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Thread: Video - My Blue Deluxe Players Strat

  1. #20
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    Lev, I feel the same way. It took a while to get used to it, and I am starting to really like it now. It seems to resonate more and produce a bigger tone too.
    The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
    Master Guitar Academy - I also teach via SKYPE.

  2. #21
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    Freakin' awesome combo...Robert, new strat, Vood's pedal.

    Really great stuff!
    I pick a moon dog.

  3. #22
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    Nice Strat, Robert - great job on the vid playing as well; fantastic tones as usual - like others commented, I too dig the 'Clarity of Strat' that your tones have. Wonderful stuff; congrats on the new gtr.

  4. #23
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    gtrwrks
    Why don't you take a moment and tell us about yourself and your gear in The Fret Players forum.

    "No Tele For you." - The Tele Nazi

    Ha! Tele-ish now inbound.

  5. #24
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    Of course now Robert has gone all big-time on us with this fancy Fender of his and hand-wired OD pedal. Pretty soon he'll only be playing through Dumbles.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  6. #25
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    Hehe, thanks guys - the Fender Strat I have sounds great!

    I am now getting hand made picks, strings and a couple of Dumbles just to clean off that stigma I have as being a cheapie.

    Seriously, I played most of my guitars yesterday, and guess what? My top 2 guitars are my new Fender and my Squier Tele. They are hands down the best sounding and "best playing" guitars of all my guitars.
    The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
    Master Guitar Academy - I also teach via SKYPE.

  7. #26
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    That is great Robert! I am glad you really like your new strat, and glad to hear about the tele. How far down the list did the '51 drop if I may ask? Just curious because those still seem like fun, unique guitars.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  8. #27
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    The '51 is number 3, close behind the Tele!
    The Law of Gravity is nonsense. No such law exists. If I think I float, and you think I float, then it happens.
    Master Guitar Academy - I also teach via SKYPE.

  9. #28
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    That was my guess, just based on what you have used in your lessons. Glad to hear I guessed right. Also makes me thing that if I were to be looking to add a guitar of that genre, I would lean toward the tele type.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

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