That is not a problem with my Muddy Waters Tele knobs. I think all Teles should benefit from the use of Fender amph knobs like the Muddy!
I have a big problem with Telecaster controls.
It seems hard (nearly impossible) to get my finger between the volume knob and the switch when the switch is in the bridge position. It makes fast pickup selection a bit of a chore and very frustrating.
A Strat switch is out there where you can easily flick it. Same with a Les Paul switch. Why isn't the Tele as easy to use? Does anyone make an aftermarket control plate that moves the volume knob towards the tone knob? Should we start a movement to get the spacing changed at the factory?
There is a lot of unused real estate between the two knobs. Shouldn't they be closer together?
What is your take on it?
"No Tele For you." - The Tele Nazi
Ha! Tele-ish now inbound.
That is not a problem with my Muddy Waters Tele knobs. I think all Teles should benefit from the use of Fender amph knobs like the Muddy!
Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.
Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube
Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz
I've heard good things about the Muddy Waters Tele. What's your opinion Tone?Originally Posted by tone2thebone
I pick a moon dog.
I could see how those knobs would give just a little more space to get to the switch. Unfortunately, every other Tele comes with the chrome knobs. I like those myself.
"No Tele For you." - The Tele Nazi
Ha! Tele-ish now inbound.
I really like the switches and knobs on my Tele...I wouldnt change a thing...but thats just my opnion.
The first thing I noticed when playing the Muddy was how loud and clean the strings vibrate. I attribute that to the vintage tailpiece with 3 brass saddles, the medium jumbo frets and the ash body. Plus the fact that it IS a standard string through body design by nature. You get a much more defined tone on this compared to a floating trem Strat. My Muddy is about as heavy as my Gibson LP.....about over 8 pounds. I also think the CAR finish has something to do with how absolutely spanky that baby gets. Seriously it's pure magic to play. It inspires you to play stuff you didn't think was possible. It has stock pickups in the neck and bridge that sound wonderful. I can play anything with this guitar. Bridge stuff is just freakin' awesome....bridge/middle very sparkly....and the neck just plain SMOKES. It also sports a fine set of vintage Fender/Gotoh tuners. The Muddy Waters Telecaster is probably the best guitar for the blues period! I've learned that the Telecaster is one versatile instrument. I never owned a Tele until I found this one.Originally Posted by tot_Ou_tard
Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.
Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube
Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz
So if you had to pick between your tele and your les paul for ONE guitar to diversify guitar ownership from a strat, which would you pick?, and why?
EDIT: Dang, I passed 500 posts in the last day or two and didn't even notice.
Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson
I would be torn but I'd probably have to say my Tele. BUT when I stand around playing some blues the Gibson is right at home with that too. I just come down on the volume knob for a lot of that stuff and utilize all the pickup position choices...either both neck and bridge or just neck. Bridge goes a long way as well. You can blues out or rock out with the Les Paul thats for damn sure. GEE DO YOU HAVE TO MAKE ME CHOOSE?! heh But sure I'd take the Tele to a show or a studio.Originally Posted by sunvalleylaw
Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.
Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube
Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz
I actually prefer the tele configuration because I am always bumping the switch on my strat out of the neck position by accident. (I dont play it that much, though) On the tele I can hook the switch from underneath with my pinky when it's in the bridge position.
Also, the gap between the pots makes for easy swells.
I too didn't like the layout from the factory. I turned my plate 180 degrees & now the order is like this:
3-way switch nearest Jack (rear)
Tone in the middel
Volume nearest the neck (front)
BTW- I'm a Lefty and those are Glendale Saddles
Well theres your problem, your stuff is installed upside down/backwards.Originally Posted by fendermojoman
I like this idea. I think I'll try it too.Originally Posted by fendermojoman
"No Tele For you." - The Tele Nazi
Ha! Tele-ish now inbound.
You can change the standard control plate:
To this one that has the volume pot's hole closer to the tone pot's one:
MY GEAR:Guitars: Gibson ES-335, Tokai LS160s LP, Rockinger strat 2-tone sunburst, Rockinger tele C.A.R., NS Custom Relic Tele, Epiphone Jeff Baxter electroacoustic, Admira classical guitar
Amps: Fender Deluxe Reverb II, Tech21 TM30
Main Effects Unit: VOX Tonelab SE
My Band:
http://www.blackframe.gr
Personal Myspace:
http://www.myspace.com/eliasavdikos
elavd
So who makes that control plate? That is EXACTLY what I've been talking about.
"No Tele For you." - The Tele Nazi
Ha! Tele-ish now inbound.
Interesting, I've never had any problems with this myself. One of my students has strat, and he is constantly turning his volume knob down by accident - tragic to see!
I love those chrome knobs on the Tele!
The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
Master Guitar Academy - I also teach via SKYPE.
As far as I know, the main source of these control plates in Europe is Goeldo.
The Greek distibutor of Goeldo's products is Stavros Ntukas: www.guitars.gr
and the German main distributor is Rockinger: www.rockinger.de
Unfortunatelly, as far as I know, they both don't sell overseas...
Here is the page with Goeldo's other international retailers:
http://www.goeldo.de/gshop.php?p=haendler
Also, why don't you check out on Stew & Mac's site? Maybe they have something similar!
MY GEAR:Guitars: Gibson ES-335, Tokai LS160s LP, Rockinger strat 2-tone sunburst, Rockinger tele C.A.R., NS Custom Relic Tele, Epiphone Jeff Baxter electroacoustic, Admira classical guitar
Amps: Fender Deluxe Reverb II, Tech21 TM30
Main Effects Unit: VOX Tonelab SE
My Band:
http://www.blackframe.gr
Personal Myspace:
http://www.myspace.com/eliasavdikos
I just saw on Stew & Mac's site, that they sell only typical Tele control plates...
http://www.stewmac.com/shop/Hardware...ol_Plates.html
MY GEAR:Guitars: Gibson ES-335, Tokai LS160s LP, Rockinger strat 2-tone sunburst, Rockinger tele C.A.R., NS Custom Relic Tele, Epiphone Jeff Baxter electroacoustic, Admira classical guitar
Amps: Fender Deluxe Reverb II, Tech21 TM30
Main Effects Unit: VOX Tonelab SE
My Band:
http://www.blackframe.gr
Personal Myspace:
http://www.myspace.com/eliasavdikos
fendermojoman must be onto something! The Squier Vintage Modified HS and HSS tele's have a flipped control panel too.
Electrics: Hagstrom Ultra Swede (Gold Eagle Burst) Gretsch 5120 Electromatic (Orange) Custom Nashville Blackout Telecaster (Black, Stat mid/neck p'ups; Lil Puncher (Modern Vintage) bridge p'up; Wilkinson Compensated Bridge w/ 3 brass saddles, Warmoth Vintage Modern Birdseye Maple Neck) Fender MIM Stratocaster (Blue Agave, Rosewood Fretboard, Fender Tex-Mex p'ups; GFS Trem/Block Kit) Highland Spitfire (semi-hollow, flame maple top w/ bubinga inlay)Acoustics:Washburn D10CEQSB, Yamaha FG160E
Bass: Westone Spectrum ST, Warwick Rockbass Corvette Basic Active
Amps: Vox NT15H/V112NT Night Train, Peavey Bandit 112, Hartke HyDrive 210C Bass Amp, Vox DA5
That's what torques me about the volume pot on my Charvel, although it's not as close as a Strat's is.Originally Posted by Robert
Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
"I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn