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4-way vs 5-way Tele Switch
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Thread: 4-way vs 5-way Tele Switch

  1. #1
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    Default 4-way vs 5-way Tele Switch

    Looking to change out the switch on my Tele with either a 4 or 5 way selector switch in the following configurations:

    4-way
    Position 1. Bridge Pickup
    Position 2. Bridge and Neck Pickups / Parallel
    Position 3. Bridge and Neck Pickups / Series
    Position 4. Neck Pickup

    5-way
    Position 1. Bridge Pickup
    Position 2. Bridge and Neck Pickups / Series
    Position 3. Bridge and Neck Pickups / Parallel
    Position 4. Bridge and Neck Pickups / Series & Out of Phase
    Position 5. Neck

    any recommendations for one or the other, suggestions
    Last edited by Big K; June 10th, 2007 at 04:38 PM.
    Guitars: A Few
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    We've done four already, but now we're steady, and then they went one-two-three-four....

  2. #2
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    What tone is made with series & out of phase?
    Guitars (All Lefty): Fender MIM Wine Red Telecaster
    Washburn D10SCELHBK
    Greg Bennett (Samick) Avion AV3/LH/CS
    Franken-Strat (Maple Neck / Black Body & Pickguard / 2-Point Tremolo / GFS Alnico Single-coil Pups / Gold Hardware)
    2 Fullerton Standard Strats; Sunburst w/ GFS Overwound P'ups and Black w/ GFS Lil Killer Rail 'Buckers
    Fullerton Deluxe Dreadnought
    Amp: Blackheart BH1HS Killer Ant Half Stack (Bitmo Ant Eater Kit)
    Crate V18-112 (Goodsell RGM Speaker / Accutronics Tank / Switch R4 - R10 Mod)
    Pignose G40V (Jensen MOD Speaker / DC Heater Mod / Pentode:Triode Switch)
    Fender Champion 30 Reverb (Accutronics Tank / Jensen MOD Speaker)
    Speaker Cab: Lopo 1x12 Tweed Convertible w/ Eminence GB128 Speaker
    Pedals: Korg ToneWorks AX1000G, AX5G, & AmpworksG Modeling Signal Processors
    Boss DS-1 (Rectifier Tri-Gain Plus Mod); CS-3 (Opto Plus Mod); SD-1 Super (GT Mod); GE-7 (Plus Mod)
    Fender PT-100 Tuner
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    S.D. Pickup Booster
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    ART Tube MP Studio (OPA2604 Op Amps) (On Champion 30)
    Behringer NR100 & OD100

  3. #3
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    sounds in order:

    1 NECK
    2 BRIDGE and NECK in SERIES
    3 BRIDGE and NECK in PARALLEL / Regular Tele Sound
    4 BRIDGE and NECK in SERIES / Out of Phase
    5 BRIDGE
    Last edited by Big K; December 9th, 2007 at 01:42 PM.
    Guitars: A Few
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    We've done four already, but now we're steady, and then they went one-two-three-four....

  4. #4
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    That is really thin sounding for the out of phase one. I do like the in series one.
    Guitars (All Lefty): Fender MIM Wine Red Telecaster
    Washburn D10SCELHBK
    Greg Bennett (Samick) Avion AV3/LH/CS
    Franken-Strat (Maple Neck / Black Body & Pickguard / 2-Point Tremolo / GFS Alnico Single-coil Pups / Gold Hardware)
    2 Fullerton Standard Strats; Sunburst w/ GFS Overwound P'ups and Black w/ GFS Lil Killer Rail 'Buckers
    Fullerton Deluxe Dreadnought
    Amp: Blackheart BH1HS Killer Ant Half Stack (Bitmo Ant Eater Kit)
    Crate V18-112 (Goodsell RGM Speaker / Accutronics Tank / Switch R4 - R10 Mod)
    Pignose G40V (Jensen MOD Speaker / DC Heater Mod / Pentode:Triode Switch)
    Fender Champion 30 Reverb (Accutronics Tank / Jensen MOD Speaker)
    Speaker Cab: Lopo 1x12 Tweed Convertible w/ Eminence GB128 Speaker
    Pedals: Korg ToneWorks AX1000G, AX5G, & AmpworksG Modeling Signal Processors
    Boss DS-1 (Rectifier Tri-Gain Plus Mod); CS-3 (Opto Plus Mod); SD-1 Super (GT Mod); GE-7 (Plus Mod)
    Fender PT-100 Tuner
    E.H. Big Muff Pi (US)
    S.D. Pickup Booster
    Ibanez CF7 Chorus/Flanger
    Alesis NanoVerb
    ART Tube MP Studio (OPA2604 Op Amps) (On Champion 30)
    Behringer NR100 & OD100

  5. #5
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    Series pickup wiring for single coils is really cool. Maintains the overall character of the stock parallel-wired combo, but really fills out the tone and is (as you could clearly hear in this clip) significantly louder. I still haven't gotten around to wiring in the push-pull pot on my Nashville Tele to get the bridge in series with the other p'ups, but that clip is powerful motivation....
    DVM's Ever-Expanding Gear List:

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  6. #6
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    IIRC, the four-way will be much, much easier to wire up which may or may not be an issue for you, depending on how handy you are with a soldering iron. I'm planning on putting a four-way in mine plus a push-pull pot for a Jerry Donahue-type mod (It's a phase switch with a capacitor to bleed off the low end of the neck pickup so that it doesn't get phased out of the bridge pickup. It gives sort of a Stratish quack sound).
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  7. #7
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    It does take a bit of wiring but not much more than the 4-way (see attached) I am leaning toward the 5-way tele switch (five tone) scheme but the scheme 5 way with cap is simpler using a regular 5-way switch...
    Last edited by Big K; December 9th, 2007 at 01:42 PM.
    Guitars: A Few
    Amps: A Couple
    Pedals/Effects: Sure

    We've done four already, but now we're steady, and then they went one-two-three-four....

  8. #8
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    I have made a "Jerry Donahue wiring" mod to my Tele and I believe it gives a very versatile set of sounds.
    Gearlist:
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    - Custom made Precision type bass with EMG pickup and custom paintjob

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    - 2x12” Tube Town "flexi-back" cabinet, with Celestion Speakers

    Effects, etc
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  9. #9
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    Quote Originally Posted by WackyT
    That is really thin sounding for the out of phase one. I do like the in series one.
    I like'm both. The out of phase has some cool funk to it.

    Why not go with the 5-way. That's 1 more innit?
    I pick a moon dog.

  10. #10
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    Quote Originally Posted by Big K
    It does take a bit of wiring but not much more than the 4-way (see attached) I am leaning toward the 5-way tele switch (five tone) scheme but the scheme 5 way with cap is simpler using a regular 5-way switch...
    The wiring is simpler, but you almost need to tape a cheat sheet to your guitar to remember what position does what. With one of the "super switches" I believe you can get it so that you can get the positions in the order you listed in your first post. Of course, the wiring is much harder.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  11. #11
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    Is a "super switch" really necissarry?

  12. #12
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    Quote Originally Posted by ShortBuSX
    Is a "super switch" really necessary?

    I think that I would need the super-switch to get the series-out of phase sound... with the regular 5 way I could only get a parallel-out of phase i believe....

    need some electronic wizard's help here?
    Guitars: A Few
    Amps: A Couple
    Pedals/Effects: Sure

    We've done four already, but now we're steady, and then they went one-two-three-four....

  13. #13
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    Quote Originally Posted by ShortBuSX
    Is a "super switch" really necissarry?
    To get the five settings that Big K wants? Probably not. To get them in some logical order? Yes. Here is a diagram for doing exactly what Big K wants in his first post with a five-way super switch. Positions 1, 3, and 5 would be exactly the same as a standard Tele so you'd know automatically what those settings do. Settings 2 and 4 and the series and series/out-of-phase settings, respectfully. That'd be easy to remember.

    My head would cave in trying to remember which setting is which using a normal 5-way switch as Big K posted in message #7.

    BTW, I got that diagram from guitar-mod.com. That page has a veritable bevy of wiring goodness guaranteed to turn on your soldering iron without it even being plugged in.
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  14. #14
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    Also on message #7 it appears that the cap on the switch would basically function as a Jerry Donahue mod. Having thought about all of this before, I decided to go with a four-way switch and a push-pull for the Donahue mod (out-of-phase with a cap). That way, you can get the quacky sound with the pickups in either series or parallel and the neck pickup with bass roll-off if you like.

    I've been toying with adding a second push-pull pot for a plain phase switch, but I'm not sure I like the tone of that enough to bother. Of course if it might be interesting to hear what would happen with both pots engaged, the first swinging it out of phase with the cap and the other swinging it back into phase again. The mind boggles!
    Axen: Jackson DK2M, Fender Deluxe Nashville Telecaster, Reverend Warhawk 390, Taylor 914ce, ESP LTD Surveyor-414
    Amphen: Jet City JCA22H and JCA12S cab, Carvin X-60 combo, Acoustic B20
    Effecten: "Thesis 96" Overdrive/Boost (aka DVM OD2), Hardwire DL-8 Digital Delay/Looper, DigiTech Polara Reverb, DigiTech EX-7 Expression Factory and CF-7 Chorus Factory, Danelectro CF-1 Cool Cat Fuzz
    "I wish Imagine Dragons would be stuck in an Arcade Fire for an entire Vampire Weekend."--Brian Posehn

  15. #15
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    Quote Originally Posted by marnold
    My head would cave in trying to remember which setting is which using a normal 5-way switch as Big K posted in message #7.
    Agreed,

    I originally got the idea from Deaf Eddie but your diagram is identical and a little cleaner and easier to read..thanks... I'm headed to GC to grab a super-switch, another set of Shaller/Fender's and test drive to a couple of fuzz/overdrive pedals....

    I do have a 500k push pull that may have to go in that Tele also...
    Guitars: A Few
    Amps: A Couple
    Pedals/Effects: Sure

    We've done four already, but now we're steady, and then they went one-two-three-four....

  16. #16
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    I would tend to agree that the superswitch, while adding some expense and additional soldering complexity, would be much easier to use when the job is done. Much more logical switching sequence.

    And keep in mind that you can always do series and out-of-phase wiring using push-pull pots, as an alternative....
    DVM's Ever-Expanding Gear List:

    Guitars - W-A-A-A-Y-Y too many to list. Check 'em all out HERE

    Amps & Cabs - "Kap'n Kerrang-aroo" BYOC 18W TMB kit amp head; Mojave Coyote head; Fender Hot Rod Deluxe Lacquered Tweed Ltd. Ed.; Allen Sweet Spot kit amp; BYOC Tweed Royal kit amp; Epiphone Valve Jr. combo + mods; Drive 2x12 cab / Celestion G12M Greenback + G12H30; AB Custom Audio 1x12 cab / Celestion Alnico Blue

    Pedals/Effects - ZILLIONS, including DVM's Home-built Pedals - See some HERE and HERE, TOO!

    DVM's Gear Photos
    Visit MY WEBSITE!



  17. #17
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    Quote Originally Posted by duhvoodooman
    I would tend to agree that the superswitch, while adding some expense and additional soldering complexity, would be much easier to use when the job is done. Much more logical switching sequence.

    And keep in mind that you can always do series and out-of-phase wiring using push-pull pots, as an alternative....
    Yes sir, agreed............
    Guitars: A Few
    Amps: A Couple
    Pedals/Effects: Sure

    We've done four already, but now we're steady, and then they went one-two-three-four....

  18. #18
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    the Series out of phase solo starts at 1:53... they did a ZZ Top vibe I like it
    Last edited by Big K; December 9th, 2007 at 01:42 PM.
    Guitars: A Few
    Amps: A Couple
    Pedals/Effects: Sure

    We've done four already, but now we're steady, and then they went one-two-three-four....

  19. #19
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    That sounded good in that song, Big K.
    Guitars (All Lefty): Fender MIM Wine Red Telecaster
    Washburn D10SCELHBK
    Greg Bennett (Samick) Avion AV3/LH/CS
    Franken-Strat (Maple Neck / Black Body & Pickguard / 2-Point Tremolo / GFS Alnico Single-coil Pups / Gold Hardware)
    2 Fullerton Standard Strats; Sunburst w/ GFS Overwound P'ups and Black w/ GFS Lil Killer Rail 'Buckers
    Fullerton Deluxe Dreadnought
    Amp: Blackheart BH1HS Killer Ant Half Stack (Bitmo Ant Eater Kit)
    Crate V18-112 (Goodsell RGM Speaker / Accutronics Tank / Switch R4 - R10 Mod)
    Pignose G40V (Jensen MOD Speaker / DC Heater Mod / Pentode:Triode Switch)
    Fender Champion 30 Reverb (Accutronics Tank / Jensen MOD Speaker)
    Speaker Cab: Lopo 1x12 Tweed Convertible w/ Eminence GB128 Speaker
    Pedals: Korg ToneWorks AX1000G, AX5G, & AmpworksG Modeling Signal Processors
    Boss DS-1 (Rectifier Tri-Gain Plus Mod); CS-3 (Opto Plus Mod); SD-1 Super (GT Mod); GE-7 (Plus Mod)
    Fender PT-100 Tuner
    E.H. Big Muff Pi (US)
    S.D. Pickup Booster
    Ibanez CF7 Chorus/Flanger
    Alesis NanoVerb
    ART Tube MP Studio (OPA2604 Op Amps) (On Champion 30)
    Behringer NR100 & OD100

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