Warning: preg_replace(): The /e modifier is deprecated, use preg_replace_callback instead in ..../includes/class_bbcode.php on line 2968

Warning: preg_replace(): The /e modifier is deprecated, use preg_replace_callback instead in ..../includes/class_bbcode.php on line 2958
OK, you Tube Screamer aficionados....
Page 1 of 2 12 LastLast
Results 1 to 19 of 26

Thread: OK, you Tube Screamer aficionados....

  1. #1
    Join Date
    Feb 2006
    Location
    Uppah Noo Yawk
    Posts
    7,407
    Post Thanks / Like

    Default OK, you Tube Screamer aficionados....

    There has long been a debate about which IC chip, a.k.a. "opamp", sounds best in the Tube Screamer and it's many clones and derivatives. Well, here's a chance to hear for yourself the difference between several different opamps and pick your favorite. Below is a link to an audio clip I recorded using my Zonkin' Yellow Screamer, in between my Strat and my Delta Blues amp. The clip starts with a clean run-through, followed by the same sequence played through six (6) different opamps.

    Now, I'm not going to tell you what they are, other than to say they're all different and one of them is the JRC4558D that is the model used in the original TS-808. It's not a "NOS" chip, but from what I've read, that doesn't make much if any difference anyway.

    Take a listen and vote for your favorite. And make any other editorial comments you wish, such as how they sound vs. each other, which one you like least, etc. Once everybody who is interested has had their shot, I'll tell you what/which the 6 are....

    The clip is HERE.

    *** EDIT 2/4 ***

    Suppose I ought to give a few details on how things were set up for the recording. Recorded using my Strat on the bridge-middle-in-series pickup setting and tone settings at about 7.5. Delta Blues on the clean channel and the volume down low; B = 7, M = 10, T = 8, reverb = 7. The ZYS was set up as follows:

    Gain Range - Normal
    Bass Rolloff - 340 Hz (slight bass boost vs.TS stock)
    Clipping Diodes - Silicon (TS stock, except asymmetric)
    Level - 10:30 o'clock
    Drive - 3 o'clock (~80%)
    Tone - 12 o'clock

    Amp was mic'ed into my sound card and recording/editing was done with Audacity.
    Last edited by duhvoodooman; February 4th, 2007 at 01:02 PM.
    DVM's Ever-Expanding Gear List:

    Guitars - W-A-A-A-Y-Y too many to list. Check 'em all out HERE

    Amps & Cabs - "Kap'n Kerrang-aroo" BYOC 18W TMB kit amp head; Mojave Coyote head; Fender Hot Rod Deluxe Lacquered Tweed Ltd. Ed.; Allen Sweet Spot kit amp; BYOC Tweed Royal kit amp; Epiphone Valve Jr. combo + mods; Drive 2x12 cab / Celestion G12M Greenback + G12H30; AB Custom Audio 1x12 cab / Celestion Alnico Blue

    Pedals/Effects - ZILLIONS, including DVM's Home-built Pedals - See some HERE and HERE, TOO!

    DVM's Gear Photos
    Visit MY WEBSITE!



  2. #2
    Join Date
    Oct 2005
    Posts
    7,254
    Post Thanks / Like

    Default

    My favorites (in order) are probably #1, #6, #5. #1 is very smooth. #6 has a more bite and better note definition, IMO. So what do I win?
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  3. #3
    Join Date
    Apr 2006
    Location
    So Cal
    Posts
    377
    Post Thanks / Like

    Default

    Im diggin 1 and 6 the best.
    Git-tires EC Custom Strat, Gibson ES-335, Custom built Tele, Fender Highway 1 P-Bass, Martin 000-28EC Acoustic, Gibson SG Classic
    Hearin aids-AmphsCustom hand built 5E3 Magic Markie Mojotone Amph, Fender Blackline dripedge 69 Princeton Reverb, 69 SF/DE Vibro-Champ, 64 Blackface Deluxe reverb, 64 Princeton 6G2 Fender, D'Lite ODS 22, Rumble 60 Bass amph
    EffectsBoss CH1 Chorus, Boss DD-3 Delay, Vox wah, Tonebone Classic, TS-9 modded, Bad Bob,Sweetsound Mojo-vibe, Boss RC-20XL Loopstation, Peterson Strobstomp, ZYS pedal, Keeley Comp, Boss LS-2, Zendrive, Menatone Howie

  4. #4
    Join Date
    Sep 2006
    Location
    New York, NY
    Posts
    88
    Post Thanks / Like

    Cool Minimal differences ...

    There are subtle differences, but that could also be from the sequence being played slightly different each time. None of them really stands out ... IMHO

    (they're all the same opamp -- wouldn't that be funny)

    The differences are so subtle that I highly doubt they would even make a difference in a recording studio, much less live. Could it be that the different opamps respond drastically differently to different components -- one opamp sound wonderful with certain components, but sounds horrible when paired with others, and vice versa, etc etc etc ...
    My Gear ...
    Roland Micro Cube, Traynor YCV20WR
    Ovation Cedar Balladeer, "Super-cute" Fender Strat, Squier M-80

  5. #5
    Join Date
    Nov 2006
    Posts
    238
    Post Thanks / Like

    Default

    Hard to say which I like best between 4, 5, 6 I've only listen to the clips about 5 times 1 has the biggest differances than the rest the last three seem more balanced on the low mid and high tones.........oh heck I'll take #5

  6. #6
    Join Date
    Nov 2005
    Location
    central florida
    Posts
    4,577
    Post Thanks / Like

    Default

    on first run through i think i liked 2 or 3 the best....they all sounded good though...

    ww
    Quote Originally Posted by just strum
    For the record, my annoyance with Warren has a lot to do with the hissing noises he makes.
    Guitars: Gibson 1998 Les Paul Special : Peavey Predator (Early 90's Fat Strat Copy) : Ibanez GAX30TR
    Brownsville Reso - 101 Electric Reso : Fender GDO-300 Maple Quilt Top Acoustic

    Amps: Fender Super Champ XD

    Effects: Digitech RP250 Modeling Guitar Processor : DVM "Phased and Confused" Script Phaser Clone : Digitech Bad Monkey
    Danelectro Cool Cat Chorus : Behringer Distortion Modeler : Ernie Ball Volume Pedal : Dunlop Cry Baby Wah

  7. #7
    Join Date
    Oct 2006
    Location
    Michigan
    Posts
    321
    Post Thanks / Like

    Default

    Hmmm...
    Surprising to me, but I can't hear a whole lot of diff between them, and then I'm not quite sure what exactly is making that slight change. And they all sound good.
    In order to actually vote then, I'm afraid you will have to send me a Zonkin Yellow Screamer for further extensive long term testing. I'll return it, promise.
    "Without music to decorate it, time is just a bunch of boring production deadlines or dates by which bills must be paid." - Frank Zappa

    Yamaha G240
    Epi Dot Deluxe, Squier '51, G&L S-500
    Vox AD30VT, PODxt

  8. #8
    Join Date
    Mar 2006
    Location
    Exterra Cognita
    Posts
    5,724
    Post Thanks / Like

    Default

    Yup, there's a difference between them.

    The lick has two regions, the single note melody in the first half and some chords at the end. So I suggest discussing this based on how the setting handles each portion. BTW, I still say that I would select (0) = off a lot. That is sweet clean playing. I only had time to listen focusing on the rythm work.
    I'll try to come back & leave my initial impressions on the leads later.


    Lead:
    1)
    2)
    3)
    4)
    5)
    6)

    Rythm:

    1) Nice breaking up tone. Still has some of the ringout on the last chord.
    2) More breakup and a tad darker.
    3) A little tighter, but not like 4 & 5.
    4) Brighter and tighter with less sustain. More modern and even.
    5) Similar to 4 but darker.
    6) This one is darker than all the rest & is my least favorite.

    I'd choose 1) for a vintage sound & 4) for a more modern sound here.

  9. #9
    Join Date
    Feb 2006
    Location
    Uppah Noo Yawk
    Posts
    7,407
    Post Thanks / Like

    Default

    Quote Originally Posted by NPauly
    There are subtle differences, but that could also be from the sequence being played slightly different each time. None of them really stands out....The differences are so subtle that I highly doubt they would even make a difference in a recording studio, much less live...
    This is my opinion, exactly. The differences seem very subtle, easily overwhelmed by other factors. Given what I've heard, the debate over which opamp is "the best" for a Tube Screamer seems pretty silly. At least so far.

    Quote Originally Posted by NPauly
    Could it be that the different opamps respond drastically differently to different components -- one opamp sound wonderful with certain components, but sounds horrible when paired with others, and vice versa, etc etc etc....
    That's an interesting thought, one that I've also considered. I haven't played nearly enough through all of these opamps to be able to say yea or nay. I may fool around with them on one of my humbucker guitars and through my Valve Jr. today to see if I pick up any additional differences.

    Quote Originally Posted by NPauly
    (they're all the same opamp -- wouldn't that be funny)
    Nope, six different IC's, I swear!
    DVM's Ever-Expanding Gear List:

    Guitars - W-A-A-A-Y-Y too many to list. Check 'em all out HERE

    Amps & Cabs - "Kap'n Kerrang-aroo" BYOC 18W TMB kit amp head; Mojave Coyote head; Fender Hot Rod Deluxe Lacquered Tweed Ltd. Ed.; Allen Sweet Spot kit amp; BYOC Tweed Royal kit amp; Epiphone Valve Jr. combo + mods; Drive 2x12 cab / Celestion G12M Greenback + G12H30; AB Custom Audio 1x12 cab / Celestion Alnico Blue

    Pedals/Effects - ZILLIONS, including DVM's Home-built Pedals - See some HERE and HERE, TOO!

    DVM's Gear Photos
    Visit MY WEBSITE!



  10. #10
    Join Date
    Jul 2006
    Posts
    128
    Post Thanks / Like

    Default

    The thing that surprised me was that though there were definable differences, ALL the settings sounded good to me - having read some discussions on which IC is best I expected some of these to sound mediocre.

  11. #11
    Join Date
    Feb 2006
    Location
    Uppah Noo Yawk
    Posts
    7,407
    Post Thanks / Like

    Default

    Yes, there are very definitely audible differences. I guess it comes down to the question of are they significant or not? I would agree with your statement that they all sound good. And reading some of the comparative language in the TS "lore", you'd think some of them would sound amazing and others would stink. Clearly not the case, IMO....
    DVM's Ever-Expanding Gear List:

    Guitars - W-A-A-A-Y-Y too many to list. Check 'em all out HERE

    Amps & Cabs - "Kap'n Kerrang-aroo" BYOC 18W TMB kit amp head; Mojave Coyote head; Fender Hot Rod Deluxe Lacquered Tweed Ltd. Ed.; Allen Sweet Spot kit amp; BYOC Tweed Royal kit amp; Epiphone Valve Jr. combo + mods; Drive 2x12 cab / Celestion G12M Greenback + G12H30; AB Custom Audio 1x12 cab / Celestion Alnico Blue

    Pedals/Effects - ZILLIONS, including DVM's Home-built Pedals - See some HERE and HERE, TOO!

    DVM's Gear Photos
    Visit MY WEBSITE!



  12. #12
    Join Date
    Feb 2006
    Location
    Uppah Noo Yawk
    Posts
    7,407
    Post Thanks / Like

    Default

    OK, here's a couple of more clips I just finished using my Valve Jr. and my Epi Dot. I picked this combo for a darker overall sound, in addition to it being a humbucker guitar vs. the first clip using my Strat. I have the volume way down on the VJr. to keep it from coloring the sound with any breakup. The Dot was played in the dual pickup position with the tone settings midway. Throughout the two recordings, I had the ZYS set up as follows:

    Gain Range - Normal
    Bass Rolloff - 720 Hz (TS stock)
    Clipping Diodes - Silicon (TS stock, except asymmetric)
    Level - 10 o'clock
    Drive - 3 o'clock (~80%)
    Tone - 12 o'clock

    The first clip is a single note lead up high on the neck--once clean, then six times with the different opamps. The second clip is the familiar ZZ Top Tush rhythm line a couple of times through, and I hold the last chord for a bit.

    The order of the six opamps is different than in the original Strat clip and different between the two clips, so don't make any assumptions on what you're hearing in the three clips based upon the order! Here are the links to the clips:

    DVM's Ever-Expanding Gear List:

    Guitars - W-A-A-A-Y-Y too many to list. Check 'em all out HERE

    Amps & Cabs - "Kap'n Kerrang-aroo" BYOC 18W TMB kit amp head; Mojave Coyote head; Fender Hot Rod Deluxe Lacquered Tweed Ltd. Ed.; Allen Sweet Spot kit amp; BYOC Tweed Royal kit amp; Epiphone Valve Jr. combo + mods; Drive 2x12 cab / Celestion G12M Greenback + G12H30; AB Custom Audio 1x12 cab / Celestion Alnico Blue

    Pedals/Effects - ZILLIONS, including DVM's Home-built Pedals - See some HERE and HERE, TOO!

    DVM's Gear Photos
    Visit MY WEBSITE!



  13. #13
    Join Date
    Nov 2005
    Location
    Sweden
    Posts
    5,347
    Post Thanks / Like

    Default

    All of them sounds really good! But if I had to pick one, it would have been 4.
    I can't say that I've given up on a flanger cause I've never liked the effect either. I also can't say the same about Tremolo. I hate them both equally. - Tone2TheBone 2009

  14. #14
    Join Date
    Oct 2005
    Posts
    7,254
    Post Thanks / Like

    Default

    Quote Originally Posted by SuperSwede
    All of them sounds really good! But if I had to pick one, it would have been 4.
    Yeah, I'd say #4 or #5. I'd be interested to see how that would agree (or not) with my previous selections.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  15. #15
    Join Date
    Feb 2006
    Location
    Uppah Noo Yawk
    Posts
    7,407
    Post Thanks / Like

    Default

    Quote Originally Posted by marnold
    Yeah, I'd say #4 or #5. I'd be interested to see how that would agree (or not) with my previous selections.
    On the lead or rhythm clip?? The order of the opamps is different between the two!
    DVM's Ever-Expanding Gear List:

    Guitars - W-A-A-A-Y-Y too many to list. Check 'em all out HERE

    Amps & Cabs - "Kap'n Kerrang-aroo" BYOC 18W TMB kit amp head; Mojave Coyote head; Fender Hot Rod Deluxe Lacquered Tweed Ltd. Ed.; Allen Sweet Spot kit amp; BYOC Tweed Royal kit amp; Epiphone Valve Jr. combo + mods; Drive 2x12 cab / Celestion G12M Greenback + G12H30; AB Custom Audio 1x12 cab / Celestion Alnico Blue

    Pedals/Effects - ZILLIONS, including DVM's Home-built Pedals - See some HERE and HERE, TOO!

    DVM's Gear Photos
    Visit MY WEBSITE!



  16. #16
    Join Date
    Sep 2005
    Location
    Albuquerque, New Mexico, USA
    Posts
    6,009
    Post Thanks / Like

    Default

    When I get to work tomorrow with a faster server I will have a listen.
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

    Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube

    Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz

  17. #17
    Join Date
    Nov 2005
    Location
    Sweden
    Posts
    5,347
    Post Thanks / Like

    Default

    Quote Originally Posted by duhvoodooman
    On the lead or rhythm clip?? The order of the opamps is different between the two!
    I was talking about the first clips...
    I can't say that I've given up on a flanger cause I've never liked the effect either. I also can't say the same about Tremolo. I hate them both equally. - Tone2TheBone 2009

  18. #18
    Join Date
    Sep 2006
    Location
    New York, NY
    Posts
    88
    Post Thanks / Like

    Default

    To my ears there is more of a difference between the opamps with the humbuckers than with the single coils, but the differences are still too subtle to make much of a difference in most situations. I could use any of those opamps and after tweaking my playing, amp settings, guitar settings, etc be happy with the result. In other words they are all an excellent starting point for finding a good tone -- just pick one and tweak as necessary.

    It would be a completely different story if one or two of the opamps stood out from the rest as being either drastically superior or inferior. And then I would completely agree that using the noticeably different opamps would definitely have an impact on your tone, but as things currently stand they are all extremely usable and all provide an excellent foundation for dialing in a usable and pleasing tone.
    Last edited by NPauly; February 5th, 2007 at 12:12 PM. Reason: tyops toyps tyosp
    My Gear ...
    Roland Micro Cube, Traynor YCV20WR
    Ovation Cedar Balladeer, "Super-cute" Fender Strat, Squier M-80

  19. #19
    Join Date
    Oct 2005
    Posts
    7,254
    Post Thanks / Like

    Default

    Quote Originally Posted by duhvoodooman
    On the lead or rhythm clip?? The order of the opamps is different between the two!
    I was referring to the rhythm clip.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

Page 1 of 2 12 LastLast

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •