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Holy Moley!! What a difference!!
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Thread: Holy Moley!! What a difference!!

  1. #1
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    Default Holy Moley!! What a difference!!

    For quite a while, I'd thought that the tone of my Epi Elitist LP Standard was a bit bright and didn't have quite enough of that low-to-midrange "girth" that I associate with a classic LP sound. The other night, I finally got around to a long-overdue string change on the guitar, since the old set was getting pretty dull sounding on the bottom strings. The guitar originally came with 9's on it, and that's what I'd been using up to now, though I use 10's on all my other electric guitars. But this time, I decided to put a set of D'Addario XL 10's (nickel wound) on it. WOW!!! What a difference! I expected something a lot more subtle, but this is very noticeable, and the guitar has a much richer, thicker tone now. While I expected that this change would be a move in the right direction, I didn't expect this degree of impact. Not sure what the key factors are--I would guess things like pickup sensitivity characteristics, wood resonance properties, and who knows what else--but a simple change to slightly heavier strings sure made a significant and positive tonal impact!

    Just wondered if any of you experienced similar results with heavier strings?
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  2. #2
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    Yup.

    I change my strings every other month whether they need them changed or not. I love that tone you're hearing on your guitar...all the time. I also use 10s on all my electrics (Ernie Ball Regular Slinkys).
    Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.

    Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube

    Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz

  3. #3
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    Thumbs up

    Quote Originally Posted by tone2thebone
    Yup.

    I change my strings every other month whether they need them changed or not.
    If I did that on all my guitars I'd be broke. Of course, that's kinda a good problem to have.

    I do use at least 10's, and prefer 11's on Fender-scale, if I can find them.

  4. #4
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    I usually play with 10s. My Washburn Oscar Schmidt 0E30 Delta King came with 9s on it, which sounded awful...based on some online reviews I read, I put 11s on it (instead of my usual 10s), and YOWZA, much better! I am thinking about switching over to 11s on all my electrics now. Its a bit rougher on my fingertips but they'll adjust.

    About 10 years ago a friend talked me into putting either 11s or even 12s on my yamaha acoustic (my main acoustic at the time)...they sounded great, but it was REALLY difficult to bend strings (at the time I usually used 9s). I am really lazy about changing strings and usually don't bother to change them until they break; those superthick strings, the low E & A, sounded great on that acoustic for the first couple of weeks but quickly went dead-sounding ...so I wound up changing them back to lighter strings after a while (I doubt if those strings would've EVER have broken!...they were almost like bass strings)

    But yeah, heavier strings definitely do make for better tone...at least while they are still fairly fresh.
    Electrics: Epiphone Les Paul Standard (w/S.D. pups - JB-4/bridge, SH-'59 neck), Fender Fat Strat (Mexican), Squier Fat Tele, Squier '51, Agile Valkyrie III, Ibanez Artcore AF75, Washburn OS OE30 Delta King, Dean Vendetta XM (w/ Dimarzios, D-Sonic/bridge, Air Norton/neck), Silvertone archtop (late 60s/early 70s), Titan EG-1 strat, Gibson G-3 bass, Fullerton strat

    Acoustics: Sigma DM-5 (Japanese), Silvertone archtop (early 50s), Yamaha FG-110 (Korean), Alvarez RD20 12 string, Silvertone (60s)

    Amps: Alamo Capri (early 60s tube), Alamo Challenger (late 60s tube) Epiphone Valve Jr. Head (w/Peavey 1x10 cab & Realistic 2x6 cab), Fender Yale Reverb, Vox Pathfinder 15R, Marshall Lead 12, Behringer G110 V-Tone, Marshall MG15CD, Vox DA-5, Pignose 7-100, Marshall Bass 12

  5. #5
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    My strings get changed every two weeks or two gigs, whichever comes first. Fresh strings make a big difference in sound. I've been using 10's since dinosaurs once roamed the Earth.
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

  6. #6
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    C'mon guys, strings are not that expensive, if you buy bulk quantities.

    I change every 12-15 hours of playing, depending on the brand. Sometimes I'd leave them on for 20 hours if old age or boredom gets the better of me.

    As someone said: "life is too short to have bad tone!". And strings play a huge part in getting good tone!

  7. #7
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    I've never tried to count the hours of playing on a set, but I stick to my 2 gig string change. When our calendar starts filling up, I go through alot of strings.
    Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity

    Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.

    Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.

  8. #8
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    Buy Webstrings. Pretty good sounding and only $2.50 per set, and you get free shipping with orders above $14.


    Play your guitar daily!

  9. #9
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    Quote Originally Posted by kerc
    Buy Webstrings. Pretty good sounding and only $2.50 per set, and you get free shipping with orders above $14.

    http://www.webstrings.com/electric_guitar_strings.html

    Guitars (All Lefty): Fender MIM Wine Red Telecaster
    Washburn D10SCELHBK
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    Franken-Strat (Maple Neck / Black Body & Pickguard / 2-Point Tremolo / GFS Alnico Single-coil Pups / Gold Hardware)
    2 Fullerton Standard Strats; Sunburst w/ GFS Overwound P'ups and Black w/ GFS Lil Killer Rail 'Buckers
    Fullerton Deluxe Dreadnought
    Amp: Blackheart BH1HS Killer Ant Half Stack (Bitmo Ant Eater Kit)
    Crate V18-112 (Goodsell RGM Speaker / Accutronics Tank / Switch R4 - R10 Mod)
    Pignose G40V (Jensen MOD Speaker / DC Heater Mod / Pentode:Triode Switch)
    Fender Champion 30 Reverb (Accutronics Tank / Jensen MOD Speaker)
    Speaker Cab: Lopo 1x12 Tweed Convertible w/ Eminence GB128 Speaker
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  10. #10
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    Exactly. I use 009-042s myself...

    Play your guitar daily!

  11. #11
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    Lightbulb

    Quote Originally Posted by abraxas
    C'mon guys, strings are not that expensive, if you buy bulk quantities.
    Uhh... how many guitars do you have?

    Once you get to a certain point, the number of guitars you have to string is a factor, even at bulk rates:


  12. #12
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    Default

    LOL!! I love how they are stacked against what looks like West reporters! Good use for those books, guitar holders!
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

  13. #13
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    Thumbs up

    Quote Originally Posted by sunvalleylaw
    LOL!! I love how they are stacked against what looks like West reporters! Good use for those books, guitar holders!
    Dang, good eyes.

    Southern Reporter, first and second series.


  14. #14
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    "Somewhere among all these dusty law books lies . . . . " ROCK AND ROLL!!

    On an on topic note, I have not used any bulk strings yet. I like my D'Adarrios (10s) which were my first replacement set. Would like to stick with something that is similar if I went bulk.
    Steve Thompson
    Sun Valley, Idaho


    Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
    Amphs: Peavey Classic 30, '61 Fender Concert
    Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay


    love is the answer, at least for most of the questions in my heart. . .
    - j. johnson

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