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Thread: Guild Dreadnoughts

  1. #1
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    Default Guild Dreadnoughts

    I stopped in a couple guitar shops yesterday when I was in Boise, and when looking at acoustics, was pointed in the direction of a Guild D-40 Richie Havens signature. It seems to have a great, "old Martin" type tone, and that really throbby low E thump that I just love right now. (more Neil Young influence). They also sell a D-50 that is rosewood side and back, the D-40 is mahogany. Both are spruce top. Nice necks, rosewood fretboard. I also liked that they are built in Tacoma, WA (my home for the first 30 something years of my life), at the Tacoma guitar plant, as both Guild and Tacoma are Fender owned. Fender seems to be staying with the traditions of those smaller marks, at least in the acoustice realm. I understand there is some re-booting of guild electrics. Anyone have any experience with these acoustics? A bit less pricey than the Martins, and seem to have great tones.

    Steve
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
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  2. #2
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    My main guitar these last 20 years has been a Guild D-35, which I guess is the 1980s equivalent to the D-40 (i.e., mahogany dreadnought). It's a sweet, sweet player, and it loves alternate tunings (I've had it in DADGAD or CGCGCE most of its life). The company has been bought and production moved to Tacoma since my guitar was made, but as you say, the level of quality is still way up there.

  3. #3
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    Quote Originally Posted by Ro3b
    My main guitar these last 20 years has been a Guild D-35, which I guess is the 1980s equivalent to the D-40 (i.e., mahogany dreadnought). It's a sweet, sweet player, and it loves alternate tunings (I've had it in DADGAD or CGCGCE most of its life). The company has been bought and production moved to Tacoma since my guitar was made, but as you say, the level of quality is still way up there.

    Tacoma, being a bit of an ugly stepsister to Seattle, and a longshore town, has some rough and tumble soul of its own. The guitars coming out of the Tacoma Guitar factory, (where the Guilds are now being made) are well regarded I think. I mostly just see the alternative sound hole Tacomas around, and I am interested in traditional dreadnoughts. But the build quality is good.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  4. #4
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    Quote Originally Posted by Ro3b
    My main guitar these last 20 years has been a Guild D-35, which I guess is the 1980s equivalent to the D-40 (i.e., mahogany dreadnought). It's a sweet, sweet player, and it loves alternate tunings (I've had it in DADGAD or CGCGCE most of its life). The company has been bought and production moved to Tacoma since my guitar was made, but as you say, the level of quality is still way up there.
    Just for curiosity's sake Ro3B, does the Guild D-35 have a 3-piece back, or two? I just wondered because a Martin D-35 does.
    Rob Smith
    I AM the bass player!


    GUITARS: '93 ZON Sonus 4, '85 G&L L-2000 (Mahogany), '05 Schecter Stiletto Custom 4, '06 SX SJB-62MG (Fretless), '07 Squier Bronco (project), '06 Ibanez AEB10E-BK acoustic bass, '70s Epiphone OO-sized acoustic, '94 Peavey Reactor (extreme makeover edition)


    AMPS: '03 Ampeg BA115 bass combo, '86 Peavey MkIV Series 400 bass head, SWR Workingman's cabs, 2x10" & 1x15", '00 Peavey Micro Bass

  5. #5
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    Mine has a one-piece back. The guitar is pretty plain ornamentation-wise. Black binding, the thinnest w/b/w purfling I've ever seen on the top, two bands of purfling around the soundhole, no fretboard or peghead binding, no peghead veneer. But the spruce has a gorgeous figure.

  6. #6
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    Yeah, that's way off from what a 35 Series means to Martin.
    Rob Smith
    I AM the bass player!


    GUITARS: '93 ZON Sonus 4, '85 G&L L-2000 (Mahogany), '05 Schecter Stiletto Custom 4, '06 SX SJB-62MG (Fretless), '07 Squier Bronco (project), '06 Ibanez AEB10E-BK acoustic bass, '70s Epiphone OO-sized acoustic, '94 Peavey Reactor (extreme makeover edition)


    AMPS: '03 Ampeg BA115 bass combo, '86 Peavey MkIV Series 400 bass head, SWR Workingman's cabs, 2x10" & 1x15", '00 Peavey Micro Bass

  7. #7
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    Quote Originally Posted by r_a_smith3530
    Yeah, that's way off from what a 35 Series means to Martin.

    From what I can tell, having looked at the Guild D-40 and 50, the Guild numbers are not meant to compare with Martin at all. Guild has done its own thing. The D-55 is more ornamental, with inlay and such. Have not seen one with a 3 piece back like a Martin D or HD-35. The Martin reps, on their visit to the local store, told us that the 35s were originally intended to use up rosewood that was not being used due to size, and that some people really liked the result. It is a bassy guitar. My instructor uses one he has had for years.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

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