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Does Epiphone count? - Page 2
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Thread: Does Epiphone count?

  1. #20
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    Wink Play ANY guitar you are considering

    Today's rambling post from R_of_G, the story of the diamond in the rough, or always play before you pay.

    I can think of at least two circumstances under which the "lesser" brand like epiphone or squier have yielded the better guitar for the player. the first story is my friend curtis' [the single greatest funk bass-player i have ever met, and one hell of a guitar player to boot]. fyi - i am 100% self-taught, but it was curtis who taught me how to teach myself. anyway, he has a mexican strat knock-off [not a mexican fender or squier, just a knock off]. that thing is one of the easiest to play and organic sounding electric guitars i have ever played. he loaned it to me for two diff 6 month periods before i owned my own electric, and it is the guitar i learned a LOT of riffs playing. the only adjustment he made to the way it came was to put a very thin piece of wood underneath the bridge whch gave the guitar a natural distortion and more play with thick strings than should be allowed a beginner. i still miss that guitar though i now have had 2 electrics of my own for years. which, brings me to story #2, the black sparkle strat.

    a few yrs back my parents gave me money for hannukah. they told me not to use it for anything i needed, but to use it for something fun [knowing full well i would put it towards something music related as they have been very supportive of my playing since i began 7 yrs ago]. "buy yourself a toy," was my interpretation and off to guitar center i went [my toys r us]. i played every single guitar in my price range, but about 5 guitars in i found a squier black/silver sparkle strat that played better than any american or japanes or mexican fender strat i have ever played. i continued to play more guitars [and a bass or two] but every 3 or 4 i'd come back to that strat and every single time it played better than whatever i thought was the best of the last batch. i never even bothered to really look at the price tag i just knew from the other guitars around it that it would be in my range. then i did look. then i looked again. i may as well have stolen it, because for $125, i cannot begin to tell you what that guitar has meant to my playing. anyone who plays it [and i know and hang out with several other guys who play] all hate to have to give it back to me when i come back from having a cig or trying to be social at parties and not just dork out with my guitar buddies.

    the lesson is ALWAYS play any instrument you are considering buying because what one may discount as a discount brand axe may be the one with the tone, or action, or bendable fretboard, or whatever it is you have been looking for. i was looking for a toy, and that strat is so easy to play that it may as well be. if i ever have a child that wants to play, they can learn on it.

    ok virtual guitar buddies, enough of my manic side.
    "I happen to have perfect situational awareness, Lana. Which cannot be taught, by the way. Like a poet's ... mind for ... to make the perfect words." - Sterling Archer

  2. #21
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    RofG

    While I agree with your principle it is not always the case. If it is possible to play something before buying then you should do so. That way you know for sure.

    That said...

    Sometimes it is not always possible to do that. That has been my case. I have at least 20 guitars that I never played ahead of buying that I absolutely love. Out of all that I have purchased unplayed I have run across 3 or 4 duds, which isn't bad considering that has been out of a pool of 40 or so guitars.

    Your suggestion makes sense for the majority of purchases and certainly for less experienced players, but maybe it doesn't always have to be be the rule.

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  3. #22
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    Default not a rule

    agreed spudman. i don't hold it [or anything else] to be a hard and fast rule. simply saying that often if the only differentiating factor between two guitars is the brand, play em both, you may be surprised. you may not. or you may find one you know will sound good no matter what, or hope so. big risk, but your exp shows it is often worth it.

    Quote Originally Posted by Spudman
    RofG

    While I agree with your principle it is not always the case. If it is possible to play something before buying then you should do so. That way you know for sure.

    That said...

    Sometimes it is not always possible to do that. That has been my case. I have at least 20 guitars that I never played ahead of buying that I absolutely love. Out of all that I have purchased unplayed I have run across 3 or 4 duds, which isn't bad considering that has been out of a pool of 40 or so guitars.

    Your suggestion makes sense for the majority of purchases and certainly for less experienced players, but maybe it doesn't always have to be be the rule.
    "I happen to have perfect situational awareness, Lana. Which cannot be taught, by the way. Like a poet's ... mind for ... to make the perfect words." - Sterling Archer

  4. #23
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    I see a lot of my brethren here going the way of buying without "playing" and for the most part it seems to work for them/you. Way to go! I am lucky enough to live in a big enough town to be able to play as many instruments as I possibly can and well..often do. I too can say that I appreciate the satisfaction that occurs when you find that one guitar that says "please take me home you know you want to". I think this distinction makes finding new guitars all worth the while but like I said...I am glad that some of you have been well pleased with your purchases sight unseen. Either way we get more guitars!
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

    Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube

    Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz

  5. #24
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    I would have bought my Gibsons off of a showroom, but I had specific finishes in mind when I was shopping, and I never encountered them. So, I ordered them. One nice thing is that the last person to touch these guitars before I received them worked at Gibson - no showroom rash, no Frito infested strings, no gunked over finishes. They were brand new and spotless. A quick setup to my likings was all they needed.
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

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  6. #25
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    Quote Originally Posted by ShortBuSX
    Yeah, I NEED one of those...but I was thinking more along the lines of THIS

    MY buddy's set up was so bad that I couldnt play it long, he didnt have a strap so I had to play it seated...but after reading a couple reviews, I get the impression that its neck heavy, so Im kinda second guessing that choice...kinda makes the Les Paul even more desireable.
    How about a compromise? How about one of THESE?
    Rob Smith
    I AM the bass player!


    GUITARS: '93 ZON Sonus 4, '85 G&L L-2000 (Mahogany), '05 Schecter Stiletto Custom 4, '06 SX SJB-62MG (Fretless), '07 Squier Bronco (project), '06 Ibanez AEB10E-BK acoustic bass, '70s Epiphone OO-sized acoustic, '94 Peavey Reactor (extreme makeover edition)


    AMPS: '03 Ampeg BA115 bass combo, '86 Peavey MkIV Series 400 bass head, SWR Workingman's cabs, 2x10" & 1x15", '00 Peavey Micro Bass

  7. #26
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    Default A good finish is a good call...

    I agree, if you are ordering them straight from Gibson, and you know exactly what you want, you know you will get a good guitar. Still, not sure luthiers don't ear fritos even when they work at Gibson, but I def know what you mean . I was pretty much referring to the "if you are already in a showroom looking for a new guitar" scenario.

    Quote Originally Posted by Plank_Spanker
    I would have bought my Gibsons off of a showroom, but I had specific finishes in mind when I was shopping, and I never encountered them. So, I ordered them. One nice thing is that the last person to touch these guitars before I received them worked at Gibson - no showroom rash, no Frito infested strings, no gunked over finishes. They were brand new and spotless. A quick setup to my likings was all they needed.
    "I happen to have perfect situational awareness, Lana. Which cannot be taught, by the way. Like a poet's ... mind for ... to make the perfect words." - Sterling Archer

  8. #27
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    Default Not so much a fan of the Gibson solid-bodies

    To be honest, I'm not personally a fan of the Gibson solid-bodies. While I absolutely love my ES-135, and it will prob always be my primary electric, when it comes to solid bodies, Gibsons have never done it for me. First things first, I love a lot of players who play/played them [Page, Santana, Zappa, etc]. I have just never been able to find one I can get the right sound out of for my own playing. I do love my fake strat, and I dream of the day I buy my Tele [you're out there somewhere, and I will find you]. Played a couple at the store yesterday when I went for some new cables, but neither really said take me home and play me more. Also played an SG, which wasn't bad, but I liked my Strat a little better.

    Glad to see a bass player. I am almost positive my next guitar purchase will be a bass [if I don't find my Tele before then]. It will likely be a Fender jazz bass so I can bring the funk, but I will let you all know how it turns out [guessing late aug after my bday]. Now it's time to talk bass players... I'll open the bidding with Michael Henderson [Miles Davis, Stevie Wonder] and George Porter [the Meters]. Your call next...

    Quote Originally Posted by r_a_smith3530
    How about a compromise? How about one of THESE?
    "I happen to have perfect situational awareness, Lana. Which cannot be taught, by the way. Like a poet's ... mind for ... to make the perfect words." - Sterling Archer

  9. #28
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    Default

    Quote Originally Posted by r_a_smith3530
    How about a compromise? How about one of THESE?
    I dont need the Gibson label to be content, the Epiphone line has more value to me...and to be perfectly honest the Gibson is out of my range, but thats alright too, as strange as it may sound, I like cheap guitars and to me thats "Vintage".

    Also if you look, the Epiphone has more features than the Gibson...and believe me, I ask myself, do I want a cheap Gibson with less features or an affordable Epiphone with more? Pickups and electronics are somewhat moot, as almost everybody replaces them anyways, especially in either price range(or either of these guitars).

    BUT I LOVE the suggestions, this is me and how I purchase items...the more information I can gather before putting down the cash, is all the much more better!

    BTW I gotta chance to setup and play my buddy's Epiphone Faded SG yesterday, I put a strap on it and plugged into my own setup(gear)...and yes the guitar dives as soon as you remove your hand from the neck, but playing it wasnt an issue. I also notice the lower body contour(where youd place your knee when playing seated) was swept back further than most guitars tool...which seemed like it even aids in it being neck heavy even while seated And that also just felt strange to me like it wasnt consistant to how my right hand plays/rests/falls/strums on a Strat or Tele, but Id imagine Id adapt.

    Right now Id dont think an SG is for me...although I think its shape and conours would be good for playing while laying down, either on a couch or (my usual)in bed while watching TV. My Strat is pretty comfy for this, but my Tele is near painful/numbing for lack of contours(digs into the ribs and forearm). An LP probably wont be so great for this playing posture/possition...but thats not really what Im after for the moment, I want one that ROCKS while standing up or seated.

  10. #29
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    I love my Epi LP standard...I've played Gibsons and yes they are better, but for the money I'll stick with my Epi (pickup upgrades helped it a lot, to me that's the major difference between the sound of the Gibson and Epi LPs).

    I've been eyeballing a used Epi Tony Iommi G-400 SG copy at a local store...its very tempting. I just bought an Agile last summer though that is basically an SG copy (well its a cross between an SG and an ESP Viper), and I don't think I need another SG copy, but the Epi Iommi sure is sweet.

    If I ever win the lottery, I'd buy some Gibsons...I love my Washburn OS Delta King, which is basically a 335 copy. I got it new for $125, how much does a new Gibson 335 go for? They probably start at 2 grand...I have to ask, are they that much better? Well, if I ever win the lottery I guess I'll find out!

    If I don't get that Epi Iommi SG copy, my next electric will probably be an Agile LP - I've heard they're even better quality than most Epi LPS, and I love my Agile SG copy. (it has a heavy neck too, which does take some getting used to...I used to have an Epi Flying V that was also neck-heavy, so I am sort of accustomed to dealing with a nose-diving neck...BTW, the Epi V was a great guitar too, wish I still had it!)

    Personally I find strats the most comfortable to play, but classic Gibsons are wonderful instruments. I've heard that the new Gibsons don't measure up to their older ones though, but for the prices they're asking they sure ought to. With the quality of inexpensive knock-offs getting better all the time, Gibson had better watch out!

    A guy who works in a guitar store I go to told me that Gibson's really hard to deal with, they take FOREVER to get back to him when he calls, and a store has to purchase a minimum of a hundred thousand $$$'s worth of Giibsons a year to be an official dealer ( I forgot the exact figure, but it was a quite a lot for a small store to have to carry in inventory). He has a theory that Gibson might be trying to squeeze out the small dealers and open up their own stores (that's just his own theory, I don't know if there's anything to it).
    Electrics: Epiphone Les Paul Standard (w/S.D. pups - JB-4/bridge, SH-'59 neck), Fender Fat Strat (Mexican), Squier Fat Tele, Squier '51, Agile Valkyrie III, Ibanez Artcore AF75, Washburn OS OE30 Delta King, Dean Vendetta XM (w/ Dimarzios, D-Sonic/bridge, Air Norton/neck), Silvertone archtop (late 60s/early 70s), Titan EG-1 strat, Gibson G-3 bass, Fullerton strat

    Acoustics: Sigma DM-5 (Japanese), Silvertone archtop (early 50s), Yamaha FG-110 (Korean), Alvarez RD20 12 string, Silvertone (60s)

    Amps: Alamo Capri (early 60s tube), Alamo Challenger (late 60s tube) Epiphone Valve Jr. Head (w/Peavey 1x10 cab & Realistic 2x6 cab), Fender Yale Reverb, Vox Pathfinder 15R, Marshall Lead 12, Behringer G110 V-Tone, Marshall MG15CD, Vox DA-5, Pignose 7-100, Marshall Bass 12

  11. #30
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    Quote Originally Posted by guitartist
    A guy who works in a guitar store I go to told me that Gibson's really hard to deal with, they take FOREVER to get back to him when he calls, and a store has to purchase a minimum of a hundred thousand $$$'s worth of Giibsons a year to be an official dealer ( I forgot the exact figure, but it was a quite a lot for a small store to have to carry in inventory). He has a theory that Gibson might be trying to squeeze out the small dealers and open up their own stores (that's just his own theory, I don't know if there's anything to it).
    My local shop says the same thing...I always try and buy locally when ever possible.

  12. #31
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    Thumbs up

    Quote Originally Posted by ShortBuSX
    My buddy just bought a Vintage Faded SG 400 from MF,

    Well since(I talked him into financing his) Ive had my eye on these....I even found a great SG forum...Ive been drooling seriously! Did you know ALL of these are NITRO'd?!? Ive gotta have one! Ive even considered that this is a 5 week pay period!! BUT today, to my surprise, I found Ive paid off a credit card...and am seriously considering financing one of these...but I dont want the "vintage" but the BLACK SG 400 Epi...even the Goth model has my attention.

    Im really trying to vent some GAS, but I think Im gonna bite the bullet...any opinions, ideas or suggestions. Im kinda findin it strange that the SG 400 is $100 more than the "vintage"...but I gotta have that BLACK!!! And no matter the model...Im thinkin Toni Iommi's, so the pups and pots arent an issue and easily remidied in the not so distant future.
    I got this G400 for $175 in a pawn a couple years ago:



    If I still had it I'd sell it to you.

  13. #32
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    Quote Originally Posted by Brian Krashpad
    If I still had it I'd sell it to you.
    What the heck man...you wouldnt just give it to me?(hypothetically speaking)

  14. #33
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    Exclamation

    Quote Originally Posted by ShortBuSX
    What the heck man...you wouldnt just give it to me?(hypothetically speaking)
    Maybe if I won the lottery or something...

  15. #34
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    Default Spudman

    What quilt top deal did you get at 123?

    Duff
    Duffy
    South Williamsport, Pa.

    "So let us stop talking falsely now, the hour's getting late." (as by JH)

  16. #35
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    Quote Originally Posted by Duff
    What quilt top deal did you get at 123?

    Duff


    Duff...you do realize this thread is a year and half old right? :
    Guitars: 2002 Les Paul Studio Limited Color's Edition | 2004 Greg Bennett Avion Les Paul Copy | S101 Telecaster project | 2004 Washburn D46 Acoustic

    Amplification: Epiphone Valve Jr. Head and Cabinet | VOX AD30VT

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  17. #36
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    Quote Originally Posted by Brian Krashpad
    I got this G400 for $175 in a pawn a couple years ago:



    If I still had it I'd sell it to you.
    I can see why you got rid of it if it's that darn heavy!!!

  18. #37
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    Quote Originally Posted by bigoldron
    I can see why you got rid of it if it's that darn heavy!!!
    now that's funny....i don't care who you are....
    Quote Originally Posted by just strum
    For the record, my annoyance with Warren has a lot to do with the hissing noises he makes.
    Guitars: Gibson 1998 Les Paul Special : Peavey Predator (Early 90's Fat Strat Copy) : Ibanez GAX30TR
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  19. #38
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    Bench pressing an SG, now that's something I haven't seen on ESPN
    Mark
    * Loud is good, good is better!

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