guitarist in my band has a Tele that his dad in Dallas made for him. He's a pretty well known area builder. I don't particularly like the way his Tele feels but OMG that thing sounds amazing. It has Van Zandt pickups and I love how it sounds. One of these days I hope to find "the one" that blows me away and I can end this unrequited Tele lust once and for all.

    FWIW - I love Richie Kotzen's Tele sounds.

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  8. #8
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    I've owned my Tele since the early '90s but it was never my favorite until I changed the pups and put in a 4 position switch. Now it is without a doubt my favorite guitar. Yes there are some songs that need the bite of a humbucker guitar but for most of the stuff I like to play it fits the bill perfectly. Love the size and weight of the body and the feel of the neck
    Guitars: '06 Les Paul Classic Goldtop, '07 SG classic, '79 ES335TD Blond, '88 Telecaster, '08 Custom Shop Strat 57 NOS, Framus '69 Goucho Acoustic, '72 Framus Caravelle hollow body, '09 Hagstrom Swede, '10 Ibanez AG95 and '69 Heit

    Amps: Fender Blues Deluxe Tweed, Marshall JCM 900 50W full stack, Roland Cube 20XL and '69 Checkmate!

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  9. #9
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    Welcome to the brotherhood. Your decoder ring is in the post
    Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)

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  10. #10
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    I like my CV tele quite a lot, and played it mostly when I first got it. I think then I felt like you do now for a bit. Also, I really, really like that Twang King tele you have Jim. Now I am back to enjoying my tele, but also loving my strat and my Vik. Changing out that pick guard on my strat really got me connected to it again and I have really been loving it lately. Once in a while, the tele seems a bit harsh to me after I have been playing the other two quite a bit. But other times, it is just right. It is certainly a nice guitar. I wonder about adding a TV Jones or Minibucker in the neck or setting it up so I can swap it out.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  11. #11
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    Quote Originally Posted by markb View Post
    Welcome to the brotherhood. Your decoder ring is in the post
    "Be sure to drink your Ovaltine"


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    This was my desktop wallpaper for a while.
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  13. #13
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    Teles are cool to me because of their simplicity, and their versatility. A Tele, stock, can be at home in any genre of music and sound great. The only thing about a Tele is that you can't really hide on one. It's gonna sound like you, and every little mistake and bobble is gonna come out.

    A couple of years ago, right after the Egnater Rebel 20 head came out, I was at a GC and grabbed an American Deluxe Tele off the wall to test out the amph. Now, mind you, I'm normally fairly reserved in a music store because I hate being one of those "guys who shred to look cool in music stores." But, it sounded so good that I couldn't help myself. Had a blast playing that Tele. I had to resign myself that I would never be able to afford one like it, but the Tele GAS has remained.
    Guitars:
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    Eleanor, the magical, mystical Road Worn wonder Tele
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  14. #14
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    Never really bonded with the American Standard I bought a few years ago. Sold it. Now...I love my Strat. It just feels better and sounds right.

  15. #15
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    If you guys get a chance to try the American Special Tele, go for it. I was really impressed with the Texas Special pickups and greasebucket circuitry, and the quality was excellent. For $800-850, it is an excellent bang for the buck.


  16. #16
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    That sounds like it might have a little fatter tone than the sometimes icepicky tele tones that can occur. I have heard good things, and think I tried and liked, that greasebucket ciruitry. I seem to remember trying a strat with it one time.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  17. #17
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    Very good question I think it has to do for myself as a sense of urgency. Telecaster immediately prompt me to play more agressive licks and rock'n roll chords. After playing consecutively a Gibson 335, a 57 Strat which I love to play for years until I had to play in my Soul band with a full horn section and where only my MIJ Esquire coud "cut" enough trough the mix.

    After that I was looking for a fuller sound on a Telecaster (for my Blues Trio) and ending up playing a "72" Thinline Custom with the Wide Range pickups. So it's kind of a full circle going from humbuckers to single coil on a Strat and then on Fender humbuckers on a Telecaster thinline
    Guitars:
    1978 Fender Telecaster Thinline Custom USA, New Nash TL-72 Thinline Telecaster, 1965 Harmony Meteor, H71, 1986 Fender Telecaster Esquire MIJ, New Martin J-41 Special, 1933 National Duolian, 1941, New Eastwood Mandocaster 12 strings

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  18. #18
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    I like the telecaster a lot. I have a Fender Nashville and a Squier BSB CV that I like a lot, and a MIM I'm working on.

    George Harrison played a rosewood telecaster at their last live concert, the Rooftop Concert:



    Duffy Bolduc
    South Williamsport, Pa.

    "Now all the things that use to mean so much to me has got me old before my time." G. Allman, "Old Before My Time", Hittin' the Note.

    Major changes to guitars and amps, to be updated soon.

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