I cant help but then compair him to Les Paul *shrug*
But then Id also have to say Im more of a Fender fan than Gibson.
How do you guys feel about that? I think he was an absolute genius.
Last edited by tone2thebone; May 16th, 2007 at 01:42 PM.
Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.
Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube
Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz
I cant help but then compair him to Les Paul *shrug*
But then Id also have to say Im more of a Fender fan than Gibson.
I think from what I have read he was passionate about what he could do with his technical background and talent to help musical artists accomplish more with their passions and talents. In other words, he got being passionate about something and was "into it".
Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson
This is why I think he was amazing. Especially since he didn't play at all. He created some masterpieces though that's for dang sure.Originally Posted by sunvalleylaw
Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.
Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube
Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz
Yeah, I find it hard to believe he didn't at least play around a little bit. I wonder it that is really true. Who knows though, maybe he approached achieving a subjective goal from a technical perspective only. I would find that really hard. Not my style, but maybe he could.
Steve Thompson
Sun Valley, Idaho
Guitars: Fender 60th Anniversary Std. Strat, Squier CVC Tele Hagstrom Viking Semi-hollow, Joshua beach guitar, Martin SPD-16TR Dreadnought
Amphs: Peavey Classic 30, '61 Fender Concert
Effects and such: Boss: DS-1, CE-5, NS-2 and RC20XL looper, Digitech Bad Monkey, Korg AX1G Multi-effects, Berhinger: TU100 tuner, PB100 Clean Boost, Line 6 Toneport UX2, Electro Harmonix Little Big Muff Pi, DuhVoodooMan's Rabid Rodent Rat Clone, Zonkin Yellow Screamer Mk. II, MXR Carbon Copy Delay
love is the answer, at least for most of the questions in my heart. . .
- j. johnson
wow, that's surprising. I mean, from a technical standpoint he did ingenious things to the guitar, and he never played. But now he's dead, and Les Paul is still alive, and he plays guitar, coincidence? I think yes!!
please note: I like fender better than gibson, but gibson is still awesome.
"the emperor is rich, but he cannot buy another year"
-anonymous chinese person
"the thief is sorry for being hung, not for being a thief"
-anonymous
"We are not nationalities, we are not races, we are not political parties, we are not social classes, we are not cultures, we are not subcultures, and we are not churches, but when all things are said and done, the guns are shot, the riots have died down, one thing is true, and that should preceed all other things, we are, without division: HUMAN BEINGS, is that not good enough an excuse stop shooting people, and letting others starve to death?" -Pie_man_25
The cool thing about Leo was that he took what many would consider to be a negative-- not being able to play-- and turned it into a positive. He had all kinds of ideas and could handle the technical side of getting the technology and production aspects down. But since he didn't know if his ideas would work in the real world, he would give instruments to gigging musicians and then wait for their feedback to his ideas. The info he got from musicians helped him fine-tune his ideas, or discard them, or think up new ones.Originally Posted by tone2thebone
For example, back in the early days musicians told Leo that upright basses had a hard time keeping up with electric guitar and being heard on a bandstand, so Leo designed the Telecaster initially with a "bass" circuit so that a guitarist could play pseudo-bass and be heard. When it turned out that guitarists weren't all that interested in playing bass lines on their guitars, Leo scrapped the idea and rewired a Tele so that it had today's pickup settings: neck/both/bridge.
But the bass problem still wasn't solved. So instead Leo invented the electric bass! For years, the electric bass was simply called a "Fender bass" (even if it wasn't a Fender) for that reason (like old timers used to call refrigerators "Frigidaires").
A similar thing happened with the Strat. The orignal design had 3 pup settings, neck, middle, or bridge. But when Leo gave Strats to gigging players, they discovered that "quack" sounds could be gotten by putting the switch into the two "in-between" spaces between the existing selctor notches. When word of this got back to Fender, he incorporated the new settings into the guitar's actual design, and voila: the 5-way switch was born.
Remarkable man.
Visit Crash Pad at:
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Read a review:
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Originally Posted by Brian Krashpad
Yes YES very cool information thanks B_K. What cracks me up about Leo's story is his scribbled on L E O foam coffee cup. That is SO techno geek in a very unassuming way! I think the 50s was a magical time. Some very cool innovations were birthed from the days of yesteryear. Cool clothes...cool cars...cool colors...cool guitars/basses. And the babes had hot hairdos and served you martinis when you got home.
Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.
Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube
Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz
Do you think Leo was thinking "Fifty years from now, they're still going to be playing these Strats and Teles"...........
Fender also has a killer marketing campaign back in the day - it made playing Fenders look really cool.
Last edited by Plank_Spanker; May 22nd, 2007 at 02:15 PM.
Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity
Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.
Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.
Yeah some of those old Fender ads were neat lookin'. This brings to mind just how long a Stratocaster or Tele would really last? 150 years or more? 200 years? That's crazy when you think about it.Originally Posted by Plank_Spanker
Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.
Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube
Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz
1952 Fender Calendar. Real cool.
Guitars
Wilburn Versatare, '52 FrankenTele(Fender licensed parts), Fender USA Roadhouse Strat, Fender USA Standard B-bender Telecaster, Agile AL 3000 w/ WCR pickups, Ibanez MIJ V300 Acoustic, Squier Precision Bass,
Amps
Ceriatone Overtone Special, Musicman 212 Sixty-Five, Fender Blues Jr., Peavey Classic 30, Fender Super Reverb, Traynor YCV-40 WR Anniversary w/ matching 1x12 ext. cab, Epiphone SoCal 50w head w/ matching 4x12 cab (Lady Luck speakers), Avatar 2x12 semi-open back cab w/ Celestion speakers
Pedals
Digitech Bad Monkey, Digitech Jamman, DVM's ZYS, Goodrich volume pedal
Naked babes and guitars. Yup Leo knew where this was going.Originally Posted by oldguy
Guitars/Bass - MIM Fender Classic 50s Strat, MIM Fender Standard Strat, Squier Classic Vibe 50s Tele, Gibson Les Paul Studio, Epi '56 Gold Top Les Paul, Martin DSR acoustic, Sigma Martin Auditorium electric/acoustic, Squier Jazz Bass.
Amps/Cabinets/Modelers - Model 2558 50 watt Marshall Silver Anniversary Jubilee combo w/ Celestion Vintage 30s, 4x12 Marshall cabinet w/25 watt Greenback Celestions, Fender Blues Junior w/ a couple of Billm mods, Line 6 POD 2.0, Roland Micro Cube
Pedals/Effects - Cry Baby Classic Wah, Boss TU-2, Boss NS-2, Boss RC-2 Loop Station, Ross Compressor, MXR Micro Amp, Danelectro FAB Echo, Danelectro FAB Chorus, Danelectro Chicken Salad, Marshall Guv'nor Plus, Marshall Echohead, Duhvoodooman's Zonkin' Yellow Screamer, Digitech Digiverb, Digitech Bad Monkey, Dunlop Fuzz Face, Homemade Loop Bypass pedal, Duhvoodooman's Sonic Tonic (Maxon SD-9 clone +), Voodoo Labs Superfuzz
And the Fender aura continues..............................Originally Posted by tone2thebone
Guitars: 2008 Gibson SG Classic, 2006 Gibson Les Paul Standard LE, 2002 Gibson SG Supreme, 2001 Gibson Les Paul Studio Plus, 1996 Les Paul Studio Gem, American Deluxe Double Fat Strat, Bluesville "Super" Strat Copy, MIK Fender "Limited Edition" Tele, JD Bluesville "Night Pilot", Yamaha AES 820, Steinberger Spirit GT Pro, Taylor 355CE, Ovation 1897 Adamas, Ovation CC057 Celebrity
Amps: Axe FX centered rack rig, Mesa 4x12 cab. Germino Club 40, Johnson JM150 Millennium, Johnson JM250 Millennium, Gibson Titan Medalist Frankenstein.
Effects: Tonebone Trimode, EH Holy Grail, Boss CH-1, Dunlop Crybaby Classic, Framptone Amp Switcher, THD Hot Plate, Yamaha AG Stomp Acoustic Processor, Boss BCB-60 Pedal Board.
She´s naked?? Does anyone have a larger picture? Its purely for historical reasons of courseOriginally Posted by tone2thebone
I can't say that I've given up on a flanger cause I've never liked the effect either. I also can't say the same about Tremolo. I hate them both equally. - Tone2TheBone 2009
One of the erotic things about the sexy woman in that Fender ad is that she has a very womanly sexy curvaceous come roll in my arms kind of look.Originally Posted by tone2thebone
Nowadays "Hot Babes" often look too much like boys with slicone balloons appended.
Not a sexy thought in my opinion.
Last edited by tot_Ou_tard; May 25th, 2007 at 06:10 PM.
I pick a moon dog.
I'll see if I can get you a bigger version as an atachment:Originally Posted by SuperSwede
Visit Crash Pad at:
http://www.CrashPadBand.com
http://www.facebook.com/CrashPadBand
Gear List/Pics:
http://krashpad.fortunecity.com/brian.html
Read a review:
http://www.ink19.com/issues/july2002.../crashPad.html
What I find amazing is that Leo intended the Stratocaster to play western swing.
Ron Paul is like Kryptonite to Tyranny
Guitars:
MIM Fender Stratocaster, Ibanez AS73, Fender F210, Martin Backpaker Steel-String
Amps:
Behringer V-Tone 2x10 60W, Marshall G10 MkII, Danelectro E-Studio Honeytone.
Pedals:
Danelectro Corned Beef reverb, Johnson flanger, DOD FX25 envelope filter, Behringer Hellbabe wah, Digitech Bad Monkey
Ah.. thanks Brian. Very interesting!Originally Posted by Brian Krashpad
I can't say that I've given up on a flanger cause I've never liked the effect either. I also can't say the same about Tremolo. I hate them both equally. - Tone2TheBone 2009
Lets see...a Telecaster, a naked babe and a wiener dog. Simple advertising. Why can't they make it that simple these days? I'm amused.
"No Tele For you." - The Tele Nazi
Ha! Tele-ish now inbound.