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Our New Rig
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Thread: Our New Rig

  1. #1
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    Cool Our New Rig

    Not really a product review (yet) as we haven't really put it thru all it's paces, but so far it looks like pretty good bang for the buck. Here's what we picked up for "The Barley Boys":

    Peavey PV14 Mixer


    Peavey PV1500 Power Amp


    Peavey PV215 Speakers


    Plus a couple of 12" monitors I eBay'ed from Cross Audio.

    We'll power the monitors with an old Peavey XR-400 head that I already have. So far everything looks and sounds awesome. Should be more than enough power for small to medium sized gigs. At practice today we ran my guitar (from my RP-80) and the bass straight into the board. Sounds good and less gear to haul around!

    Can't beat ol' Peavey for durability and bang for the buck. Even with cables, mics and misc. we still came in well under 3Gs. Should have 'er pretty much paid off in 5 or 6 gigs.

    Just thought I'd share
    Electrics: Hagstrom Ultra Swede (Gold Eagle Burst) Gretsch 5120 Electromatic (Orange) Custom Nashville Blackout Telecaster (Black, Stat mid/neck p'ups; Lil Puncher (Modern Vintage) bridge p'up; Wilkinson Compensated Bridge w/ 3 brass saddles, Warmoth Vintage Modern Birdseye Maple Neck) Fender MIM Stratocaster (Blue Agave, Rosewood Fretboard, Fender Tex-Mex p'ups; GFS Trem/Block Kit) Highland Spitfire (semi-hollow, flame maple top w/ bubinga inlay)
    Acoustics:Washburn D10CEQSB, Yamaha FG160E
    Bass: Westone Spectrum ST, Warwick Rockbass Corvette Basic Active
    Amps: Vox NT15H/V112NT Night Train, Peavey Bandit 112, Hartke HyDrive 210C Bass Amp, Vox DA5


  2. #2
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    Mid Life Crisis doesn't own a PA? I guess I'm confused are the Barley Boys a *new* band? I thought it was just a new moniker for MLC.

    Congrats on the new gear though!

    You should get an endorsement deal from Peavey.

  3. #3
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    Yeah, congrats! Remember to record yourselves as both Mid Life Crisis and as Barley Boys. Barley Boys is the smaller 3 piece version I take it?
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  4. #4
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    "The Barley Boys" is our 3 pc. The fourth member of MLC is also the guy who owns the PA (much bigger system) and is reluctant to do smaller gigs for less cash or "just for sh*ts and giggles".

    "The Barley Boys" purchased this gear between the three of us.

    It's gonna be interesting juggling the interests of 2 bands - I'm really starting to appreciate Plank-Spanker's "herding cats" reference

    In the long run, I think the 3 pc will be more fun and, oddly enough, focused as the 3 of us are really on the same page. MLC is the "show band" - for the time being anyway.
    Electrics: Hagstrom Ultra Swede (Gold Eagle Burst) Gretsch 5120 Electromatic (Orange) Custom Nashville Blackout Telecaster (Black, Stat mid/neck p'ups; Lil Puncher (Modern Vintage) bridge p'up; Wilkinson Compensated Bridge w/ 3 brass saddles, Warmoth Vintage Modern Birdseye Maple Neck) Fender MIM Stratocaster (Blue Agave, Rosewood Fretboard, Fender Tex-Mex p'ups; GFS Trem/Block Kit) Highland Spitfire (semi-hollow, flame maple top w/ bubinga inlay)
    Acoustics:Washburn D10CEQSB, Yamaha FG160E
    Bass: Westone Spectrum ST, Warwick Rockbass Corvette Basic Active
    Amps: Vox NT15H/V112NT Night Train, Peavey Bandit 112, Hartke HyDrive 210C Bass Amp, Vox DA5


  5. #5
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    Quote Originally Posted by t_ross33
    "The Barley Boys" is our 3 pc. The fourth member of MLC is also the guy who owns the PA (much bigger system) and is reluctant to do smaller gigs for less cash or "just for sh*ts and giggles".
    I would refuse to do a gig for sh*ts n' giggles. Free? YES. Giggles? Doubly so!

    But I demand you keep your sh*ts to yerself!

  6. #6
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    Quote Originally Posted by tot_Ou_tard
    I would refuse to do a gig for sh*ts n' giggles. Free? YES. Giggles? Doubly so!

    But I demand you keep your sh*ts to yerself!
    I've been paid sh*t before, but how can you pass up giggles
    Electrics: Hagstrom Ultra Swede (Gold Eagle Burst) Gretsch 5120 Electromatic (Orange) Custom Nashville Blackout Telecaster (Black, Stat mid/neck p'ups; Lil Puncher (Modern Vintage) bridge p'up; Wilkinson Compensated Bridge w/ 3 brass saddles, Warmoth Vintage Modern Birdseye Maple Neck) Fender MIM Stratocaster (Blue Agave, Rosewood Fretboard, Fender Tex-Mex p'ups; GFS Trem/Block Kit) Highland Spitfire (semi-hollow, flame maple top w/ bubinga inlay)
    Acoustics:Washburn D10CEQSB, Yamaha FG160E
    Bass: Westone Spectrum ST, Warwick Rockbass Corvette Basic Active
    Amps: Vox NT15H/V112NT Night Train, Peavey Bandit 112, Hartke HyDrive 210C Bass Amp, Vox DA5


  7. #7
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    Quote Originally Posted by t_ross33
    I've been paid sh*t before, but how can you pass up giggles
    You can't.

    You just can't they're too hard to find & worth too much!

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