Guitars
Wilburn Versatare, '52 FrankenTele(Fender licensed parts), Fender USA Roadhouse Strat, Fender USA Standard B-bender Telecaster, Agile AL 3000 w/ WCR pickups, Ibanez MIJ V300 Acoustic, Squier Precision Bass,
Amps
Ceriatone Overtone Special, Musicman 212 Sixty-Five, Fender Blues Jr., Peavey Classic 30, Fender Super Reverb, Traynor YCV-40 WR Anniversary w/ matching 1x12 ext. cab, Epiphone SoCal 50w head w/ matching 4x12 cab (Lady Luck speakers), Avatar 2x12 semi-open back cab w/ Celestion speakers
Pedals
Digitech Bad Monkey, Digitech Jamman, DVM's ZYS, Goodrich volume pedal
You know, I find that a lot of online reviews are for-the-money reviews, which makes them somewhat less than useful. I mean, you can clearly see how much something costs, right? So it seems like having an absolute scale would be a little more practical. Then again, I realize we all have the limitation of being human and wanting to love the thing we just blew some cash on, so it's probably not going to change. But I never miss an opportunity to whine about something!
First world problems!
Guitars: Gibson LP Studio, MIA Fender Precision, Carvin C350Originally Posted by Spudman
Amps: Genz Benz Shuttle 6.0 + Avatar B212 / Genzler 12-3, Acoustic B20
Pedals: Pod HD500X, Diamond Compressor, Tech 21 VT Bass, Sonic Research Turbo Tuner
Ignorance is bliss.
I run sound in a bar in Chicago. Sunday past. I had 5 bands. One was a 12 pc including a 4 pc horn section, 2 percussionists plus drummer, bassist 3 amped electrics. I had 5 vocal mics and mic'd 2 of the guitar cabs.
While this band is an extreme, I do everything from violists to stand up to singer/songwriters to bands, several times a week. (I've got two bands tonight)
I use SM-86's SM-58's SM-57's GLS ES-58's. the latter is in fact a Shure SM-58 clone. When purchased from http://www.speakerrepair.com/ they come in at $28.33 ea.
For 3 years now they function in every way shape and form exactly as the SM-58's.
I purchased them because a sound engineer friend, who pays his (considerable) mortgage running a studio, mixing master tapes for Widespread Panic and running sounds at festivals and venues, directed me to them when I said "Dude, I need mic's and I'm broke". He said they functioned fantastically and if they "walk away" or fail, you're out $29.
You're newer here ToddK, but others here know enough of me to know I'm a dude, with no product to promote or axe to grind. So consider this a review you can trust. Or not.
"It's never too late to be what you might have been" - Eliot
Guilars: '02 Heritage H-535 ASB; '04 Larrivée LV-03 w/Fishman Blend; '95 Washburn/Bourgeios D-55SW Cherokee
Amphs: Boogie DC-2; DVM/BYOC Tweed Champlifier; Marshall AS50D
Currently on Board: Ditto Looper; Boss TU-2; EB VP Jr; crybaby; DVM Spring Fever; DVM Mini Klone, Brena Effects Cali-Tremor tremolo; Strymon El Capistan