Originally Posted by FrankenFretter
I guess I could try that off my Boss CE-5 and not buy anything.
I've never run two amphs together by myself, but a bandmate and I used to do the same thing, essentially.
His distortion tones emphasized the lower end of the spectrum, and mine had a touch less gain and emphasized the mids and highs. By ourselves, it sounded crappy. But played together, the sound was huge!
Guitars:
Fender 2006 MIM Fender Stratocaster HSS in 3TS
Ibanez RG 570 with a bridge Invader
ESP M II Deluxe with a Tune-o-Matic bridge
Eleanor, the magical, mystical Road Worn wonder Tele
Blackstar HT Club 40
Originally Posted by FrankenFretter
I guess I could try that off my Boss CE-5 and not buy anything.
Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson
The things I learn here just a wealth of info.
Maxi...................
Bootsy Collins:
I pledge allegiance to the funk, the whole funk, and nothing but the funk, so help me James, Sly and George, Amen!!
Guitars: 2010 American Special HSS Strat, 2010 CIC Squire CV ThinLine Tele, & 2006 MIM FSR Strat.
Basses: 1979 Peavey T-40, 2007 Ibanez SR 500, 2013 Ibanez SR375F, 2013 CIJ Fender Geddy Lee Jazz Bass, 2014 Sadowsky Will Lee VI, & 2014 Sadowsky Will Lee Metro V
Amps: Mesa Boogie BASS STRATEGY:Eight:88, Aguliar DB 4X12, Augilar DB 751, Genz Benz CTR500-210T/Focus 1X15 CAB, Fender Hot Rod Deville 410, VHT Deliverance 60/VHT 2X12 fat Bottom Cab, & VOX DA20
Effects: Boss ME-25, MXR Custom Baddass 78, MXR Custom Baddass modified O.D., Vox Joe Satriani Satchurator, MXR Phase 90, MXR Bass Chorus Deluxe/Octave Deluxe/Bass Compressor/Envelope Filter/, Way Huge Pork Loin
You didn't say about the CE-5, Steve or I'd have told you to use that to split your signal, just move it to the end of the chain.Originally Posted by sunvalleylaw
Electric: Fat strat > Korg PB > TS7 > DS1 > DD-20 > Cube 60 (Fender model)
Acoustic: Guitar > microphone > audience
Ya, I didn't think of that before. I was thinking, if I was not going to use the chorus (edit, not use the effect but still use the pedal to split), maybe I could split at the beginning, and then have separate dirt set ups too, the Rodent and ZYS on one side, and the DS-1 and Bad Monkey on the other, throw the Little Big Muff in there somewhere, and Hah! Might be fun to play around with.
Last edited by sunvalleylaw; March 19th, 2010 at 07:52 AM.
Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson
I never considered doing that; might have to experiment this weekend. Thanks Steve.Originally Posted by sunvalleylaw
Tell us how your experiment turns out!
-Sean
Guitars: Lots.
Amphs: More than last year.
Pedals: Many, although I go straight from guitar to amp more often lately.
You might want to try adding reverb/delay to one side and grit/dirt to the other, then tweak the volume levels to taste. You can get a full fat sound doing that.Originally Posted by sunvalleylaw
Guitars
Wilburn Versatare, '52 FrankenTele(Fender licensed parts), Fender USA Roadhouse Strat, Fender USA Standard B-bender Telecaster, Agile AL 3000 w/ WCR pickups, Ibanez MIJ V300 Acoustic, Squier Precision Bass,
Amps
Ceriatone Overtone Special, Musicman 212 Sixty-Five, Fender Blues Jr., Peavey Classic 30, Fender Super Reverb, Traynor YCV-40 WR Anniversary w/ matching 1x12 ext. cab, Epiphone SoCal 50w head w/ matching 4x12 cab (Lady Luck speakers), Avatar 2x12 semi-open back cab w/ Celestion speakers
Pedals
Digitech Bad Monkey, Digitech Jamman, DVM's ZYS, Goodrich volume pedal
I have sometimes experimented w/two amps - well in recording I pretty much always do it, at least by re-amping and duplicating tracks - but in 'real life' I find it gives not enough added value compared to the trouble.
Aside from the haulage & more gear, I find it's hard to match the two amps so it won't distract me when playing. I mean, if I have two amps with quite different tonality, it can be great for some part such as a wide, strong rhythm like doubled, but for another part like a lead riff etc. it may sound downright weird, like there was an octover tracking it or something. You don't want a cleanish twang underneath a weeping solo for instance.
And that translates to a lot of problems for switching channels etc...
But I do like to for instance mix&match speakers and mike them differently and run that in stereo for instance. Or insert a D/I line with emulation & mix with the miked tone and so on.
But two actual amps live...I'd need a robot with a logistics program to adjust them amps to my liking from part to part. Something like Neil Young's Whizzer and so on. So it'd be feasible only if I had roadies and other crew etc...
Dee
"When life's a biatch, be a horny dog"
Amps: Marshall JVM 410H w/ Plexi Cap mod, Choke Mod & Negative Feedback Removal mod, 4x12", Behringer GMX110, Amplitube 3/StealthPedal
Half a dozen custom built/bastardized guitars all with EMG's, mostly 85's, Ibanez Artwood acoustic & Yamaha SGR bass, Epiphone Prophecy SG, Vox Wah, Pitchblack tuner plus assorted pedals, rack gear etc. for home studio use.
I recently used 2 amphs in a gigging sitch for the first time in about 10 years. Wanted to use the sounds available (especially the delay for one song in particular) on my Super Champ XD, but also wanted more oomph than a 15W 1x10 on a big stage.
So I used the SC XD up close to me, where I could change the effects between songs, with the pedal for clean and drive channels, then lined that out to a 60W Sunn head with a 2x12 cab in the backline. Worked a charm.
Here's the rig, SC XD off to the right, Sunn rig back behind me:
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Thanks all for the input. As I am not playing out electrically at this time, this will be just for fun. It will be fun to experiment a little and try all that out. OG, I went back and watched your recent vid to try to see how to do it. That was a good, full, fat sound you had going there. Part of what was inspiring me to figure out how to try it.Originally Posted by oldguy
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Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson
About 15 years ago, I got two RSA 1x12" cabs, which are carpet-covered versions of Mesa/Boogie's Thiele cabs which in turn are copies of an EVM-designed cab for their 12L speakers.
I've run a stereo setup since then. First it was stereo using a power amp, preamp and FX rackmount units. Sounded okay, but rather generic.
Then a while back I got a Boss Digital Reverb pedal and run that into two Valve Jr. amps and the RSA cabs which are loaded with Celestion speakers.
I've also experimented with running a Blackheart Little Giant Head into a 1x12" cab and a Valve Jr. into a Valve Junior cab at the same time using the stereo Boss Reverb pedal. I bought the BH cab empty and threw an old Carvin speaker in it which is scooped in the mids. The VJ cab has the stock speaker which is pretty middy, so the two balance each other out very well.
I have used to use a CE-5 chorus with both of the aforementioned setups, but I didn't like the tone when it was on.